|
Rakta Yamari
Rakta Yamari (Tibetan ''shin je she mar in'', Wylie: ''gshin rje gshed dmar'' "the Red Enemy of Death") is a Tantric Buddhist meditational deity which is a wrathful form of bodhisattva Manjushri or Yamantaka. Yamari deities have two forms: red (rakta) and black (krishna), and are part of the Anuttarayoga Class of Tantric Buddhism. The Ngor Mandala collection of the Sakya tradition alone lists eight different forms/lineages of the blue/black buffalo-faced Vajrabhairava (which include the two Gelug ones) and four of red Rakta- or blue Krishna-Yamari (all without the buffalo head). All the former are yidams (meditational deities) whereas Yamaraja Yama ( sa, यम), also known as Kala, and Dharmaraja is the Hindu god of death and justice, responsible for the dispensation of law and punishment of sinners in his abode, Yamapuri. He is often identified with Dharmadeva, the personificati ... (sometimes also called Dharamaraja) is a Dharma protector. Rakta Yamari of Virupa and R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painted 17th Century Tibetan 'Five Deity Mandala', In The Center Is Rakta Yamari (the Red Enemy Of Death) Embracing His Consort Vajra Vetali, In The Corners Are The Red, Green White And Yellow Yamari
Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture. Paint can be made in many colors—and in many different types. Paint is typically stored, sold, and applied as a liquid, but most types dry into a solid. Most paints are either oil-based or water-based and each has distinct characteristics. For one, it is illegal in most municipalities to discard oil-based paint down household drains or sewers. Clean-up solvents are also different for water-based paint than they are for oil-based paint. Water-based paints and oil-based paints will cure differently based on the outside ambient temperature of the object being painted (such as a house.) Usually, the object being painted must be over , although some manufacturers of external paints/primers claim they can be applied when temperatures are as low as . History Paint was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Tibetan
Classical Tibetan refers to the language of any text written in Tibetic after the Old Tibetan period. Though it extends from the 12th century until the modern day, it particularly refers to the language of early canonical texts translated from other languages, especially Sanskrit. The phonology implied by Classical Tibetan orthography is very similar to the phonology of Old Tibetan, but the grammar varies greatly depending on period and geographic origin of the author. Such variation is an under-researched topic. In 816, during the reign of King Sadnalegs, literary Tibetan underwent a thorough reform aimed at standardizing the language and vocabulary of the translations being made from Sanskrit, which was one of the main influences for literary standards in what is now called Classical Tibetan. Nouns Structure of the noun phrase Nominalizing suffixes — ''pa'' or ''ba'' and ''ma'' — are required by the noun or adjective that is to be singled out; * ''po'' or ''bo'' (ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wylie Transliteration
Wylie transliteration is a method for transliterating Tibetan script using only the letters available on a typical English-language typewriter. The system is named for the American scholar Turrell V. Wylie, who created the system and published it in a 1959 ''Harvard Journal of Asiatic Studies'' article. It has subsequently become a standard transliteration scheme in Tibetan studies, especially in the United States. Any Tibetan language romanization scheme faces the dilemma of whether it should seek to accurately reproduce the sounds of spoken Tibetan or the spelling of written Tibetan. These differ widely, as Tibetan orthography became fixed in the 11th century, while pronunciation continued to evolve, comparable to the English orthography and French orthography, which reflect Late Medieval pronunciation. Previous transcription schemes sought to split the difference with the result that they achieved neither goal perfectly. Wylie transliteration was designed to precisely transc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tantric Buddhism
