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Rain (1929 Film)
''Rain'' ( nl, Regen ) is a 1929 Dutch short documentary film directed by Mannus Franken and Joris Ivens. It premiered on 14 December 1929, in the Amsterdam Filmliga's theater, De Uitkijk. Historical significance and context ''Regen'' has four key elements that have cemented its place in documentary history: its place in the long career of director Joris Ivens, the Dutch Film Canon, the City Symphony film movement, and the history of avant-garde documentaries. Joris Ivens lived from 1898 to 1989 and in that time created thirteen noteworthy documentaries, whose interrelation and evolution loosely model the trajectory of documentary film as a whole. Over his career, he made art films, commercial films, political documentaries, war (and indeed anti-war) documentaries. His final film, '' A Tale of the Wind'', was an autobiographical piece contemplating the divide between realism and fantasy. Additionally, Ivens was one of the inaugural voices of Dutch Film, establishing traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannus Franken
Mannus Franken (6 February 1899 – 1 August 1953) was a Dutch filmmaker who played an important role in the development of Indonesian cinema. He made his debut as a writer before working with Joris Ivens in producing two documentary films. In 1934 he was called to the Dutch East Indies by Albert Balink to help with the production of ''Pareh'' (1936). Franken stayed in the Indies until before World War II, making newsreels. After the war he returned to the country and continued this work. In 1949 Franken returned to the Netherlands, where he made another film before his death. Biography Franken was born on 2 February 1899 in Deventer, the Netherlands. As a youth he worked as a writer-cum-director before moving to Paris in 1925; in Paris he wrote on the experimental films being produced in France, and in 1928 he directed the stageplay ''D 16 Mensch en Machine'' (''D 16 Man and Machine''), based on the story "Donogoo Tonka" by Jules Romains. The following year, working w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canal
Canals or artificial waterways are waterways or engineered channels built for drainage management (e.g. flood control and irrigation) or for conveyancing water transport vehicles (e.g. water taxi). They carry free, calm surface flow under atmospheric pressure, and can be thought of as artificial rivers. In most cases, a canal has a series of dams and locks that create reservoirs of low speed current flow. These reservoirs are referred to as ''slack water levels'', often just called ''levels''. A canal can be called a ''navigation canal'' when it parallels a natural river and shares part of the latter's discharges and drainage basin, and leverages its resources by building dams and locks to increase and lengthen its stretches of slack water levels while staying in its valley. A canal can cut across a drainage divide atop a ridge, generally requiring an external water source above the highest elevation. The best-known example of such a canal is the Panama Canal. Many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weimar Republic
The Weimar Republic (german: link=no, Weimarer Republik ), officially named the German Reich, was the government of Germany from 1918 to 1933, during which it was a constitutional federal republic for the first time in history; hence it is also referred to, and unofficially proclaimed itself, as the German Republic (german: Deutsche Republik, link=no, label=none). The state's informal name is derived from the city of Weimar, which hosted the constituent assembly that established its government. In English, the republic was usually simply called "Germany", with "Weimar Republic" (a term introduced by Adolf Hitler in 1929) not commonly used until the 1930s. Following the devastation of the First World War (1914–1918), Germany was exhausted and sued for peace in desperate circumstances. Awareness of imminent defeat sparked a revolution, the abdication of Kaiser Wilhelm II, formal surrender to the Allies, and the proclamation of the Weimar Republic on 9 November 1918. In its i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emanuel Goldberg
Emanuel Goldberg ( he, עמנואל גולדברג; yi, עמנואל גאָלדבערג; russian: Эмануэль Гольдберг) (born: 31 August 1881; died: 13 September 1970) was an Israeli physicist and inventor. He was born in Moscow and moved first to Germany and later to Israel. He described himself as "a chemist by learning, physicist by calling, and a mechanic by birth." He contributed a wide range of theoretic and practical advances relating to light and media and was the founding head of Zeiss Ikon, the famous photographic products company in Dresden, Germany. His inventions include microdots, the Kinamo movie camera, the Contax 35 mm camera, a very early search engine, and equipment for sensitometry. Biography Goldberg was born in Moscow on 31 August 1881 (19 August 1881 in the Old Style, Julian calendar, sometimes given in error as 1 September) the son of Grigorii Ignat'evich Goldberg, a distinguished Colonel (Polkovnik) in the Tsar's military medical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formalist Film Theory
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. Today, it is a major approach in film studies. Overview Formalism, at its most general, considers the synthesis (or lack of synthesis) of the multiple elements of film production, and the effects, emotional and intellectual, of that synthesis and of the individual elements. For example, take the single element of editing. A formalist might study how standard Hollywood "continuity editing" creates a more comforting effect and non-continuity or jump cut editing might become more disconcerting or volatile. Or one might consider the synthesis of several elements, such as editing, shot composition, and music. The shoot-out that ends Sergio Leone's Spaghetti Western ''D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man With A Movie Camera
