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Rockin' Wild In Chicago
''Rockin' Wild in Chicago'' is a live album by the American blues musician Magic Sam, compiling tracks recorded in Chicago between 1963 and 1968, that was released by the Delmark label in 2021.Wirz' American Music: Magic Sam discography Wirz.de, accessed October 31, 2019 Reception reviewer Alex Henderson stated "the sound quality ranges from barely decent to genuinely bad (by '60s standards). But the performances themselves are generally excellent. Magic Sam was among the most exciting Chicago bluesmen of the '60s, and the singer/guitarist is downright explosive ... because the sound is as disappointing as it is, ''Rockin' Wild in Chicago'' isn't recommended to ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Sam
Magic or Magick most commonly refers to: * Magic (supernatural), beliefs and actions employed to influence supernatural beings and forces * Ceremonial magic, encompasses a wide variety of rituals of magic * Magical thinking, the belief that unrelated events are causally connected, particularly as a result of supernatural effects * Magic (illusion), the art of appearing to perform supernatural feats Magic(k) may also refer to: Art and entertainment Film and television * ''Magic'' (1917 film), a silent Hungarian drama * ''Magic'' (1978 film), an American horror film * ''Magic'' (soap opera), 2013 Indonesian soap opera * Magic (TV channel), a British music television station Literature * Magic in fiction, the genre of fiction that uses supernatural elements as a theme * ''Magic'' (Chesterton play), 1913 * ''Magic'' (short story collection), 1996 short story collection by Isaac Asimov * ''Magic'' (novel), 1976 novel by William Goldman * ''The Magic Comic'', a 1939–1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Robey
Don Deadric Robey (November 1, 1903 – June 16, 1975) was an American record label executive, songwriter, and record producer. As the founder of Peacock Records and the eventual owner of Duke Records, he was responsible for developing the careers of many rhythm and blues artists in the 1950s and 1960s. He was the first African American record mogul, 10 years prior to Berry Gordy's Motown label (though the first Black-owned label, Black Swan Records, belonged to Harry Pace in the 1920s). Robey was notorious for his controversial business practices; he reputedly used criminal means, including violence and intimidation, as part of his business model, though he was held in high regard by some of the musicians who worked for him. He was credited with writing or co-writing many of the songs recorded by Duke/Peacock artists, either under his real name, or under the pseudonym of Deadric Malone. However in many cases, he was merely a publisher and was not involved in the writing. Many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odie Payne
Odie Payne (August 27, 1926 – March 1, 1989) was an American Chicago blues drummer. Over his long career he worked with a range of musicians, including Sonny Boy Williamson II, Muddy Waters, Jimmy Rogers, Eddie Taylor, Little Johnny Jones, Tampa Red, Otis Rush, Yank Rachell, Sleepy John Estes, Little Brother Montgomery, Memphis Minnie, Magic Sam, Chuck Berry, and Buddy Guy. Biography Born Odie Payne Jr. in Chicago, Illinois, he was interested in music from an early age and did not limit himself to a narrow musical genre. He studied music in high school. He was drafted into the U.S. Army, and after his discharge he graduated from the Roy C. Knapp School of Percussion. By 1949, Payne was playing with the pianist Little Johnny Jones, before meeting Tampa Red and joining his band. The association lasted for around three years. In 1952, Payne and Jones joined Elmore James's band, the Broomdusters. Payne played with the Broomdusters for another three years, but his recording assoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Shaw
Eddie Shaw (March 20, 1937 – January 29, 2018) was an American Chicago blues tenor saxophonist, arranger and bandleader. He led Howlin' Wolf's band, the Wolf Gang, from 1972, both before Wolf's death in 1976 and subsequently. Biography Shaw was born in Stringtown, Mississippi. In his teenage years, Shaw played tenor saxophone with local blues musicians, such as Little Milton and Willie Love. At the age of 14, he played in a jam session in Greenville, Mississippi, with Ike Turner's band. At a gig in Itta Bena, Mississippi, when the then 20-year-old Shaw performed, Muddy Waters invited him to join his Chicago-based band. In Waters's band, Shaw divided the tenor saxophone position with A.C. Reed. In 1972 he joined Howlin' Wolf, leading his band, the Wolf Gang, and writing half the songs on ''The Back Door Wolf'' (1973). After the singer's death in 1976 he took over the band and its residency at the 1815 Club, renamed Eddie's Place. Shaw led the band on ''Living Chicago ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earl Hooker
Earl Zebedee Hooker (January 15, 1930 – April 21, 1970) was a Chicago blues guitarist known for his slide guitar playing. Considered a "musician's musician", he performed with blues artists such as Sonny Boy Williamson II, Junior Wells, and John Lee Hooker and fronted his own bands. An early player of the electric guitar, Hooker was influenced by the modern urban styles of T-Bone Walker and Robert Nighthawk. He recorded several singles and albums as a bandleader and with other well-known artists. His "Blue Guitar", a slide guitar instrumental single, was popular in the Chicago area and was later overdubbed with vocals by Muddy Waters as " You Shook Me". In the late 1960s, Hooker began performing on the college and concert circuit and had several recording contracts. Just as his career was on an upswing, he died in 1970, at age 40, after a lifelong struggle with tuberculosis. His guitar playing has been acknowledged by many of his peers, including B.B. King, who commented, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Thompson
