Radio Free Albemuth (album)
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Radio Free Albemuth (album)
''Radio Free Albemuth'' is the debut solo album by bassist Stuart Hamm, released in 1988 on Relativity Records. Hamm is backed up by guitarists Allan Holdsworth and Joe Satriani. The title of the album and many of the songs were inspired by the novels of Philip K. Dick. Track listing Personnel * Stuart Hamm – bass guitar, production * Allan Holdsworth – SynthAxe on "Radio Free Albemuth"Holdsworth is listed on guitar at AllMusic, but if you listen to the actual recording, it is apparent that the solo is performed with a synthesizer. Holdsworth was a prolific user of the SynthAxe in this time period, and did not perform with regular guitar synthesizers. The synthesizer may have been processed through a guitar amp, a method Holdsworth had previously employed on "Mac Man" from the album "Sand". ("Castles Made Of Sand", Guitarist, November 1987) * Joe Satriani – electric guitar on "Radio Free Albemuth", "Flow My Tears" and "Sexually Active" * Mike Barsimanto – drums * Am ...
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Stuart Hamm
Stuart Hamm (born February 8, 1960) is an American bass guitar player, known for his session and live work with numerous artists as well as for his unconventional playing style and solo recordings. Career Born in New Orleans, Hamm spent his childhood and youth in Champaign, Illinois, where he studied bass and piano, played in the stage band at Champaign Central High School, and was selected to the Illinois All-State Band. Hamm graduated from Hanover High in Hanover, New Hampshire in 1978, while living in Norwich, Vermont. Following high school, he attended the Berklee College of Music in Boston, where he met guitarist Steve Vai and, through him, met Joe Satriani. Hamm played bass on Vai's debut solo album, ''Flex-Able'', which was released in 1984. Hamm has performed and recorded with Steve Vai, Frank Gambale, Joe Satriani and many other well-respected guitarists. It was his playing live on tour with Satriani that brought Hamm's skills to national attention. Subsequent recording ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Instrumental Rock
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. Examples of instrumental rock can be found in practically every subgenre of rock, often from musicians who specialize in the style. Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals. Jeff Beck also recorded two instrumental albums in the 1970s. Progressive rock and art rock performers of the 1960s and 1970s did many virtuosic instrumental performances. During the 1980s and 1990s, the instrumental rock genre was dominated by several guitar soloists, including Joe Satriani, Yngwie Malmsteen and Steve Vai. The 2000s gave way to a new style of instrumental performer. For example, John ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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