Rajkumar Shyamanand Sinha
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Rajkumar Shyamanand Sinha
Rajkumar Shyamanand Sinha (also known as Kumar Shyamanand Singh) (born 27 July 1916) was the eldest son of Raja Bahadur Kirtyanand Sinha of the Banaili estate. As the eldest child of a Raja, Shyamanad Sinha had many pursuits that were the hallmark of the aristocracy then but was especially notable for his talent and ability in hindustani classical music. Learning Though Rajkumar Shyamanand Sinha learned music from many eminent names, his acknowledged Guru was the legendary Ustad Vishmadev Chattopadyay of Kolkata, who in turn had learnt music from Ustad Badal Khan of Delhi(Sonipat)gharana and Ustad Faiyaz Khan of agra Gharan The musical journey of Shyamanand Sinha began early in his life when he started playing harmonium and clarionet with an elder relation in his family. The turnaround happened when in 1935, he happened to come across a 78 RPM record of Ustad Vishmadev Chattopadyay. The record had "Rut Basant" in Raga Rageshri Bahar and "Piya Pardes" in Patdeep, famous renditi ...
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Raja Bahadur Kirtyanand Sinha
Raja Bahadur Kirtyanand Sinha (1880-1938) was an Indian businessman and philanthropist. Life Sinha gained a Bachelor of Arts from Allahabad University. He wrote three books: ''Purnea, a Shikarland''; ''Shikar in Hills and Jungles''; and ''Homeopathic Practice''. He contributed to the establishment of T.N.B College in Bhagalpur, which was in need of funds, having been established in the 1880s. Sinha contributed "60 acres of land and 6 lakhs of rupees in cash for the construction of building and other developmental work". For this contribution and other acts of charity, he was awarded the title of Raja in June 1914. On 9 July 1917, he was appointed as a government nominee to the Champaran Agrarian Committee, which had been set up to resolve the issue of indigo planters in Champaran following the Champaran Satyagraha by Mahatma Gandhi. On this committee, he worked with Gandhi, and for his work he was awarded the title of Raja Bahadur in 1919. On the request and appeal made by Sri B ...
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Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ...
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Hindustani Singers
Hindustani may refer to: * something of, from, or related to Hindustan (another name of India) * Hindustani language, an Indo-Aryan language, whose two official norms are Hindi and Urdu * Fiji Hindi, a variety of Eastern Hindi spoken in Fiji, and is known locally as Hindustani * Caribbean Hindustani, a variety of Eastern Hindi spoken in the Caribbean * Hindustani classical music, a major style of Indian classical music * ''Hindustani'' (film) or ''Indian'', a 1996 film starring Kamal Haasan and Manisha Koirala * Muhammadjan Hindustani, Islamist teacher of Uzbekistan See also * South Asian ethnic groups * Hindustani Lal Sena or Indian Red Army, formed 1939 * Communist Ghadar Party of India, a political group founded in 1970 * ''Raja Hindustani ''Raja Hindustani/Prema Bandham''(/ప్రేమ బంధం) is a 1996 Indian Hindi-language romantic drama film directed by Dharmesh Darshan. It tells the story of a cab driver from a small town who falls in love with a rich young ...
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Culture Of Mithila
Culture () is an umbrella term which encompasses the social behavior, institutions, and Social norm, norms found in human Society, societies, as well as the knowledge, beliefs, arts, laws, Social norm, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculturalism, monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus ...
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All India Radio
All or ALL may refer to: Language * All, an indefinite pronoun in English * All, one of the English determiners * Allar language (ISO 639-3 code) * Allative case (abbreviated ALL) Music * All (band), an American punk rock band * ''All'' (All album), 1999 * ''All'' (Descendents album) or the title song, 1987 * ''All'' (Horace Silver album) or the title song, 1972 * ''All'' (Yann Tiersen album), 2019 * "All" (song), by Patricia Bredin, representing the UK at Eurovision 1957 * "All (I Ever Want)", a song by Alexander Klaws, 2005 * "All", a song by Collective Soul from ''Hints Allegations and Things Left Unsaid'', 1994 Science and mathematics * ALL (complexity), the class of all decision problems in computability and complexity theory * Acute lymphoblastic leukemia * Anterolateral ligament Sports * American Lacrosse League * Arena Lacrosse League, Canada * Australian Lacrosse League Other uses * All, Missouri, a community in the United States * All, a brand of Sun Prod ...
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Basavaraj Rajguru
Pandit Basavraj Rajguru (24 August 1920 – 1991) was a leading Indian classical vocalist in the Kirana gharana (singing style). Early life and training Basavraj was born into a family of scholars, astrologers and musicians in Yaliwal, a village in the north Karnataka district of Dharwad, a great centre of classical music. He was initiated into classical music at an early age by his father, who was himself a renowned Carnatic musician trained in Tanjavur. Basavaraj was fond of music from a very young age. He would try to persuade drama producers and actors to let him sing in their plays, and first became known while singing for Vamanrao Master’s traveling drama company. When he was 13 years old, he lost his father. His uncle became concerned about his future in drama. Around this time Panchakshari Gawai discovered Basavraj and took him into his tutelage. In 1936 at the 600th anniversary of the Vijayanagara Empire in Hampi, Basavraj gave his first concert with his guru G ...
