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Radiophonic
The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programmes such as ''Doctor Who'' and ''Quatermass and the Pit'' during the 1950s and 1960s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995. Its members included Daphne Oram, Delia Derbyshire, David Cain, John Baker, Paddy Kingsland, Glynis Jones, Maddalena Fagandini and Richard Yeoman-Clark. History The Workshop was set up to satisfy the growing demand in the late 1950s for "radiophonic" sounds from a group of producers and studio managers at the BBC, including Desmond Briscoe, Daphne Oram ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Radiophonic Workshop (1958-98) Machines - Tape Recorder With Tape Loop Equipment, Beat Frequency Oscillator & EMS Putney VCS3
The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programmes such as ''Doctor Who'' and ''Quatermass and the Pit'' during the 1950s and 1960s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995. Its members included Daphne Oram, Delia Derbyshire, David Cain, John Baker, Paddy Kingsland, Glynis Jones, Maddalena Fagandini and Richard Yeoman-Clark. History The Workshop was set up to satisfy the growing demand in the late 1950s for "radiophonic" sounds from a group of producers and studio managers at the BBC, including Desmond Briscoe, Daphne Oram, Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paddy Kingsland
Paddy Kingsland (born 30 January 1947) is a composer of electronic music best known for his incidental music for science fiction series on BBC radio and television whilst working at the BBC Radiophonic Workshop. Educated at Eggar's Grammar School in Alton, Hampshire, he joined the BBC as a tape editor before moving on to become a studio manager for BBC Radio 1. In 1970 he joined the Radiophonic Workshop where he remained until 1981. His initial work was mostly signature tunes for BBC radio and TV programmes before going on to record incidental music for programmes including '' The Changes'', two versions of ''The Hitchhiker's Guide to the Galaxy'' (the second radio series and the TV adaptation), as well as several serials of ''Doctor Who''. His work on the latter series included incidental music for several serials in the early 1980s. Other well-known series which contained music composed by Paddy Kingsland are '' Around the World in 80 Days'' and '' Pole to Pole'', both trav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Yeoman-Clark
Richard Yeoman-Clark was a British composer and sound engineer who worked at the BBC Radiophonic Workshop from 1970 to 1978. Richard joined BBC Radio direct from St Albans School as a Technical Operator at Broadcasting House, moving to the Experimental Stereo Unit as the Recording Engineer a couple of years later. There he was involved with the integration of Stereo Operations from just test transmissions into the regular output of Radio 3 in the late 1960s. As stereo proliferated across BBC Radio he transferred to the Music Department as a Studio Manager. There his technical expertise was in demand for the presentation of electronic music concerts working with contemporary composers such as Stockhausen, Berio, Boulez etc. This experience led him to join the BBC Radiophonic Workshop where he produced the special sound for the science fiction series Blake's 7, amongst other programmes. Later he became the Technical Coordinator for the Workshop when electronic synthesizers starte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glynis Jones (composer)
Glynis Jones is a composer, musician and member of the BBC Radiophonic Workshop. She joined the Workshop in 1973. In 1976, she produced the album '' Out of This World'', on which some of her material appears. Her compositions also feature on the album ''The Radiophonic Workshop ''The Radiophonic Workshop'' is a 1975 compilation album by the BBC Radiophonic Workshop, similar in concept to the earlier ''BBC Radiophonic Music'' of 1968. The album featured a variety of work demonstrating many of the various techniques the ...''. Currently living in West London ReferencesAbout the BBC Radiophonic Workshop Robin Carmody, 7 May 2001 BBC Radiophonic Workshop [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrète
Musique concrète (; ): " problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout 'In Search of a Concrete Music''with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''concrete'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Bradnum
