Rudens Vēju Muzikants Vol.2
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Rudens Vēju Muzikants Vol.2
''Rudens'' is a play by Roman author Plautus. Its name translates from Latin as 'The Rope'. It is a comedy, which describes how a girl, Palaestra, stolen from her parents by pirates, is reunited with her father, Daemones, ironically, by means of her pimp, Labrax. The play is set on the coast of Cyrene, Libya, Cyrene, in north Africa, although the characters come from a range of cities around the Mediterranean, most notably, Athens. The date of the play is unknown, but from the average amount of musical passages that it contains, it is thought that it probably belongs to Plautus's middle period, about 200 BC. The story The scene The scene shows the entrance to a villa, and next to it a temple, with an altar in front of it. On the audience's left is a road leading to the town; on the right is a path leading to the sea. The neighbouring parts of the stage are supposed to be overgrown with bulrushes and other plants. Prologue ''Rudens'' is introduced by an actor representing the ...
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Cristoforo Foppa
Cristoforo (known as Caradosso) Foppa (1445 – c. 1527) was an Italian goldsmith, sculptor, and die sinker. According to some sources he was born at Mondonico]/Olgiate Molgora in the Province of Lecco, and according to others in Pavia. It is possible that this artist is not correctly known as Ambrogio, but that his Christian name was Cristoforo. He was in the service of Lodovico Il Moro, Duke of Milan, for some years, and executed for him a medal and several pieces of goldsmith's work. He worked in Hungary in the service of King Matthias Corvinus, probably in August 1489; a later visit to the court was cut short by the King's death in 1490. Later on he is heard of in Rome, working for Popes Julius II and Leo X. His will was executed in 1526 and he is believed to have died in the following year. Giorgio Vasari refers at some length to a medal struck by him in Rome, having upon it a representation of Bramante and his design for St. Peter's Basilica, and he speaks of him as "the ...
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