Raimon De Durfort
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Raimon De Durfort
Turc Malec (also ''Turc Malet'', ''Truc Malet'', ''Truc Malec'') was a minor troubadour and nobleman, probably from Quercy. He wrote the ''cobla esparsa'' ''En Raimon, be.us tenc a grat'', the first (but the order is unclear) in a series of four poems (the other three being '' sirventes''), constituting a debate with Raimon de Durfort (also from Quercy), and Arnaut Daniel. All three ''sirventes'' were written in monorhyming stanzas of nine lines, the first two of seven syllables and the last seven of eight, mirroring the structure of Turc's single one. A ''vida- razo'' was composed for Raimon and Turc, which goes like this: ''Raimons de Dufort e·N Turc Malec si foron du cavallier de Caersi que feiren los sirventes de la domna que ac nom ma donna n'Aia, aquella que dis al cavalier de Cornil qu'ella no l'amaria si el no la cornava el cul. Et aqui son escritz los sirventes.'' Raimon de Durfort and Lord Turc Malec were two knights from Quercy who composed the sirventes about the ...
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Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ...
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Nobleman
Nobility is a social class found in many societies that have an aristocracy. It is normally ranked immediately below royalty. Nobility has often been an estate of the realm with many exclusive functions and characteristics. The characteristics associated with nobility may constitute substantial advantages over or relative to non-nobles or simply formal functions (e.g., precedence), and vary by country and by era. Membership in the nobility, including rights and responsibilities, is typically hereditary and patrilineal. Membership in the nobility has historically been granted by a monarch or government, and acquisition of sufficient power, wealth, ownerships, or royal favour has occasionally enabled commoners to ascend into the nobility. There are often a variety of ranks within the noble class. Legal recognition of nobility has been much more common in monarchies, but nobility also existed in such regimes as the Dutch Republic (1581–1795), the Republic of Genoa (1005–18 ...
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Quercy
Quercy (; oc, Carcin , locally ) is a former province of France located in the country's southwest, bounded on the north by Limousin, on the west by Périgord and Agenais, on the south by Gascony and Languedoc, and on the east by Rouergue and Auvergne. Description Quercy comprised the present-day department of Lot, the northern half of the department of Tarn-et-Garonne, and a few communities in the departments of Dordogne, Corrèze, and Aveyron. The traditional capital of Quercy is Cahors, now prefecture (capital) of Lot. The largest town of Quercy is Montauban, prefecture of Tarn-et-Garonne. However, Montauban lies at the traditional border between Quercy and Languedoc, in an area very different from the rest of Quercy, and it is closer historically and culturally to Toulouse and the rest of Languedoc, therefore it should be considered a special case, not totally part of Quercy. Also distinct from the rest of the region is the Quercy Blanc lying between Cahors and the southern ...
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Cobla Esparsa
A ''cobla esparsa'' ( literally meaning "scattered stanza") in Old Occitan is the name used for a single-stanza poem in troubadour poetry. They constitute about 15% of the troubadour output, and they are the dominant form among late (after 1220) authors like Bertran Carbonel and Guillem de l'Olivier.Simon Gaunt and Sarah Kay, edd. (1999), ''The Troubadours: An Introduction'' (Cambridge: Cambridge University Press, ). The term ''cobla triada'' is used by modern scholars to indicate a ''cobla'' taken from a longer poem and let stand on its own, but its original medieval meaning was a ''cobla esparsa'' taken from a larger collection of such poems, since ''coblas esparsas'' were usually presented in large groupings. Sometimes, two authors would write a cobla esparsa each, in a ''cobla'' exchange; this corresponds, in a shorter form, to the earlier ''tenso'' or ''partimen''.Martín de Riquer (1964), Història de la Literatura Catalana, vol. 1 (Barcelona: Ariel), 509ff. Whether such excha ...
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Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ...
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Arnaut Daniel
Arnaut Daniel (; fl. 1180–1200) was an Occitan troubadour of the 12th century, praised by Dante as "the best smith" (''miglior fabbro'') and called a "grand master of love" (''gran maestro d'amore'') by Petrarch. In the 20th century he was lauded by Ezra Pound in '' The Spirit of Romance'' (1910) as the greatest poet to have ever lived. Life According to one biography, Daniel was born of a noble family at the castle of Ribérac in Périgord; however, the scant contemporary sources point to him being a jester with pernicious economic troubles: Raimon de Durfort calls him "a student, ruined by dice and shut-the-box". Work and style The dominant characteristic of Daniel's poetry is an extreme obscurity of thought and expression, a style called ''trobar clus'' ('hermetic verse'). He belonged to one school of troubadour poets that sought to make their meanings difficult to understand through the use of unfamiliar words and expressions, enigmatical allusions, complicated meters a ...
