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Rockaby
''Rockaby'' is a short one-woman play by Samuel Beckett. It was written in English in 1980, at the request of Daniel Labeille, who produced it on behalf of ''Programs in the Arts'', State University of New York, for a festival and symposium in commemoration of Beckett's 75th birthday. The play premiered on April 8, 1981, at the State University of New York at Buffalo, starring Billie Whitelaw and directed by Alan Schneider. A documentary film, ''Rockaby'', by D. A. Pennebaker and Chris Hegedus records the rehearsal process and the first performance. This production went on to be performed at the Annex at La MaMa Experimental Theatre Club, and, in December 1982, at the Cottesloe, Royal National Theatre, London. Synopsis A woman dressed in an evening gown is sitting in a wooden rocking chair; no other props or scenery are called for. She sits totally still until the very end of the play. The chair apparently starts and stops "rocking of its own accord, since her feet are visi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Beckett
Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and tragicomic experiences of life, often coupled with black comedy and nonsense. It became increasingly minimalist as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of repetition and self-reference. He is considered one of the last modernist writers, and one of the key figures in what Martin Esslin called the Theatre of the Absurd. A resident of Paris for most of his adult life, Beckett wrote in both French and English. During the Second World War, Beckett was a member of the French Resistance group Gloria SMH (Réseau Gloria). Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Whitelaw
Billie Honor Whitelaw (6 June 1932 – 21 December 2014) was an English actress. She worked in close collaboration with Irish playwright Samuel Beckett for 25 years and was regarded as one of the foremost interpreters of his works. She was also known for her portrayal of Mrs. Baylock, the demonic nanny in the 1976 horror film ''The Omen''. Early life Whitelaw was born in Coventry, Warwickshire,Prior to 1 April 1974 Coventry was in Warwickshire the daughter of Frances Mary (née Williams) and Gerry Whitelaw. She had one sister, Constance, who was 10 years older. Whitelaw grew up in a working class part of Bradford and later attended Grange Girls' Grammar School in Bradford. At age 11, she began performing as a child actress on radio programmes, including the part of Bunkle, an extrovert prep-schoolboy on Children's Hour from Manchester, and later worked as an assistant stage manager and acted with the repertory company at the Prince's Theatre in Bradford during high school. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock-a-bye Baby
"Rock-a-bye baby in the tree top" (sometimes "Hush-a-bye baby in the tree top") is a nursery rhyme and lullaby. It has a Roud Folk Song Index number of 2768. Words First publication The rhyme is believed to have first appeared in print in ''Mother Goose's Melody'' (London c. 1765), possibly published by John Newbery, and which was reprinted in Boston in 1785. No copies of the first edition are extant, but a 1791 edition has the following words: A reproduction of ''Mother Goose's Melody : Or, Sonnets for the Cradle'', published by Francis Power (grandson to the late Mr J Newbery), London, 65 St Paul's Chuchyard, 1791. The rhyme is followed by a note: "This may serve as a warning to the proud and ambitious, who climb so high that they generally fall at last." Modern versions Modern versions often alter the opening words to "Rock-a-bye", a phrase that was first recorded in Benjamin Tabart's ''Songs for the Nursery'' (London, 1805). A 2021 National Literacy Trust example h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krapp's Last Tape
''Krapp's Last Tape'' is a 1958 one-act play, in English, by Samuel Beckett. With a cast of one man, it was written for Northern Irish actor Patrick Magee (actor), Patrick Magee and first titled "Magee monologue". It was inspired by Beckett's experience of listening to Magee reading extracts from ''Molloy (novel), Molloy'' and ''From an Abandoned Work'' on the BBC Third Programme in December 1957. It is considered to be among Beckett’s major dramas. History First publication In a letter to a London bookseller Jake Schwartz on 15 March 1958, Beckett wrote that he had "'four states, in typescript, with copious notes and dirty corrections, of a short stage monologue I have just written (in English) for Pat Magee. This was composed on the machine from a tangle of old notes, so I have not the Manuscript, MS to offer you." According to Ackerley and Gontarski, "It was first published in ''Evergreen Review'' 2.5 (summer 1958), then in ''Krapp's Last Tape and Embers'' (Faber, 1959), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Berkeley
George Berkeley (; 12 March 168514 January 1753) – known as Bishop Berkeley (Bishop of Cloyne of the Anglican Church of Ireland) – was an Anglo-Irish philosopher whose primary achievement was the advancement of a theory he called "immaterialism" (later referred to as " subjective idealism" by others). This theory denies the existence of material substance and instead contends that familiar objects like tables and chairs are ideas perceived by the mind and, as a result, cannot exist without being perceived. Berkeley is also known for his critique of abstraction, an important premise in his argument for immaterialism. In 1709, Berkeley published his first major work, '' An Essay Towards a New Theory of Vision'', in which he discussed the limitations of human vision and advanced the theory that the proper objects of sight are not material objects, but light and colour. This foreshadowed his chief philosophical work, ''A Treatise Concerning the Principles of Human Knowledg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molloy (novel)
