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Radif
Radif ( fa, ردیف, meaning ''order'') is a rule in Persian, Turkic, and Urdu poetry which states that, in the form of poetry known as a ghazal, the second line of all the couplets (''s'' or ''shers'') ''must'' end with the ''same'' word/s. This repeating of common words is the of the ghazal. It is preceded by a ''qaafiyaa'', which is a repeating pattern of words. The following is an example of a ghazal by Daag Dehelvi. In this example the is . The is the following pattern of words: (in the first hemistich A hemistich (; via Latin from Greek , from "half" and "verse") is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to ...), , (in the fourth hemistich), , and . References Persian poetry Urdu-language poetry Ghazal Rhyme {{Poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urdu Poetry
Urdu poetry ( ur, ) is a tradition of poetry and has many different forms. Today, it is an important part of the cultures of South Asia. According to Naseer Turabi there are five major poets of Urdu which are Mir Taqi Mir (d.1810), Mirza Ghalib, Mir Anees, Allama Iqbal and Josh Malihabadi (d.1982). The language of Urdu reached its pinnacle under the British Raj, and it received official status. All famous writers of Urdu language including Ghalib and Iqbal were given British scholarships. Following the Partition of India in 1947, it found major poets and scholars were divided along the nationalistic lines. However, Urdu poetry is cherished in both the nations. Both the Muslims and Hindus from across the border continue the tradition. It is fundamentally performative poetry and its recital, sometimes impromptu, is held in Mushairas (poetic expositions). Although its tarannum saaz (singing aspect) has undergone major changes in recent decades, its popularity among the masses remai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sher (poem)
Urdu poetry ( ur, ) is a tradition of poetry and has many different forms. Today, it is an important part of the cultures of South Asia. According to Naseer Turabi there are five major poets of Urdu which are Mir Taqi Mir (d.1810), Mirza Ghalib, Mir Anees, Allama Iqbal and Josh Malihabadi (d.1982). The language of Urdu reached its pinnacle under the British Raj, and it received official status. All famous writers of Urdu language including Ghalib and Iqbal were given British scholarships. Following the Partition of India in 1947, it found major poets and scholars were divided along the nationalistic lines. However, Urdu poetry is cherished in both the nations. Both the Muslims and Hindus from across the border continue the tradition. It is fundamentally performative poetry and its recital, sometimes impromptu, is held in Mushairas (poetic expositions). Although its tarannum saaz (singing aspect) has undergone major changes in recent decades, its popularity among the masses remai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daagh
Nawab Mirza Khan Daagh Dehlvi ( ur, , 25 May 1831 – 17 March 1905) was a poet known for his Urdu ''ghazals''. He belonged to the old Delhi school of Urdu poetry.Flashback: Remembering a Mughal city Dawn (newspaper), Published 15 January 2012, Retrieved 17 May 2018 He wrote romantic and sensuous poems and ''ghazals'' in simple and chaste Urdu, minimising usage of words. He laid great emphasis on the Urdu idiom and its usage. He wrote under the ''takhallus'' (Urdu word for pen name) ''Daagh Dehlvi'' (the meanings of ''Daagh'', an Urdu no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hemistich
A hemistich (; via Latin from Greek , from "half" and "verse") is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to drama. In Greek tragedy, characters exchanging clipped dialogue to suggest rapidity and drama would speak in hemistichs (in ''hemistichomythia''). The Roman poet Virgil employed hemistichs in the ''Aeneid'' to indicate great duress in his characters, where they were incapable of forming complete lines due to emotional or physical pain. In neo-classicism, the hemistich was frowned upon (e.g. by John Dryden), but Germanic poetry employed the hemistich as a basic component of verse. In Old English and Old Norse poetry, each line of alliterative verse was divided into an "a-verse" and "b-verse" hemistich with a strong caesura between. In ''Beowulf,'' there are only five basic types of hemistich, with some used only as initial hemistichs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Poetry
Persian literature ( fa, ادبیات فارسی, Adabiyâte fârsi, ) comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan) and South Asia where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajikista ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
