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Radio Rewrite
''Radio Rewrite'' is a 2012 musical composition by American composer Steve Reich (born 1936), inspired by two songs by British rock band Radiohead: "Jigsaw Falling into Place" and "Everything in Its Right Place". It is the first time that Reich has reworked material from western pop or rock music. ''Radio Rewrite'' has five movements, alternating fast and slow, and is scored for clarinet, flute, two violins, viola, cello, two vibraphones, two pianos and electric bass. It premiered in London, UK in 2013, performed by the London Sinfonietta, to a generally positive reception. Much attention focused on the Radiohead material; some reviewers praised how completely the work is integrated, while others questioned how suited it was for Reich. Alarm Will Sound made the first recording of the piece for an album released on Nonesuch Records in 2014. Background Reich is one of the founders of the minimalist movement in music. While his work takes inspiration from Baroque music, Igor Stra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Reich2
''yes'Steve is a masculine given name, usually a short form (hypocorism) of Steven or Stephen Notable people with the name include: steve jops * Steve Abbott (other), several people * Steve Adams (other), several people * Steve Alaimo (born 1939), American singer, record & TV producer, label owner * Steve Albini (born 1961), American musician, record producer, audio engineer, and music journalist * Steve Allen (1921–2000), American television personality, musician, composer, comedian and writer * Steve Armitage (born 1944), British-born Canadian sports reporter * Steve Armstrong (born 1965), American professional wrestler * Steve Antin (born 1958), American actor * Steve Augarde (born 1950),arab author, artist, and eater * Steve Augeri (born 1959), American singer * Steve August (born 1954), American football player * Stone Cold Steve Austin (born 1964), American professional wrestler * Steve Aylett (born 1967), English author of satiri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alarm Will Sound
Alarm Will Sound is a 20-member chamber orchestra that focuses on recordings and performances of contemporary classical music. Its performances have been described as "equal parts exuberance, nonchalance, and virtuosity" by the ''Financial Times'' and as "a triumph of ensemble playing" by the ''San Francisco Chronicle''. ''The New York Times'' said that Alarm Will Sound is "one of the most vital and original ensembles on the American music scene." Alarm Will Sound's repertoire ranges from European to American works, from the arch-modernist to the pop-influenced. The group has worked with contemporary composers, premiering pieces by Steve Reich, John Adams, John Luther Adams, Tyondai Braxton, David Lang, Tyshawn Sorey, David T. Little, Michael Harrison, Cenk Ergün, Aaron Jay Kernis, Michael Gordon, Scott Johnson, Augusta Read Thomas, Stefan Freund, John Orfe, Caleb Burhans, Dennis Desantis, Wolfgang Rihm, and Tyshawn Sorey. History Alarm Will Sound was founded at the Eastman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finishing The Hat (Reich)
''Finishing the Hat: Collected Lyrics (1954–1981) with Attendant Comments, Principles, Heresies, Grudges, Whines, and Anecdotes'' is a memoir by American musical theatre composer and lyricist Stephen Sondheim. It was published on October 29, 2010 by Alfred A. Knopf, and is 444 pages. The second volume, ''Look, I Made a Hat: Collected Lyrics (1981–2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Wafflings, Diversions and Anecdotes'', was published on November 22, 2011, by Alfred A. Knopf and is 480 pages. These two volumes were sold together in late 2011 as a box set titled ''Hat Box, The Collected Lyrics of Stephen Sondheim.'' Together, these books include the collected lyrics from Sondheim's entire musical theater, film, and television careers, as well as details about the process of making these works and Sondheim's opinion and critique of his own work. ''Finishing the Hat'' The first volume contains Sondheim's lyrics from his first professionally staged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pérotin
Pérotin () was a composer associated with the Notre Dame school of polyphony in Paris and the broader musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies. Other than a brief mention by music theorist Johannes de Garlandia in his ''De Mensurabili Musica'', virtually all information on Pérotin's life comes from Anonymous IV, a pseudonymous English student who probably studied in Paris. Anonymous IV names seven titles from a ''Magnus Liber''—including '' Viderunt omnes'', ''Sederunt principes'' and ''Alleluia Nativitas''—that have been identified with surviving works and gives him the title ''Magister Perotinus'' (Pérotinus the Master) meaning he was licensed to teach. It is assumed that Perotinus was French and named Pérotin, a diminutive of Peter, but attempts to match him with persons in contemporary documents remain speculative. Identity an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proverb (Reich)
''Proverb'' is a musical composition by Steve Reich for three sopranos, two tenors, two vibraphones, and two electric organs. It sets a text by Ludwig Wittgenstein from the year 1946 and published in ''Culture and Value''. It was written in 1995 and was originally intended for The Proms and the Utrecht Early Music Festival. It was premiered at Alice Tully Hall in New York City on February 10, 1996 by Theatre of Voices with Paul Hillier, to whom the piece is dedicated. ''Proverb'' was written during a period when Reich was experimenting with "speech melody", and is influenced by the period Reich spent working on '' The Cave'' with Paul Hillier and singers with a strong background in medieval polyphony. This is especially apparent in the two tenor parts, which pay homage to Pérotin and organum in their use of rhythmic modes and pedal points. The text is: "How small a thought it takes to fill a whole life!" This text can be seen as explanation of the piece itself, as well as perhap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Bali
The Music of Bali, Bali is an Indonesian island that shares in the gamelan and other Indonesian musical styles. Bali, however, has its own techniques and styles, including kecak, a form of singing that imitates the sound of monkeys. In addition, the island is home to several unique kinds of gamelan, including the gamelan jegog, gamelan gong gede, gamelan gambang, gamelan selunding and gamelan semar pegulingan, the cremation music angklung and the processional music bebonangan. Modern popular styles include gamelan gong kebyar, dance music which developed during the Dutch occupation and 1950s era joged bumbung, another popular dance style. In Balinese music you can also hear metallophones, gongs and xylophones. Characteristics More than 50 people must be dancing during the music. Balinese music can be compared to Javanese music, especially that of the pre-Islamic period. During that time, Javanese tonal systems were imported to Bali. Balinese gamelan, a form of Indon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of West Africa
The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods. Traditional West African music varies due to the regional separation of West Africa, yet it can be distinguished by two distinct categories: Islamic music and indigenous secular music. The widespread influence of Islam on culture in West Africa dates back to at least the 9th century, facilitated by the introduction of camels to trade routes between the North of Africa and West Africa. Islam-influenced West African music commonly includes the use of stringed instruments like the ''goje,'' while more secular traditional West African music incorporates greater use of drums such as the ''djembe.'' Contemporary styles of music in West Africa have been influenced by American music, African jazz and gospel music. The forced migration of Africans to the Americas as a result of the transatlantic slave trade gave rise to ''kaiso'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hebrew Cantillation
Hebrew cantillation is the manner of chanting ritual readings from the Hebrew Bible in synagogue services. The chants are written and notated in accordance with the special signs or marks printed in the Masoretic Text of the Bible, to complement the letters and vowel points. These marks are known in English as 'accents' (diacritics), 'notes' or trope symbols, and in Hebrew as () or just (). Some of these signs were also sometimes used in medieval manuscripts of the Mishnah. The musical motifs associated with the signs are known in Hebrew as or (not to be confused with Hasidic nigun) and in Yiddish as (): the word ''trope'' is sometimes used in Jewish English with the same meaning. There are multiple traditions of cantillation. Within each tradition, there are multiple tropes, typically for different books of the Bible and often for different occasions. For example, different chants may be used for Torah readings on Rosh Hashana and Yom Kippur than for the same tex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
