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Rainbow Mist
''Rainbow Mist'' is an album by the American jazz saxophonist Coleman Hawkins compiling recordings from 1944 originally released by Apollo Records that was released by the Delmark label in 1992.Jazzlists: Delmark Records discography: 400/500 series accessed October 14, 2019 accessed October 14, 2019 Reception reviewer Scott Yanow stated "For his recording session of February 16, 1944, the great tenor invited some of the most promising younger players (including trumpeter Di ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Feather
Leonard Geoffrey Feather (13 September 1914 – 22 September 1994) was a British-born jazz pianist, composer, and producer, who was best known for his music journalism and other writing. Biography Feather was born in London, England, into an upper middle-class Jewish family. He learned to play the piano and clarinet without formal training and started writing about jazz and film by his late teens. At the age of twenty-one, Feather made his first visit to the United States, and after working in the UK and the US as a record producer finally settled in New York City in 1939, where he lived until moving to Los Angeles in 1960. Feather was co-editor of ''Metronome'' magazine and served as chief jazz critic for the ''Los Angeles Times'' until his death. Feather made a significant contribution to the development of jazz broadcasting in Britain, first devising three ''Evergreens of Jazz'' programmes broadcast in August and September 1936, using George Scott-Wood and His Six Swingers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vic Coulson
Victor "Vic" Coulsen (dates unknown) was an American jazz trumpeter. Often referred to as Vic Coulsen, Vic Coulson, and even Vic Couslen, Coulsen was a member of the resident band at the Monroe's club, under Al Tinney's direction from as early as 1940. Coulsen has often been remembered as having had a seminal influence on the phrasing of early bebop by the likes of Thelonious Monk, Miles Davis, Dizzy Gillespie and several others - Charlie Parker among them. Parker remembers Coulsen (here spelled "Coulson") ''"playing things I'd never heard before"'', and states that the music he heard on those nights at Monroe's caused him to quit Jay McShann's band and relocate to New York City. These testimonies make Coulsen one of the founding fathers (albeit a minor one) of the bebop idiom. Unfortunately, Coulsen never recorded, except for some tracks taken in 1944 with an orchestra led by Coleman Hawkins, where he performs in the trumpet section, taking no solos. Nothing is known of Couls ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Tobias
Harry Tobias (September 11, 1895 – December 15, 1994) was an American lyricist. Like his younger brother Charles, he is an inductee of the Songwriters Hall of Fame. Born in New York City, United States, but raised in Worcester, Massachusetts, he began writing songs in his teens. At the age of 19, he co-wrote his first successful songs, "That Girl of Mine" and "Take Me To My Alabam", with Will Dillon. After serving in the US Army, he returned to songwriting, co-writing the 1922 novelty hit, "Oo-oo, Ernest (Are You Earnest With Me?)". He often worked with his brothers Charles and Henry, writing songs with Charles for the Broadway show ''Earl Carroll's Sketch Book'' in 1929, and writing Rudy Vallee's hit "Miss You" with both brothers the same year. In 1931, he had success with the song "At Your Command", an early success for Bing Crosby, and also co-wrote " Sweet and Lovely", a hit for Russ Columbo. He wrote or co-wrote the theme songs for many films in the 1930s and 1940s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles N
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Arnheim
Gus Arnheim (September 4, 1897 – January 19, 1955) was an American pianist and an early popular band leader. He is noted for writing several songs with his first hit being "I Cried for You" from 1923. He was most popular in the 1920s and 1930s. He also had a few small acting roles. Career Arnheim was born in Philadelphia, Pennsylvania, United States. In 1919, three men who all would become famous band leaders played together at the Sunset Inn in Santa Monica, California. Arnheim played piano, Abe Lyman played the drums, and Henry Halstead played violin. Arnheim grew up in Chicago and at one point was accompanist to vaudevillian Sophie Tucker. When Lyman organized a full dance orchestra, Arnheim came along as pianist, leaving to start his own group in 1927. Arnheim's orchestra made at least three film short subjects for Warner Brothers' Vitaphone Corporation in 1928–29. Arnheim first recorded for OKeh in 1928–1929, when he signed with Victor in 1929 and stayed through 1933 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet And Lovely
"Sweet and Lovely" is an American popular song of 1931, composed by Gus Arnheim, Charles N. Daniels, and Harry Tobias. Recordings of the song which charted in 1931 are: * Gus Arnheim & His Cocoanut Grove Orchestra with a vocal refrain by Donald Novis – #1 on the charts for 14 weeks * Guy Lombardo & His Royal Canadians – #2 * Bing Crosby – #9 – recorded September 14, 1931 with Victor Young and His Orchestra. (this was reissued in 1944 and briefly charted at No. 27) * Ben Bernie & His Orchestra – #12 * Russ Columbo – #19 Other recordings *Denny Dennis – with Jay Wilbur and his Orchestra (1940) *Flip Phillips Fliptet - recorded on October 9, 1944, released later as a 78 (Signature 90003) *Thelonious Monk – for his 1952 album ''Thelonious Monk Trio'' *Bing Crosby – for his 1954 album '' Bing: A Musical Autobiography'' *Gerry Mulligan – for his 1955 album '' Presenting the Gerry Mulligan Sextet'' *Vince Guaraldi – for his 1956 album ''Vince Guaraldi Trio'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernon Duke
Vernon Duke ( 16 January 1969) was a Russian-born American composer/songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), " April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the ''Ziegfeld Follies'' of 1934, also with Harburg. He wrote the words and music for " Autumn in New York" (1934) for the revue '' Thumbs Up!'' In his book, ''American Popular Song, The Great Innovators 1900-1950'', composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn. Early life Vladimir Aleksandrovich Dukelsky (Russian: Владимир Александрович Дукельский) was born in 1903 into a Belarusian noble family in the village of Parfyan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Get Started
"I Can't Get Started", also known as "I Can't Get Started with You" or "I Can't Get Started (with You)", is a popular song. It was written in 1936 by Vernon Duke (music) and Ira Gershwin (lyrics) and introduced that year in the film ''Ziegfeld Follies of 1936'', where it was performed by Bob Hope and Eve Arden. Hal Kemp and his Orchestra recorded it and it had a bit of popularity, rising briefly to 14th place on the recording charts. Bunny Berigan's 1937 version was inducted into the Grammy Hall of Fame. Recordings Ira Gershwin noted in 1959 that "The sheet-music sale of the song never amounted to much... but an early recording by Bunny Berigan—considered by jazz devotees a sort of classic in its field—may have been a challenge (or incentive) for the great number of recordings that have followed. Not a year has gone by, in the past fifteen or so, that up to a dozen or more new recordings haven't been issued." Bunny Berigan Bunny Berigan, a trumpeter with Benny Goodman and Tom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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