Frederick Bradnum (8 May 1920 – 25 December 2001), was a British radio dramatist, producer, and director who penned over 70 plays and 140 dramatisations of novels for the BBC. Along with the likes of Tom Mallin, Jennifer Phillips, Peter Tegel, and Elizabeth Troop, he was considered one of the elite writers for the BBC. He was a recipient of the Prix Italia in 1957 for his script for '' No Going Home''. Bradnum was a member of BBC North's Drama Department, and, according to BBC, Bradnum was "responsible for some of radio's classier adaptations". Early years Bradnum was born in Fulham, though he was brought up in Roehampton. His father was a Battersea power station clerk, and his younger sister required special care, having been paralysed by poliomyelitis. He worked with an architect in the mid-1930s before becoming a council draughtsman. After joining the Army, he served in France (1939), Narvik (1940), Crete (1941), and Saint-Nazaire raid (1942), before transferring into ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delia Derbyshire
Delia Ann Derbyshire (5 May 1937 – 3 July 2001) was an English musician and composer of electronic music. She carried out notable work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series ''Doctor Who''. She has been referred to as "the unsung heroine of British electronic music" with her Doctor Who theme having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital. Biography Early life Derbyshire was born in Coventry, daughter of Emma ( Dawson) and Edward Derbyshire.Breege Brennan, Master's Thesis in Computer Music, Dublin, 2008. of Cedars Avenue, Coundon, Coventry.Christine Edge, Morse code musician: How Delia crashed the sound barrier', ''Sunday Mirror'', 12 April 1970, p. 8. Her father was a sheet-metal worker.Article by Kirsten Cubitt "Dial a tune" in The Guardian newspaper, 3 September 1970. She had one sibling, a sister, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Baker (Radiophonic Musician)
John William Baker (12 October 1937 in Leigh-on-Sea – 7 February 1997 in Freshwater, Isle of Wight) was a British musician and composer who worked in jazz and electronic music. He was educated at the Royal Academy of Music where he studied piano and composition. In 1960 he joined the BBC as a sound mixer, before transferring, in 1963, to the BBC Radiophonic Workshop where he remained until 1974. He was the most prolific of the early Workshop composers, developing a trademark style, creating music by manipulating tapes of everyday sounds such as blowing across the top of an empty bottle. A rare snippet of Baker at work was included in the 1968 documentary film ''Music'', which also featured the Beatles working on ''Hey Jude'' in the studio. A jazz pianist, he brought a sense of rhythm to the Workshop which some of the other more mathematical composers lacked. His work included many signature tunes for BBC television and radio, including '' Many a Slip'', '' PM'' and ''BBC Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Cain (composer)
David Cain was a composer and technician for the BBC Radiophonic Workshop. He was educated at Imperial College London, where he earned a degree in mathematics. In 1963, he joined the BBC as a studio manager, specialising in radio drama. He transferred to the Radiophonic Workshop in 1967 where he composed various jingles and signature tunes as well as the complete incidental music for the BBC's radio productions of ''The War of the Worlds'' in 1967, and ''The Hobbit'' in 1968. He also produced the Workshop's 1973 adaptation of Isaac Asimov's Foundation series. He remained with the Radiophonic Workshop until 1973. His 30-second composition "Crossbeat" was used as the original theme for the Australian Broadcasting Corporation The Australian Broadcasting Corporation (ABC) is the national broadcaster of Australia. It is principally funded by direct grants from the Australian Government and is administered by a government-appointed board. The ABC is a publicly-owne ...'s mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers '' The Observer'' and '' The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Third Programme
The BBC Third Programme was a national radio station produced and broadcast from 1946 until 1967, when it was replaced by Radio 3. It first went on the air on 29 September 1946 and quickly became one of the leading cultural and intellectual forces in Britain, playing a crucial role in disseminating the arts. It was the BBC's third national radio network, the other two being the Home Service (mainly speech-based) and the Light Programme, principally devoted to light entertainment and music. History When it started in 1946, the Third Programme broadcast for six hours each evening from 6.00pm to midnight, although its output was cut to just 24 hours a week from October 1957, with the early part of weekday evenings being given over to educational programming (known as "Network Three"). The frequencies were also used during daytime hours to broadcast complete ball-by-ball commentary on test match cricket, under the title ''Test Match Special". The Third's existence was controv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