''Man with a Movie Camera'' (russian: Человек с киноаппаратом, translit=Chelovek s kinoapparatom) is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman, and edited by Vertov's wife Yelizaveta Svilova. Kaufman also appears as the eponymous Man of the film. Vertov's feature film, produced by the film studio All-Ukrainian Photo Cinema Administration (VUFKU), presents urban life in Moscow, Kyiv and Odesa during the late-1920s.facsimile It has no actors. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have "characters", they are the cameramen of the title, the film editor, and the modern Soviet Union they discover and present in the film. ''Man with a Movie Camera'' is famous for the range of cinematic techniques Vertov invented, employed or developed, such as multiple exposure, fast motion, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dziga Vertov
Dziga Vertov (russian: Дзига Вертов, born David Abelevich Kaufman, russian: Дави́д А́белевич Ка́уфман, and also known as Denis Kaufman; – 12 February 1954) was a Soviet Union, Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman. In the 2012 ''Sight & Sound'' poll, critics voted Vertov's ''Man with a Movie Camera'' (1929) the eighth-greatest film ever made. Vertov's younger brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Yelizaveta Svilova. Biography Early years Vertov was born David Abelevich Kaufman into a Jewish family in Białystok, Congress Poland, Poland, then a part of the Russian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony Of A Metropolis
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Ruttmann
Walter Ruttmann (28 December 1887 – 15 July 1941) was a German cinematographer and film director, an important German abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger. He is best known for directing the semi- documentary 'city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, '' Berlin: Symphony of a Metropolis''. His audio montage ''Wochenende (Weekend)'' (1930) is considered a major contribution in the development of audio plays. Biography Ruttmann was born in Frankfurt am Main, the son of a wealthy mercantilist. He graduated "high school" in 1905, then began in 1907, architectural studies in Zürich, later, in 1909, painting in Munich (later in Marburg) where he befriended Paul Klee and Lyonel Feininger. Ruttmann was conscripted into the army in 1913, first serving in Darmstadt, and shortly after the outbreak of the World War I was he sent to the Eastern Front, where he served as an artillery lieutena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rien Que Les Heures
''Rien que les heures'' (English: ''Nothing But Time'' or ''Nothing But the Hours'') is a 1926 experimental silent film by Brazilian director Alberto Cavalcanti showing the life of Paris through one day in 45 minutes. Other noted examples of the city-symphony genre include Charles Sheeler and Paul Strand's ''Manhatta'' (1921), Walter Ruttmann's '' Berlin: Symphony of a Metropolis'' (1927), Andre Sauvage's ''Etudes sur Paris'' (1928), and Dziga Vertov's ''Man With a Movie Camera ''Man with a Movie Camera'' (russian: Человек с киноаппаратом, translit=Chelovek s kinoapparatom) is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman, an ...'' (1929). See also * List of films made in France 1919-1940 References External links * 1926 films French silent feature films Films directed by Alberto Cavalcanti Documentary films about Paris 1926 documentary films Black-and-white docume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Cavalcanti
Alberto de Almeida Cavalcanti (February 6, 1897 – August 23, 1982) was a Brazilian-born film director and film producer, producer. He was often credited under the single name "Cavalcanti". Early life Cavalcanti was born in Rio de Janeiro, the son of a prominent mathematician. He was a precociously intelligent child and, by the age of 15, was studying law at university, but was expelled following an argument with a professor. His father sent him to Geneva, Switzerland, on condition that he did not study law or politics. Cavalcanti chose to study architecture instead. At 18, he moved to Paris to work for an architect, later switching to working in interior design. After a visit to Brazil, he took up a position at the Brazilian consul (representative), consulate in Liverpool, England. Cavalcanti corresponded with Marcel L'Herbier, a leading light in France's avant-garde film movement, which led to a job offer from L'Herbier for Cavalcanti to work as a scenic design, set desig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soviet Montage Theory
Soviet montage theory is an approach to understanding and creating cinema that relies heavily upon editing (''montage'' is French for "assembly" or "editing"). It is the principal contribution of Soviet film theorists to global cinema, and brought formalism to bear on filmmaking. Although Soviet filmmakers in the 1920s disagreed about how exactly to view montage, Sergei Eisenstein marked a note of accord in "A Dialectic Approach to Film Form" when he noted that montage is "the nerve of cinema", and that "to determine the nature of montage is to solve the specific problem of cinema". Its influence is far reaching commercially, academically, and politically. Alfred Hitchcock cites editing (and montage indirectly) as the lynchpin of worthwhile filmmaking. In fact, montage is demonstrated in the majority of narrative fiction films available today. Post-Soviet film theories relied extensively on montage's redirection of film analysis toward language, a literal grammar of film. A sem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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