Rorate Caeli
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Rorate Caeli
"Rorate caeli" or "Rorate coeli" ('Drop down, ye heavens') are the opening words of in the Vulgate. The text appears at several points in the Christian liturgy during Advent. Use in the western Mass and Offices The text is frequently sung to plainsong at Mass and in the Divine Office during Advent where it gives expression to the longings of Patriarchs and Prophets, and symbolically of the Church, for the coming of the Messiah. Throughout Advent it occurs daily as the versicle and response after the hymn at Vespers. The text is used in the extraordinary form of the Roman Rite: *as the Introit for the Fourth Sunday in Advent, for Wednesday in Ember Week, for the feast of the Expectation of the Blessed Virgin Mary, and for votive Masses of the Blessed Virgin during Advent; *as a versicle in the first matins responsory of Tuesday in the first week of Advent; *as the first antiphon at Lauds for the Tuesday preceding Christmas and the second antiphon at Matins of the Expectation of ...
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Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the on ...
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Lauds
Lauds is a canonical hour of the Divine office. In the Roman Rite Liturgy of the Hours it is one of the major hours, usually held after Matins, in the early morning hours. Name The name is derived from the three last psalms of the psalter (148, 149, 150), the Laudate psalms, which in former versions of the Lauds of the Roman Rite occurred every day, and in all of which the word ''laudate'' is repeated frequently. At first, the word ''Lauds'' designated only the end, that is to say, these three psalms. Little by little the ''Lauds'' was applied to the whole office. History Lauds, or the Morning Office or Office of Aurora, is one of the most ancient Offices and can be traced back to Apostolic times. The earliest evidence of Lauds appears in the second and third centuries in the Canons of Hippolytus and in writings by St. Cyprian, and the Apostolic Fathers. Descriptions during the fourth and fifth centuries appear in writings by John Cassian, St. Melania the Younger, St. Hilary ...
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Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Electoral Chapel in Dresden. He wrote what is traditionally considered the first German opera, ''Dafne'', performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores. Schütz was a prolific composer, with more than 500 surviving works. He is commemorated as a musician in the Calendar of Saints of some North American Lutheran churches on 28 July with Johann Sebastian Bach and George Frideric Handel. Early life Schütz was born in Köstritz, the eldest son of C ...
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William Byrd
William Byrd (; 4 July 1623) was an English composer of late Renaissance music. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native England and those on the continent. He is often coupled with John Dunstaple and Henry Purcell as England's most important early music composers. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Life Early life Birth and background Richard Byrd of Ingatestone, Essex was the grandfather of Thomas Byrd, who probably moved to London in the 15th century. Thereafter succeeding generations of the Byrd family are described as gentlemen. William Byrd was probably born in London, the third s ...
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Jacob Handl
Jacobus Gallus (a.k.a. Jacob(us) Handl, Jacob(us) Händl, Jacob(us) Gallus; sl, Jakob Petelin Kranjski; between 15 April and 31 July 155018 July 1591) was a late-Renaissance composer of presumed Slovene ethnicity.Skei/Pokorn, Grove online Born in Carniola, which at the time was one of the Habsburg lands in the Holy Roman Empire, he lived and worked in Moravia and Bohemia during the last decade of his life. Life Gallus's name has been Slovenianized as ''Jakob Petelin'' (''petelin'' means 'rooster'; ''Handl'' and ''gallus'' mean the same in German and Latin, respectively). However, Gallus never used the name ''Petelin''. He was probably born in Reifnitz (now Ribnica, southern Slovenia), although Slovene folk tradition also claims his birthplace to be at Šentviška Gora in the Slovenian Littoral. He used the Latin form of his name, to which he often added the adjective ''Carniolus'', thus giving credit to his homeland Carniola. Gallus most likely was educated at the Cistercian ...
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Giovanni Pierluigi Da Palestrina
Giovanni Pierluigi da Palestrina ( – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint. According to '' Grove Music Online'', Palestrina's "success in reconciling the functional and aesthetic aims of Catholic church music in the post-Tridentine period earned him an enduring reputation as the ideal Catholic composer, as well as giving his style (or, more precisely, later generations’ selective view of it) an iconic stature as a model of perfect achievement." Biography Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States to N ...