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Vida (Occitan Literary Form)
''Vida'' () is the usual term for a brief prose biography, written in Old Occitan, of a troubadour or trobairitz. The word ''vida'' means "life" in Occitan languages; they are short prose biographies of the troubadours, and they are found in some chansonniers, along with the works of the author they describe. Vidas are notoriously unreliable: Mouzat, while complaining that some scholars still believe them, says they represent the authors as "ridiculous bohemians, and picaresque heroes"; Alfred Jeanroy calls them "the ancestors of modern novels". Most often, they are not based on independent sources, and their information is deduced from literal readings of details of the poems. Most of the ''vidas'' were composed in Italy, many by Uc de Saint Circ. Additionally, some individual poems are accompanied by ''razo A ''razo'' (, literally "cause", "reason") was a short piece of Occitan prose detailing the circumstances of a troubadour composition. A ''razo'' normally introduced an in ...
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Razo
A ''razo'' (, literally "cause", "reason") was a short piece of Occitan prose detailing the circumstances of a troubadour composition. A ''razo'' normally introduced an individual poem, acting as a prose preface and explanation; it might, however, share some of the characteristics of a ''vida'' (a biography of a troubadour, describing his origins, his loves, and his works) and the boundary between the two genres was never sharp. In the ''chansonniers'', the manuscript collections of medieval troubadour poetry, some poems are accompanied by a prose explanation whose purpose is to give the reason why the poem was composed. These texts are occasionally based on independent sources. To that extent, they supplement the ''vidas'' in the same manuscripts and are useful to modern literary and historical researchers. Often, however, it is clear that assertions in the ''razos'' are simply deduced from literal readings of details in the poems. Most of the surviving ''razo'' corpus is the work ...
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Flatulence
Flatulence, in humans, is the expulsion of gas from the intestines via the anus, commonly referred to as farting. "Flatus" is the medical word for gas generated in the stomach or bowels. A proportion of intestinal gas may be swallowed environmental air, and hence flatus is not entirely generated in the stomach or bowels. The scientific study of this area of medicine is termed flatology. Flatus is brought to the rectum and pressurized by muscles in the intestines. It is normal to pass flatus ("to fart"), though volume and frequency vary greatly among individuals. It is also normal for intestinal gas to have a feculent or unpleasant odor, which may be intense. The noise commonly associated with flatulence ("blowing a raspberry") is produced by the anus and buttocks, which act together in a manner similar to that of an embouchure. Both the sound and odor are sources of embarrassment, annoyance or amusement (flatulence humor). There are several general symptoms related to intest ...
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Giorgio Agamben
Giorgio Agamben ( , ; born 22 April 1942) is an Italian philosopher best known for his work investigating the concepts of the state of exception, form-of-life (borrowed from Ludwig Wittgenstein) and '' homo sacer''. The concept of biopolitics (carried forth from the work of Michel Foucault) informs many of his writings. Biography Agamben was educated at the University of Rome, where in 1965 he wrote an unpublished laurea thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars (on Heraclitus and Hegel) in 1966 and 1968. In the 1970s, he worked primarily on linguistics, philology, poetics, and topics in medieval culture. During this period, Agamben began to elaborate his primary concerns, although their political bearings were not yet made explicit. In 1974–1975 he was a fellow at the Warburg Institute, University of London, due to the courtesy of Frances Yates, whom he met through Italo Calvino. During this fellowship, Agam ...
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Daniel Heller-Roazen
Daniel Heller-Roazen is the Arthur W. Marks '19 Professor of Comparative Literature at Princeton University. He is one of the translators into English of work by Giorgio Agamben. He was elected as a member of the American Academy of Arts and Sciences The American Academy of Arts and Sciences (abbreviation: AAA&S) is one of the oldest learned societies in the United States. It was founded in 1780 during the American Revolution by John Adams, John Hancock, James Bowdoin, Andrew Oliver, a ... in 2018. His father was the historian of psychoanalysis, Paul Roazen. Books in English * (ed. and tr.) ''Potentialities: Collected Essays in Philosophy'' by Giorgio Agamben, 1999. * ''Fortune's Faces: The Roman de la Rose and the Poetics of Contingency'', 2003. * ''Echolalias: On the Forgetting of Language'', 2005. * ''The Inner Touch: Archaeology of a Sensation'', 2007. Winner of the Modern Language Association's 2008 Aldo and Jeanne Scaglione Prize for Comparative Literary Studi ...
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