Roy Clark Discography
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Roy Clark Discography
Here is a detailed discography for American country music artist Roy Clark. Studio albums 1960s 1970s 1980s–1990s Instrumental albums Live albums Compilation albums Singles 1950s–1960s 1970s 1980s Charted B-sides Notes *A ^ ''Yesterday, When I Was Young'' peaked at number 35 on the ''RPM'' Top Albums chart in Canada. *B ^ ''My Music'' peaked at number 22 on the ''RPM'' Country Albums chart in Canada. References {{DEFAULTSORT:Clark, Roy Clark, Roy Discographies of American artists ...
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Roy Clark
Roy Linwood Clark (April 15, 1933 – November 15, 2018) was an American singer and musician. He is best known for having hosted ''Hee Haw'', a nationally televised country variety show, from 1969 to 1997. Clark was an important and influential figure in country music, both as a performer and in helping to popularize the genre. During the 1970s, Clark frequently guest-hosted for Johnny Carson on ''The Tonight Show'' and enjoyed a 30-million viewership for ''Hee Haw''. Clark was highly regarded and renowned as a guitarist, banjo player, and fiddler. He was skilled in the traditions of many genres, including classical guitar, country music, Latin music, bluegrass, and pop. He had hit songs as a pop vocalist (e.g., " Yesterday, When I Was Young" and "Thank God and Greyhound"), and his instrumental skill had an enormous effect on generations of bluegrass and country musicians. He became a member of the Grand Ole Opry in 1987, and, in 2009, was inducted into the Country Music ...
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Tower Records (record Label)
Tower Records was an American record label active from 1964 to 1970. A subsidiary of Capitol Records, Tower often released music by artists who were relatively low-profile in compared to those released on the parent label, including artists—such as The Standells and The Chocolate Watchband—later recognized as "garage bands". For this reason Tower is often associated with the garage rock phenomenon of the 1960s. Overview Named after Capitol's headquarters building, Tower was formed as a subsidiary to Capitol in 1964. In its early years, it released recordings by British invasion artists like Freddie and the Dreamers, (whose "I'm Telling You Now" became Tower's only #1 hit on ''Billboard'') and Tom Jones (only 6 songs recorded in 1963, that were released by Tower on the strength of his hit "It's Not Unusual" two years later in 1965, much to the dismay of the singer, who was actually signed to London subsidiary, Parrot). It also gave Nilsson his first national releases. Tower' ...
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Honeymoon Feelin'
"Honeymoon Feelin'" is a single by American country music artist Roy Clark. Released in February 1974, it was the first single from his album ''Roy Clark / The Entertainer''. The song peaked at number 4 on the ''Billboard'' Hot Country Singles chart. It also reached number 1 on the ''RPM Revolutions per minute (abbreviated rpm, RPM, rev/min, r/min, or with the notation min−1) is a unit of rotational speed or rotational frequency for rotating machines. Standards ISO 80000-3:2019 defines a unit of rotation as the dimensionl ...'' Country Tracks chart in Canada. Chart performance References 1974 singles Roy Clark songs 1974 songs Dot Records singles Song recordings produced by Joe Allison Songs written by Ron Hellard Songs written by Gary S. Paxton {{1970s-country-song-stub ...
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A Cowboy Legend
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguis ...
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Come Live With Me (Roy Clark Song)
"Come Live with Me' is a 1973 single written by Felice and Boudleaux Bryant and recorded by Roy Clark. "Come Live with Me" was Roy Clark's twelfth hit on the country chart and his only number one. The single stayed at number one for a single week and spent a total of sixteen weeks on the country chart, also crossing over to the top 40 of the easy listening Easy listening (including mood music) is a popular music genre and radio format that was most popular during the 1950s to 1970s. It is related to middle-of-the-road (MOR) music and encompasses instrumental recordings of standards, hit songs, n ... chart and reaching the lower reaches of the Hot 100, peaking at 89 on that chart. Chart performance References

Roy Clark songs 1973 singles Songs written by Felice and Boudleaux Bryant Dot Records singles Song recordings produced by Joe Allison 1973 songs {{1970s-country-song-stub ...