Vajrayāna ( sa, वज्रयान, "thunderbolt vehicle", "diamond vehicle", or "indestructible vehicle"), along with Mantrayāna, Guhyamantrayāna, Tantrayāna, Secret Mantra, Tantric Buddhism, and Esoteric Buddhism, are names referring to Buddhist traditions associated with Tantra and "Secret Mantra", which developed in the medieval Indian subcontinent and spread to Tibet, Nepal, other Himalayan states, East Asia, and Mongolia. Vajrayāna practices are connected to specific lineages in Buddhism, through the teachings of lineage holders. Others might generally refer to texts as the Buddhist Tantras. It includes practices that make use of mantras, dharanis, mudras, mandalas and the visualization of deities and Buddhas. Traditional Vajrayāna sources say that the tantras and the lineage of Vajrayāna were taught by Śākyamuni Buddha and other figures such as the bodhisattva Vajrapani and Padmasambhava. Contemporary historians of Buddhist studies meanwhile argue that this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manjushri
Mañjuśrī (Sanskrit: मञ्जुश्री) is a ''bodhisattva'' associated with '' prajñā'' (wisdom) in Mahāyāna Buddhism. His name means "Gentle Glory" in Sanskrit. Mañjuśrī is also known by the fuller name of Mañjuśrīkumārabhūta (),Keown, Damien (editor) with Hodge, Stephen; Jones, Charles; Tinti, Paola (2003). ''A Dictionary of Buddhism.'' Oxford, UK: Oxford University Press. p.172. literally "Mañjuśrī, Still a Youth" or, less literally, "Prince Mañjuśrī". Another name of Mañjuśrī is Mañjughoṣa. It is claimed that Nurhaci, the founder of what would become the Qing dynasty of China, named his tribe Man (满) after Manjushri. In Mahāyāna Buddhism Scholars have identified Mañjuśrī as the oldest and most significant bodhisattva in Mahāyāna literature. Mañjuśrī is first referred to in early Mahāyāna sūtras such as the Prajñāpāramitā ''sūtra''s and through this association, very early in the tradition he came to symbolize the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamantaka
Yamāntaka ( sa, यमान्तक Yamāntaka) or Vajrabhairava (; ; ko, 대위덕명왕 ''Daewideok-myeongwang''; ja, 大威徳明王 ''Daiitoku-myōō''; mn, Эрлэгийн Жаргагчи ''Erlig-jin Jarghagchi'') is the "destroyer of death" deity of Vajrayana Buddhism. Sometimes he is conceptualized as "conqueror of the lord of death". Of the several deities in the Buddhist pantheon named 'Yamāntaka', the most well known, also called as 'Vajrabhairava' belongs to the Anuttarayoga Tantra class of deities popular within the Gelug school of Tibetan Buddhism. Etymology ''Yamāntaka'' is a Sanskrit name that can be broken down into two primary elements: ''Yama (यम)'', –the god of death; and ''antaka'' (अन्तक) –destroyer. Thus, Yamāntaka means “Destroyer of Death” or "Conqueror of Death". While Yamāntaka is therefore Yama's nemesis, his representation mirrors Yama in many ways: he too often rides a buffalo and often depicted with a buffalo's head. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anuttarayoga Tantra
Classes of Tantra in Tibetan Buddhism refers to the categorization of Tantras (Buddhism), Buddhist tantric scriptures in Tibetan Buddhism, Indo-Tibetan Buddhism. Tibetan Buddhism inherited numerous tantras and forms of Tantra, tantric practice from medieval Indian Buddhist Tantra. There were various ways of categorizing these tantras in India. In Tibet, the Sarma (Tibetan Buddhism), Sarma (New Translation) schools categorize tantric scriptures into four classes, while the Nyingma (Ancients) school use six classes of tantra. Sarma ("New Translation") classification The Sarma (Tibetan Buddhism), Sarma, "New Translation" schools of Tibetan Buddhism (Gelug, Sakya (Tibetan Buddhist school), Sakya, Kagyu, Jonang) classify tantric practices and texts into four. In this, they follow Indian Tantric Buddhists such as Abhayākara, who makes this distinction in his ''Clusters of Quintessential Instructions''. Tantras are classified according to the capacity of persons, the deities they use, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sakya (Tibetan Buddhist School)