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Setting (music)
A musical setting is a musical composition that is written on the basis of a literary work. The literary work is said to be ''set'', or adapted, to music. Musical settings include choral music and other vocal music. A musical setting is made to particular words, such as poems. By contrast, a musical arrangement is a musical reconceptualization of a previously composed work, rather than a brand new piece of music. An arrangement often refers to a change in medium or style and can be instrumental, not necessarily vocal music. Texts commonly used in choral settings include the mass and the requiem in Western Christianity, and the Divine Liturgy of St. John Chrysostom and the All-night vigil in Eastern Christianity. Examples include Mozart's Great Mass, and Leontovych's Liturgy of St. John Chrysostom. A poem that has been set to music is known as an art song or Lied (German variant). Composers known for their art songs include Franz Schubert and Robert Schumann. Some notable settin ...
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O Heiland, Reiß Die Himmel Auf
"O Heiland, reiß die Himmel auf" (O Saviour, tear open the heavens) is a Christian Advent song. The text was first printed in 1622, attributed to Friedrich Spee; the melody was first printed in 1666. History The song was first published in Würzburg in the collection ''Das Allerschönste Kind in der Welt'' (The most beautiful child in the world). Its author is not named, but is thought to be Friedrich Spee, due to similarities to his later collection ''Trutznachtigall''. The text was written in the context of the Thirty Years War, the plague and witch trials. The text was first sung to the melody of "Conditor alma siderum". The melody known today appeared first in the '' Rheinfelsisches Gesangbuch'' of 1666. The song is focused on the longing for the arrival of a Saviour. It has been included in both Catholic and Protestant hymnals; in Protestant hymnals sometimes with an added seventh stanza of unknown authorship. It is part of the Catholic ''Gotteslob'' as GL 231, of the '' Ev ...
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O Antiphons
The O Antiphons (also known as the Great Advent Antiphons or Great Os) are Magnificat antiphons used at Vespers on the last seven days of Advent in Western Christian traditions. They likely date to sixth-century Italy, when Boethius refers to the text in ''The Consolation of Philosophy''. They subsequently became one of the key musical features of the days leading up to Christmas. The texts are best known in the English-speaking world in their paraphrased form in the hymn " O Come, O Come, Emmanuel". Sequence Each text, in the original Latin, begins with the vocative particle "O". Each antiphon is a title of Christ, one of his attributes mentioned in Scripture. They are: * 17 December: ''O Sapientia'' (O Wisdom) * 18 December: ''O Adonai'' * 19 December: ''O Radix Jesse'' (O Root of Jesse) * 20 December: ''O Clavis David'' (O Key of David) * 21 December: ''O Oriens'' (O Dawn of the East) * 22 December: ''O Rex Gentium'' (O King of the Nations) * 23 December: ''O Emmanuel'' In t ...
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English Hymnal
''The English Hymnal'' is a hymn book which was published in 1906 for the Church of England by Oxford University Press. It was edited by the clergyman and writer Percy Dearmer and the composer and music historian Ralph Vaughan Williams, and was a significant publication in the history of Anglican church music. Methodology The preface to the hymnal describes itself as "a collection of the best hymns in the English language." Much of the contents was used for the first time at St Mary's, Primrose Hill, in north London, and the hymnbook could be considered a musical companion to ''The Parson's Handbook'', Dearmer's 1899 manifesto on English church ceremonial, vestments and furnishings. The high quality of the music is due largely to the work of Vaughan Williams as musical editor. The standard of the arrangements and original compositions made it a landmark in English hymnody and one of the most influential hymnals of the 20th century. The hymnal included the first printing of sev ...
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Dom Guéranger
Dom or DOM may refer to: People and fictional characters * Dom (given name), including fictional characters * Dom (surname) * Dom La Nena (born 1989), stage name of Brazilian-born cellist, singer and songwriter Dominique Pinto * Dom people, an ethnic group in the Middle East * Domba or Dom, an ethnic group in India * Doms, people of indigenous origin found in the Indian state of West Bengal Arts and entertainment * ''Dom'' (film), a 1958 Polish film * ''DOM'' (album), a 2012 album by German singer Joachim Witt * DOM (band), a band from Worcester, Massachusetts, US Linguistics * Differential object marking, a linguistic phenomenon * Dom language, spoken in Papua New Guinea Places * Dom (mountain), Switzerland, the third highest mountain in the Alps * Overseas department, (''Département d'outre-mer''), a department of France that is outside metropolitan France * Dóm Square, a large town square in Szeged, Hungary * Dominican Republic (ISO 3166-1 country code) * Douglas–Charles ...
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