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Thank God And Greyhound
"Thank God and Greyhound" is a song made famous by American country musician Roy Clark. Written by Larry Kingston and John Edward Nix, the song was released in 1970 as the second single to the album ''I Never Picked Cotton''. The song was a top 10 hit on the '' Billboard'' Hot Country Singles chart that November and reached the lower ends of the ''Billboard'' Hot 100, peaking at #90. Content "Thank God and Greyhound" is a "twin-tempoed" song in 3/4 time measure. The lyrics are sung in first-person narrative from the point of view of a man lamenting about a woman, with whom he is involved in what has become a toxic relationship. The tempo in the first half of the song is slow and melancholy (augmented with piano in the style of Floyd Cramer), with the man telling how his woman, the dominant one in their relationship, squandered his small fortune and demoralized him to the point of humiliation. Regardless, he loved her enough to endure her belligerence and quietly hoped that she ...
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I Never Picked Cotton
"I Never Picked Cotton" is a song made famous by country music singer Roy Clark. Written by Bobby George and Charlie Williams, the song was released in 1970 as the title track to the album released that same year. The song peaked at No. 5 on the ''Billboard magazine'' Hot Country Singles chart that summer. Charlie Williams wrote several songs that Roy Clark recorded, including "Right or Left at Oak Street." Song plot The story is told in first-person narrative from the perspective of an Oklahoma native, the youngest of three children from a destitute sharecropping family. In the song's chorus, the protagonist recalls how his mother, brother and sister all picked cotton while his dad, a coal miner, suffered an untimely death. In the first verse, the man recalls his family's past and his own upbringing, and swore to himself that once he was old enough he would leave the farm and his family behind. He eventually made good on his promise in the second verse, stealing ten dollars ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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Alabama Jubilee (song)
"Alabama Jubilee" is a song written with music by George L. Cobb and words by Jack Yellen. The first known recording was that of comedians Collins & Harlan in 1915. The song is considered an American popular standard. The most popular versions of the song were Red Foley's 1951 version (#3 country, #28 pop) and the 1955 instrumental version by the Ferko String Band, which reached #13 on Cashbox, #14 on the Billboard Jukebox chart, and #20 in the UK. A 1981 instrumental version by Roy Clark won the Grammy Award for Best Country Instrumental Performance. The song is a popular marching band song. It was remade as a Tejano song "El circo" by Tony De La Rosa.The Billboard Guide to Tejano and Regional Mexican Music - Page 80 Ramiro Burr - 1999 "Interestingly, "El Circo" was actually a remake of Red Foley's "Alabama Jubilee," which became a Top 10 hit on Billboard's country charts in 1951." Other versions *1916: Prince Band *1926: Skillet Lickers *1927: Al Bernard & Ernest Hare *19 ...
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The Tips Of My Fingers
"The Tip of My Fingers", also titled "The Tips of My Fingers", is a song written and originally recorded by American country music singer Bill Anderson. First included on his 1962 album ''Bill Anderson Sings Country Heart Songs'', the song was a Top Ten country single for him in 1960. Chart performance Roy Clark version In 1963, Roy Clark released a version from his album ''Roy Clark Sings The Tip of My Fingers'', titled "The Tips of My Fingers". It was his first chart single, reaching number 10 on the country charts and number 45 on the pop charts. Chart performance Eddy Arnold version Eddy Arnold recorded the song in 1966 on his album ''Somebody Like Me''. It was the first single from that album, reaching number 3 on the country charts. Chart performance Jean Shepard version In 1975, Jean Shepard released a rendition of the song as well. Her version was included on ''Poor Sweet Baby (And Ten Other Bill Anderson Songs)'', an album comprising cover versions of And ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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Hot Adult Contemporary Tracks
The Adult Contemporary chart is published weekly by ''Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from be ...
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