Run For Cover (Sugababes Song)
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Run For Cover (Sugababes Song)
"Run for Cover" is a song by British girl group Sugababes. Siobhan Donaghy, Keisha Buchanan, Mutya Buena, Jony Lipsey, Cameron McVey, and Paul Simm all co-wrote the song for the band's debut album '' One Touch'' (2000). It was released as the album's third single on 9 April 2001 and reached the top 30 in Germany and the top 20 on the UK Singles Chart. Song information The song was produced by Lipsey, McVey and Simm. It received strong reviews from music critics. The track is one of the group's darkest and most haunting singles to date. The lyrics describe escaping from the reality and harshness of the world, possibly an abusive relationship (''you never seem to wonder/how much you make me suffer''). It was released as the third single from the group's debut album '' One Touch'' in April 2001 and sold 64,242 copies. In 2007, Czech singer Tereza Kerndlová covered the song as "Zhasis" for her album ''Orchidej''. According to tunebat.com, the song is in the key of E minor and play ...
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Sugababes
Sugababes are a British girl group composed of Mutya Buena, Keisha Buchanan and Siobhán Donaghy. The lineup changed three times before returning to the original lineup in 2011. Formed in 1998 by All Saints manager Ron Tom, Sugababes released their debut album '' One Touch'' through London Records in November 2000, which achieved moderate success and produced the top-ten single " Overload". In 2001, Donaghy departed the group and was replaced by Heidi Range. With Range's introduction, the group experienced a higher level of commercial success and went on to release three multi-platinum albums: ''Angels with Dirty Faces'' (2002), '' Three'' (2003) and '' Taller in More Ways'' (2005). In December 2005, Buena left the group and was replaced by Amelle Berrabah. Following the release of their first greatest hits album, the new line-up released two further studio albums: '' Change'' (2007) and '' Catfights and Spotlights'' (2008). In September 2009, after 11 years in Sugababes, ...
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Cameron McVey
Cameron Andrew McVey (born 11 March 1957) is an English singer, songwriter and music producer. He worked with the bands Massive Attack, Portishead, All Saints, Sugababes/Mutya Keisha Siobhan and his wife Neneh Cherry. He is the father of Marlon Roudette, Tyson, and Mabel (singer), Mabel. Early life McVey grew up in Cockfosters, North London. He was educated at Queen Elizabeth's Grammar School for Boys, Queen Elizabeth's Boys' School, Barnet. Career McVey started out as a member of the New wave music, new wave band Bim (band), Bim in the early 1980s, in which he was the lead singer. The band released one album in 1982, ''Boobams Out!'' and seven singles from 1980 to 1982. In 1987, as one half of duo Morgan-McVey, he released the single "Looking Good Diving". Originally conceived as a Simon & Garfunkel-style male vocal duo who would harmonise over reggae beats, early demos failed to deliver on the concept. Facing creative inertia, the act's record company convinced them to w ...
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Song Recordings Produced By Cameron McVey
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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London Records Singles
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as ''Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished from the Lord Ma ...
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2001 Singles
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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Music Download
A music download (commonly referred to as a digital download) is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. According to a Nielsen report, downloadable music accounted for 55.9 percent of all music sales in the US in 2012."All music sales" refers to albums plus track equivalent albums. A track equivalent album equates to 10 tracks. By the beginning of 2011, Apple's iTunes Store alone made 1.1 billion of revenue in the first quarter of its fiscal year. Music downloads are typically encoded with modified discrete cosine transform (MDCT) audio data compression, particularly the Advanced Audio Coding (AAC) format used by iTunes as well as the MP3 audio coding format. Online music store Paid downloads are sometimes encoded with d ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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UKChartsPlus
''UKChartsPlus'' is an independent weekly newsletter about the UK music charts. It was first published in September 2001 as ''ChartsPlus'' in order to authoritatively record the official music chart information in the United Kingdom, as compiled by the Official Charts Company. Its publication began after ''Hit Music'' which was a sister publication of ''Music Week'' ceased publication in May 2001. The new newsletter was established to be totally independent of ''Music Week'', licensing the chart data directly from Official Charts Company and other chart providers. History Initially it covered: * The UK Singles Chart up to number 200 * The UK Albums Chart up to number 200 * The Compilation Album Chart up to number 50 It also included a ''New Entries Spotlight'' on all new top 200 singles, and a ''Year to Date'' collection of all the current year's Top 200 albums and singles. Since then, it has expanded to include the BPI silver, gold or platinum sales awards, predictions of th ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ...
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European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ...
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