The ''Sakya'' (, 'pale earth') school is one of four major schools of Tibetan Buddhism, the others being the Nyingma, Kagyu, and Gelug. It is one of the Red Hat Orders along with the Nyingma and Kagyu. Origins Virūpa, 16th century. It depicts a famous episode in his hagiography when he stopped the sun in the sky. The name ''Sakya'' ("pale earth") derives from the unique grey landscape of the Ponpori Hills in southern Tibet near Shigatse, where Sakya Monastery, the first monastery of this tradition, and the seat of the Sakya School was built by Khon Konchog Gyalpo (1034–1102) in 1073. The Sakya tradition developed during the second period of translation of Buddhist scripture from Sanskrit into Tibetan in the late 11th century. It was founded by Drogmi, a famous scholar and translator who had studied at the Vikramashila directly under Naropa, Ratnākaraśānti, Vagishvakirti and other great panditas from India for twelve years. Khon Konchog Gyalpo became Drogmi's disc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrabhairava
Yamāntaka ( sa, यमान्तक Yamāntaka) or Vajrabhairava (; ; ko, 대위덕명왕 ''Daewideok-myeongwang''; ja, 大威徳明王 ''Daiitoku-myōō''; mn, Эрлэгийн Жаргагчи ''Erlig-jin Jarghagchi'') is the "destroyer of death" deity of Vajrayana Buddhism. Sometimes he is conceptualized as "conqueror of the lord of death". Of the several deities in the Buddhist pantheon named 'Yamāntaka', the most well known, also called as 'Vajrabhairava' belongs to the Anuttarayoga Tantra class of deities popular within the Gelug school of Tibetan Buddhism. Etymology ''Yamāntaka'' is a Sanskrit name that can be broken down into two primary elements: '' Yama (यम)'', –the god of death; and ''antaka'' (अन्तक) –destroyer. Thus, Yamāntaka means “Destroyer of Death” or "Conqueror of Death". While Yamāntaka is therefore Yama's nemesis, his representation mirrors Yama in many ways: he too often rides a buffalo and often depicted with a buffalo's h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yidam
''Yidam'' is a type of deity associated with tantric or Vajrayana Buddhism said to be manifestations of Buddhahood or enlightened mind. During personal meditation (''sādhana'') practice, the yogi identifies their own form, attributes and mind with those of a yidam for the purpose of transformation. Yidam is sometimes translated by the terms "meditational deity" or "tutelary deity". Examples of yidams include the meditation deities Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, mandala, mantra, rites of invocation and practice. In Vajrayana, the yidam is one of the three roots of the inner refuge formula and is also the key element of deity yoga since the 'deity' in the yoga is the yidam. Etymology Yidam is said to be a contraction of Tib. ''yid-kyi-dam-tshig'', meaning "samaya of mind" or in other words, the state of being indestructibly bonded with the inherently pure and liberated nature of mind. This is said ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaraja
Yama ( sa, यम), also known as Kala, and Dharmaraja is the Hindu god of death and justice, responsible for the dispensation of law and punishment of sinners in his abode, Yamapuri. He is often identified with Dharmadeva, the personification of ''Dharma'', though the two deities have different origins and myths. In Vedic tradition, Yama was considered to be the first mortal who died and espied the way to the celestial abodes; thus, as a result, he became the ruler of the departed. His role, characteristics, and abode have been expanded in texts such as the ''Upanishads'', the ''Ramayana'', the ''Mahabharata'' and the ''Puranas''. Yama is described as the twin of Yami, and the son of the sun god Surya (in earlier traditions Vivasvat) and Sanjna. He judges the souls of the dead and depending on their deeds, he assigns them to the realm of the Pitris (forefathers), Naraka (hell), or be reborn on the earth. Yama is aided by the god Chitragupta, who keeps a record of every deed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_16th_century_Boston_MFA.jpg "Click for more on -> Rakta Yamari")
_(8697431158).jpg "Click for more on -> Tantric Buddhism")