''Molloy'' is a novel by Samuel Beckett first written in French and published by Paris-based Les Éditions de Minuit in 1951. The English translation, published in 1955, is by Beckett and Patrick Bowles. As part of the Trilogy ''Molloy'' is the first of three novels initially written in Paris between 1947 and 1950; this trio, which includes ''Malone Dies'' and ''The Unnamable (novel), The Unnamable'', is collectively referred to as ‘The Trilogy’ or ‘the Beckett Trilogy.’ Beckett wrote all three books in French and then, aside from some collaborative work on ''Molloy'' with Patrick Bowles, served entirely as his own English-language translator; he did the same for most of his plays. As Paul Auster explains, “Beckett’s renderings of his own work are never literal, word-by-word transcriptions. They are free, highly-inventive adaptations of the original text—or, perhaps more accurately, ‘repatriations’ from one language to the other, from one culture to the other. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actors' Equity Association
The Actors' Equity Association (AEA), commonly referred to as Actors' Equity or simply Equity, is an American labor union representing those who work in live theatrical performance. Performers appearing in live stage productions without a book or through-storyline (vaudeville, cabarets, circuses) may be represented by the American Guild of Variety Artists (AGVA). The AEA works to negotiate and provide performers and stage managers quality living conditions, livable wages, and benefits. A theater or production that is not produced and performed by personnel who are members of the AEA may be known as "non-Equity". Background Leading up to the Actors' and Producers' strike of 1929, Hollywood and California in general, had a series of workers' equality battles that directly influenced the film industry. The films ''The Passaic Textile Strike'' (1926), ''The Miners' Strike'' (1928) and ''The Gastonia Textile Strike'' (1929), gave audience and producers insight into the effect and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solo Performance
A solo performance, sometimes referred to as a one-man show or one-woman show, features a single person telling a story for an audience, typically for the purpose of entertainment. This type of performance comes in many varieties, including autobiographical creations, comedy acts, novel adaptations, vaudeville, poetry, music and dance. In 1996, Rob Becker's ''Defending the Caveman'' became the longest running solo (one man) play in the history of Broadway. Traits of solo performance Solo performance is used to encompass the broad term of a single person performing for an audience. Some key traits of solo performance can include the lack of the fourth wall and audience participation or involvement. Solo performance does not need to be written, performed and produced by a single person—a solo performance production may use directors, writers, designers and composers to bring the piece to life on a stage. An example of this collaboration is Eric Bogosian in the published version o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irene Worth
Irene Worth, CBE (June 23, 1916March 10, 2002) was an American stage and screen actress who became one of the leading stars of the British and American theatre. She pronounced her given name with three syllables: "I-REE-nee". Worth made her Broadway debut in 1943, joined the Old Vic company in 1951 and the Royal Shakespeare Company in 1962. She won the BAFTA Award for Best British Actress for the 1958 film ''Orders to Kill''. Her other film appearances included ''Nicholas and Alexandra'' (1971) and '' Deathtrap'' (1982). A three-time Tony Award winner, she won the Tony Award for Best Actress in a Play for ''Tiny Alice'' in 1965 and ''Sweet Bird of Youth'' in 1976, and won the 1991 Tony Award for Best Featured Actress in a Play for ''Lost in Yonkers'', a role she reprised in the 1993 film version. One of her later stage performances was opposite Paul Scofield in the 2001 production of ''I Take Your Hand in Mine'' at the Almeida Theatre in London. Early life Harriett Elizabeth Ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammatical Person
In linguistics, grammatical person is the grammatical distinction between deictic references to participant(s) in an event; typically the distinction is between the speaker ( first person), the addressee ( second person), and others (third person). A language's set of ''personal'' pronouns are defined by grammatical person, but other pronouns would not. ''First person'' includes the speaker (English: ''I'', ''we'', ''me'', and ''us''), ''second person'' is the person or people spoken to (English: ''you''), and ''third person'' includes all that are not listed above (English: ''he'', ''she'', ''it'', ''they'', ''him'', ''her'', ''them''). It also frequently affects verbs, and sometimes nouns or possessive relationships. Related classifications Number In Indo-European languages, first-, second-, and third-person pronouns are typically also marked for singular and plural forms, and sometimes dual form as well (grammatical number). Inclusive/exclusive distinction Some other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
