Ragi Dosa
Ragi may refer to: * Finger millet, plant producing edible grain * Ragi (Sikhism), a Sikh person skilled in performing ragas * ''Saccharomyces cerevisiae ''Saccharomyces cerevisiae'' () (brewer's yeast or baker's yeast) is a species of yeast (single-celled fungus microorganisms). The species has been instrumental in winemaking, baking, and brewing since ancient times. It is believed to have been o ...

Finger Millet
''Eleusine coracana'', or finger millet, also known as ragi in India, kodo in Nepal, is an annual herbaceous plant widely grown as a cereal crop in the arid and semiarid areas in Africa and Asia. It is a tetraploid and self-pollinating species probably evolved from its wild relative ''Eleusine africana''. Finger millet is native to the Ethiopian and Ugandan highlands. Interesting crop characteristics of finger millet are the ability to withstand cultivation at altitudes over 2000 m above sea level, its high drought tolerance, and the long storage time of the grains. History Finger millet originated in East Africa (Ethiopian and Ugandan highlands). It was claimed to have been found in an Indian archaeological site dated to 1800 BCE (Late Bronze Age); however, this was subsequently demonstrated to be incorrectly identified cleaned grains of hulled millets. The oldest record of finger millet comes from an archaeological site in Africa dating to the 8th century AD. By 1996, culti ...
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Ragi (Sikhism)
A Ragi (; ''rāgī'') is a Sikh musician who plays hymns ( shabads) in different ragas as prescribed in the Sri Guru Granth Sahib. Guru Arjan Dev, the 5th Guru of the Sikhs, started the ragi tradition of amateur musicians, as he didn't want the Sikhs to depend on professionals for their connection to the divine with sacred music. Ragis now are often professional and have much knowledge of the scriptures. Thus, they are highly respected. However, they are not a privileged elite as some today see them -- rather, the ragi tradition was meant to bring musical experience of the Sikh scriptures to a layperson, without a middleman (or woman). Today, the ragi tradition is slightly different than in the Guru's time. Music is often not sung in the correct raag and often does not use the Guru's instruments but rather relies heavily on the harmonium, brought by the British colonizers. The lines of the shabads before the rahaos are not emphasized as they are prescribed either. Today also th ...
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