Sonny Thompson (probably August 23, 1916 – August 11, 1989), born Alfonso Thompson or Hezzie Tompson, was an American Rhythm and blues, R&B bandleader and pianist, popular in the 1940s and 1950s. Biography There is some uncertainty over Thompson's origins, as well as his birth name. Researchers Bob Eagle and Eric LeBlanc indicate that he was born in 1916 in Wilkinson County, Mississippi, but other sources state that he was born in 1923, either in Mississippi or in Chicago. He began recording in 1946, and in 1948 achieved two #1 Hot R&B/Hip-Hop Songs, R&B record chart, chart hit record, hits on the Miracle record label, label – "Long Gone (instrumental), Long Gone (Parts I and II)" and "Late Freight", both featuring saxophone, saxophonist Eddie Chamblee. The follow-ups "Blue Dreams" and "Still Gone" also reached the R&B chart. By 1952 he had moved on to King Records (USA), King Records, where he worked in A&R and as a session musician and arrangement, arranger. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosco Gordon
Rosco N. Gordon III (April 10, 1928 – July 11, 2002), sometimes billed as Roscoe Gordon, was an American blues singer, pianist, and songwriter. He is best known for his hit songs "Booted," (1952), " No More Doggin'" (1952), and " Just a Little Bit" (1960). Gordon was a pioneer of the Memphis blues style. He played piano in a style known as the "Rosco rhythm," with the emphasis on the off-beat. This rhythm was an influence on later musical styles such as Jamaican ska and reggae. Biography Gordon was born in Memphis, Tennessee on April 10, 1928, the youngest of eight children. He learned to play piano from his sister who took lessons. Gordon became associated with Johnny Ace, Bobby Bland and B.B. King, sometimes referred to as the Beale Streeters. In 1946, Gordon moved to Chicago "after getting in trouble in Memphis." He returned to Memphis in 1949, and won first place at an amateur show at the Palace Theatre on Beale Street in 1950. Emcee of the show Rufus Thomas invite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just A Little Bit (Rosco Gordon Song)
"Just a Little Bit" is an R&B-style blues song recorded by Rosco Gordon in 1959. It was a hit in both the R&B and pop charts. Called "one of the standards of contemporary blues," "Just a Little Bit" has been recorded by various other artists, including Little Milton and Roy Head, who also had record chart successes with the song. Background "Just a Little Bit" was developed when Rosco Gordon was touring with West Coast blues artist Jimmy McCracklin. According to Gordon, McCracklin started to write the song and agreed that Gordon could finish it, with both of them sharing the credit. Gordon later presented a demo version to Ralph Bass at King Records, who was reportedly uninterested in the song. Gordon then approached Calvin Carter at Vee-Jay Records, who agreed to record it. Meanwhile, Federal Records, a King Records subsidiary, released a version of "Just a Little Bit" by R&B singer Tiny Topsy, with songwriting credit given to Ralph Bass and several others unknown to Gor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Got My Mojo Working
"Got My Mojo Working" is a blues song written by Preston "Red" Foster and first recorded by R&B singer Ann Cole in 1956. Foster's lyrics describe several amulets or talismans, called ''mojo'', which are associated with hoodoo, an early African-American folk-magic belief system. In 1957, Muddy Waters adapted the song with some different lyrics and a new musical arrangement. It was a feature of his performances throughout his career, with a live version recorded in 1960 identified as the best known. Waters' rendition has received several awards and otherwise recognized by various organizations and publications. As a blues standard, it has been recorded by numerous blues and other artists. Origins The song was written by Preston "Red" Foster, an African-American musician unrelated to the actor of the same name. Music publisher and executive Sol Rabinowitz described Foster as "one of the shyest human beings I've ever met", and a judge in the early 1970s described him as "a Black ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Milton
James Milton Campbell Jr. (September 7, 1934 – August 4, 2005), better known as Little Milton, was an American blues singer and guitarist, best known for his number-one R&B single " We're Gonna Make It". His other hits include "Baby, I Love You", "Who's Cheating Who?", and " Grits Ain't Groceries (All Around The World)". A native of the Mississippi Delta, Milton began his recording career in 1953 at Sun Records before relocating to St. Louis and co-founding Bobbin Records in 1958. It wasn't until Milton signed to Checker Records that he achieved success on the charts. Other labels Milton recorded for include Meteor, Stax, Glades, Golden Ear, MCA, and Malaco. Milton was inducted into the Blues Hall of Fame in 1988. Biography Milton was born James Milton Campbell Jr. on September 7, 1934 in Inverness, Mississippi. He was raised in Greenville, Mississippi by a farmer and local blues musician. By age twelve he was a street musician, chiefly influenced by T-Bone Walker and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
