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Rose Et Colas
''Rose et Colas'' is a French opéra-comique in 3 acts by Michel-Jean Sedaine, music by Pierre-Alexandre Monsigny, first performed on the Théâtre-Français at the Hôtel de Bourgogne on 8 March 1764.''Rose et Colas (Sedaine / Monsigny)''
on bruzanemediabase ''Rose et Colas'' is mentioned by Honoré de Balzac in the short story ''
Une double famille ''Une double famille'' (''A Second Home'') is a lengthy short story by Honoré de Balzac. The story first appeared in 1830 under the title ''La femme vertueuse'' (''The Virtuous Woman''). It was subsequently published in 1832 by Mame et Delaunay a ...
'' (1830). The Lord of Granvi ...
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Simonet Baudouin Monsigny Rose Et Colas
Simonet may refer to: * Denis Simonet (b. 1985), Swiss politician and president of the Pirate Party Switzerland * Diego Simonet (born 1989), Argentine handball player * Enrique Simonet (1866–1927), Spanish painter. * Francisco Javier Simonet (1829 - 1897), Spanish historian, lexicographer, Arabist and Orientalist * François Simonet de Coulmier (1741–1818), also known as Abbé de Coulmier * Henri Simonet (1931–1996), Belgian politician * Jacques Simonet (1963–2007), Belgian politician * Jacques André Simonet (1941-2022), French actor, best known as Jacques Perrin * Marie-Dominique Simonet (1959), Belgian politician and minister, member of the Humanist Democratic Centre, vice-president of the French Community of Belgium * Max Simonet, American talk show host of ''FishCenter Live'' * Pablo Simonet (born 1992), Argentine handball player * Sebastián Simonet Sebastián Alejandro Simonet Moldes (born 12 May 1986) is an Argentine handball player for Ademar León and t ...
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Opéra-comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ...
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Michel-Jean Sedaine
Michel-Jean Sedaine (2 June 1719 – 17 May 1797) was a French dramatist and librettist, especially noted for his librettos for '' opéras comiques'', in which he took an important and influential role in the advancement of the genre from the period of Charles-Simon Favart to the beginning of the Revolution.Charlton 1992, p. 297. Early life Sedaine was born in Paris. His father, an architect, died when Sedaine was quite young and left no fortune to inherit, the young Sedaine therefore began life as a mason's labourer. He was at last taken as pupil by an architect whose kindness he eventually repaid, by the help he was able to give to his benefactor's grandson, the painter David. Meanwhile, he had done his best to repair his deficiencies of education, and in 1750 he published a ''Recueil de pièces fugitives'', which included fables, songs and pastorals. Writer of opéras comiques Sedaine's especial talent was, however, for light opera. He wrote ''Le diable à quatre'', set ...
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Pierre-Alexandre Monsigny
Pierre-Alexandre Monsigny ( – ) was a French composer and a member of the French Académie des Beaux-Arts (1813). He is considered alongside André Grétry and François-André Danican Philidor to have been the founder of a new musical genre, the ''opéra comique'', laying a path for other French composers such as François-Adrien Boieldieu, Daniel-François-Esprit Auber, Charles Gounod, Georges Bizet, and Jules Massenet in this genre. Biography Pierre-Alexandre Monsigny was born at Fauquembergues, near Saint-Omer, in the former Artois region of France (now Pas-de-Calais), four months before the marriage of his parents, Marie-Antoinette Dufresne and Nicolas Monsigny. He was educated at the Walloon Collége des Jésuites in Saint-Omer. It was here that he first discovered his aptitude for music. As the eldest child, in 1749, a few months after his father's death, he left for Paris with only a few coins in his pocket, a violin and a recommendation letter, in an attempt to fur ...
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Comédie-Française
The Comédie-Française () or Théâtre-Français () is one of the few state theatres in France. Founded in 1680, it is the oldest active theatre company in the world. Established as a French state-controlled entity in 1995, it is the only state theatre in France to have its own permanent troupe of actors. The company's primary venue is the Salle Richelieu, which is a part of the Palais-Royal complex and located at 2, Rue de Richelieu on Place André-Malraux in the 1st arrondissement of Paris. The theatre has also been known as the Théâtre de la République and popularly as "La Maison de Molière" (The House of Molière). It acquired the latter name from the troupe of the best-known playwright associated with the Comédie-Française, Molière. He was considered the patron of French actors. He died seven years before his troupe became known as the Comédie-Française, but the company continued to be known as "La Maison de Molière" even after the official change of name. Histor ...
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Hôtel De Bourgogne (theatre)
Hôtel de Bourgogne was a theatre, built in 1548 for the first authorized theatre troupe in Paris, the Confrérie de la Passion. It was located on the rue Mauconseil (now the rue Étienne Marcel in the 2nd arrondissement of Paris), on a site that had been part of the residence of the Dukes of Burgundy (the former Hôtel de Bourgogne). The most important French theatre until the 1630s, it continued to be used until 1783,Forman 2010, p. 134 ("Hôtel de Bourgogne"). after which it was converted to a leather market and eventually totally demolished. The Confrérie performed farce and secular dramas, but lacking great success, began renting the theatre to itinerant acting companies, including Italian ''commedia dell'arte'' troupes, who introduced the characters Harlequin and Pantalone, as well as burlesque. In 1628, a French company, the Comédiens du Roi, became permanently established and performed many of the classics of French theatre, including ''Andromaque'' and ''Phèdre'' by ...
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Une Double Famille
''Une double famille'' (''A Second Home'') is a lengthy short story by Honoré de Balzac. The story first appeared in 1830 under the title ''La femme vertueuse'' (''The Virtuous Woman''). It was subsequently published in 1832 by Mame et Delaunay as part of Balzac's ''Scènes de la vie privée'' (''Scenes from Private Life''). In 1835, it appeared, in an edition by Madame Béchet, in the collection ''Études de mœurs'' (''Studies of Manners''). The novel only acquired its present title in 1842, when the fifth edition appeared in Volume I of the ''Scenes from Private Life'', which was also the first volume of Balzac's ''La Comédie humaine''. The novel comprises two parts, two stories, which are really two sides of the same story. The plot revolves around an act of adultery - a double life, a second family - which is in some sense justified. From the beginning, the setting recalls the atmosphere of Balzac's '' Ferragus''. In a squalid house, in a sordid neighbourhood, an old woman o ...
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1764 Operas
1764 ( MDCCLXIV) was a leap year starting on Sunday and is the fifth year of the 1760s decade, the 64th year of the 18th century, and the 764th year of the 2nd millennium. Events January–June * January 7 – The Siculicidium is carried out as hundreds of the Székely minority in Transylvania are massacred by the Austrian Army at Madéfalva. * January 19 – John Wilkes is expelled from the House of Commons of Great Britain, for seditious libel. * February 15 – The settlement of St. Louis is established. * March 15 – The day after his return to Paris from a nine-year mission, French explorer and scholar Anquetil Du Perron presents a complete copy of the Zoroastrian sacred text, the ''Zend Avesta'', to the ''Bibliothèque Royale'' in Paris, along with several other traditional texts. In 1771, he publishes the first European translation of the ''Zend Avesta''. * March 17 – Francisco Javier de la Torre arrives in Manila to become the new Spanis ...
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Operas By Pierre-Alexandre Monsigny
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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