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Pandit Jasraj
Pandit Jasraj (28 January 1930  – 17 August 2020) was an Indian classical vocalist, belonging to the '' Mewati gharana'' (musical apprenticeship lineage). His musical career spanned 75 years resulting in national and international fame, respect and numerous major awards and accolades. His legacy includes memorable performances of classical and semi-classical vocal music, classical and devotional music, albums and film soundtracks, innovations in various genres including ''Haveli Sangeeth'' and popularizing the ''Mewati Gharana'' - a school of thought in Hindustani classical music. Pandit Jasraj taught music to amateur and professional students in India, Europe, Canada and the United States. Early life Jasraj was born on 28 January 1930 in Pili Mandori, a village in the then Hisar district (now in Fatehabad district) of Haryana, in a middle-class Brahmin family to Pandit Motiram, a classical singer and Krishna Bai. He was the youngest of three sons, in a family of clas ...
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Faiyaz Khan
Ustad Faiyaz Khan (8 February 1886 5 November 1950) was an Indian classical vocalist, an exponent of the Agra gharana of Hindustani classical music. According to SwarGanga Music Foundation website, "By the time he died at Baroda, he had earned the reputation of being one of the greatest and most influential vocalists of the century." Early life Born at Sikandara in the North-Western Provinces in 1886, he was the son of Safdar Hussain, who died four months before his birth. He was brought up by his maternal grandfather, Ghulam Abbas (1825-1934), who taught him music up to the age of 25. He was also a student of Ustad Mehboob Khan "Daraspiya", his father-in-law, Natyan Khan and his uncle Fida Hussain Khan. According to an article on a music website titled, 'Great Masters of Hindustani Music', "Faiyaz Khan's musical lineage goes back to Tansen himself. His family is traced back to Alakhdas, Malukdas and then to Haji Sujan Khan (son of Alakhdas who became a Muslim)." Singing caree ...
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Purnia
Purnia ()(also romanized as Purnea) is a city that serves as the administrative headquarters of both Purnia district and Purnia division in the Indian state of Bihar. Total geographical area of Purnia Urban Agglomeration is which is next only to Patna. Population density of the city is 3058 persons per km sq. making it the 4th largest city of Bihar by population. It is nearly 302 kilometres from Patna, as well as 171 km from Siliguri, 90 km from Bhagalpur.It is 640 km from Guwahati (Approx.) and 450 km from Kolkata, the capital of the adjacent state of West Bengal and the largest city in East India. Purnia district covers 3202.31 sq. km of the state of Bihar. The Indian Army, Indian Air Force, and three of five branches of India's Central Armed Police Forces – the Border Security Force (BSF), the Sashastra Seema Bal (SSB), and the Indo-Tibetan Border Police (ITBP) – have bases around the district. Etymology Several possible origins for the ...
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Banaili
Banaili Raj also known as Garhbanaili Raj was a zamindari estate based in the Indian state of Bihar. They were considered one of the ruling dynasties of the Mithila region. Rulers and holders of this estate were Maithil Brahmin. The name of the estate derives from a village Banaili in the then Purnia district of Bihar. The main centres of residences of Rajas of Banaili are Banaili, Ramnagar, Champanagar, Srinagar, Garh Banaili, and Sultanganj. Bhagalpur was the centre from where administration of the estate was carried out. One of the centres of Banaili Raj located in Sultanganj is believed to have ancient historical or mythical association. The Krishnagarh Palace built by Kumar Krishnanand Singh on Sultanganj is in the Karnagarh area, which is believed to be place where the Castle of King Karna of Mahabharata was located. Raja Bahadur Dular Singh Choudhary Though the roots of the family can be traced to 11th-12th centuries as done ably by Girijanand Sinha in his book, ...
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Kesarbai Kerkar
Kesarbai Kerkar (13 July 1892 – 16 September 1977) was an Indian classical vocalist of the Jaipur-Atrauli gharana. A protege of Ustad Alladiya Khan (1855–1946), the founder of the gharana, from age sixteen, she went on to become one of the most noted khayal singers of the second half of the 20th century. She was awarded the Sangeet Natak Akademi Award in 1953, followed by Padma Bhushan is the third highest civilian award in India, in 1969. Biography Early life and training Born in the tiny village of Keri (also spelled "Querim"), in a family from Ponda ''taluka'' of North Goa, Goa (then a Portuguese colony), at the age of eight Kerkar moved to Kolhapur, where she studied for eight months with Abdul Karim Khan. Upon her return to Goa, she studied with the vocalist Ramkrishnabuwa Vaze (1871–1945), during his visits to Lamgaon. Meanwhile, Mumbai (then Bombay) under British Raj, was fast developing as a business and trade centre of the country. Several musicians and si ...
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Ragas
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ...
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