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Robert De Montesquiou
Marie Joseph Robert Anatole, comte de Montesquiou-Fézensac (7 March 1855, Paris – 11 December 1921, Menton) was a French aesthete, Symbolist poet, painter, art collector, art interpreter, and dandy. He is reputed to have been the inspiration both for Jean des Esseintes in Joris-Karl Huysmans' ''À rebours'' (1884) and, most famously, for the Baron de Charlus in Marcel Proust's ''À la recherche du temps perdu'' (1913–1927).''Prince Of Aesthetes: Count Robert de Montesquiou (1855–1921)'', Philippe Jullian, The Viking Press, 1968 Some believe that he may even have been used by Oscar Wilde in ''The Picture of Dorian Gray''. Family Robert de Montesquiou was a scion of the French Montesquiou-Fézensac family. His paternal grandfather was Count Anatole de Montesquiou-Fézensac (1788–1878), '' aide-de-camp'' to Napoleon and grand officer of the ''Légion d'honneur''; his father was Anatole's third son, Thierry, who married Pauline Duroux, an orphan, in 1841. With his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Nadar
Gaspard-Félix Tournachon (5 April 1820 – 20 March 1910), known by the pseudonym Nadar, was a French photographer, caricaturist, journalist, novelist, balloonist, and proponent of heavier-than-air flight. In 1858, he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son, Paul Nadar (1856–1939), continued the studio after his death. Life Gaspard-Félix Tournachon (also known as Nadar) was born in early April 1820 in Paris, though some sources state he was born in Lyon. His father, Victor Tournachon, was a printer and bookseller. Nadar began to study medicine but quit for economic reasons after his father's death. Nadar started working as a caricaturist and novelist for various newspapers. He fell in with the Parisian bohemian group of Gérard de Nerval, Charles Baudelaire, and Théodore de Banville. His friends picked a nickname for him, perhaps by a playful habit of ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jockey-Club De Paris
The Jockey Club de Paris is a traditional gentlemen's club and is regarded as the most prestigious of private clubs in Paris. It is best remembered as a gathering place of the elite of nineteenth-century French society. Today it is decidedly but not exclusively aristocratic. The club seat is at 2, rue Rabelais in Paris, near the Champs-Elysées and it hosts the International Federation of Racing Authorities. It has no more official links to the horse-racing industry organisations which are separate professional bodies. Reciprocities with other clubs * Circolo della Caccia (Rome) * Knickerbocker Club (New York) * Metropolitan Club (Washington) * Turf Club (Lisbon) * Cercle Royal du Parc (Brussels) * Boodle's (London) * Jockey Club für Österreich (Wien) * Turf Club (London) * Nuevo Club (Madrid) * Somerset Club (Boston) * Pacific-Union Club (San Francisco) * Círculo de Armas (Buenos Aires) * Australian Club (Sydney) * Melbourne Club (Melbourne) * New Club (Edinburgh) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aestheticism
Aestheticism (also the Aesthetic movement) was an art movement in the late 19th century which privileged the aesthetic value of literature, music and the arts over their socio-political functions. According to Aestheticism, art should be produced to be beautiful, rather than to serve a moral, allegorical, or other didactic purpose, a sentiment exemplified by the slogan "art for art's sake." Aestheticism originated in 1860s England with a radical group of artists and designers, including William Morris and Dante Gabriel Rossetti. It flourished in the 1870s and 1880s, gaining prominence and the support of notable writers such as Walter Pater and Oscar Wilde. Aestheticism challenged the values of mainstream Victorian culture, as many Victorians believed that literature and art fulfilled important ethical roles. Writing in ''The Guardian'', Fiona McCarthy states that "the aesthetic movement stood in stark and sometimes shocking contrast to the crass materialism of Britain in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belle Époque
The Belle Époque or La Belle Époque (; French for "Beautiful Epoch") is a period of French and European history, usually considered to begin around 1871–1880 and to end with the outbreak of World War I in 1914. Occurring during the era of the Third French Republic, it was a period characterised by optimism, regional peace, economic prosperity, colonial expansion, and technological, scientific, and cultural innovations. In this era of France's cultural and artistic climate (particularly within Paris), the arts markedly flourished, and numerous masterpieces of literature, music, theatre, and visual art gained extensive recognition. The Belle Époque was so named in retrospect, when it began to be considered a continental European "Golden Age" in contrast to the horrors of the Napoleonic Wars and World War I. The Belle Époque was a period in which, according to historian R. R. Palmer: " European civilisation achieved its greatest power in global politics, and also ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert De Montesquiou
Marie Joseph Robert Anatole, comte de Montesquiou-Fézensac (7 March 1855, Paris – 11 December 1921, Menton) was a French aesthete, Symbolist poet, painter, art collector, art interpreter, and dandy. He is reputed to have been the inspiration both for Jean des Esseintes in Joris-Karl Huysmans' ''À rebours'' (1884) and, most famously, for the Baron de Charlus in Marcel Proust's ''À la recherche du temps perdu'' (1913–1927).''Prince Of Aesthetes: Count Robert de Montesquiou (1855–1921)'', Philippe Jullian, The Viking Press, 1968 Some believe that he may even have been used by Oscar Wilde in ''The Picture of Dorian Gray''. Family Robert de Montesquiou was a scion of the French Montesquiou-Fézensac family. His paternal grandfather was Count Anatole de Montesquiou-Fézensac (1788–1878), '' aide-de-camp'' to Napoleon and grand officer of the ''Légion d'honneur''; his father was Anatole's third son, Thierry, who married Pauline Duroux, an orphan, in 1841. With his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Boldini
Giovanni Boldini (31 December 1842 – 11 January 1931) was an Italian genre and portrait painter who lived and worked in Paris for most of his career. According to a 1933 article in ''Time'' magazine, he was known as the "Master of Swish" because of his flowing style of painting. Early life Boldini was born in Ferrara, Italy on 31 December 1842. He was the son of a painter of religious subjects, and the younger brother of architect Luigi (Louis) Boldini. In 1862, he went to Florence for six years to study and pursue painting. He only infrequently attended classes at the Academy of Fine Arts, but in Florence, met other realist painters known as the Macchiaioli, who were Italian precursors to Impressionism. Their influence is seen in Boldini's landscapes which show his spontaneous response to nature, although it is for his portraits that he became best known. Career Moving to London, Boldini attained success as a portraitist. He completed portraits of distinguished members of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio De La Gandara
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhattan
Manhattan (), known regionally as the City, is the most densely populated and geographically smallest of the five boroughs of New York City. The borough is also coextensive with New York County, one of the original counties of the U.S. state of New York. Located near the southern tip of New York State, Manhattan is based in the Eastern Time Zone and constitutes both the geographical and demographic center of the Northeast megalopolis and the urban core of the New York metropolitan area, the largest metropolitan area in the world by urban landmass. Over 58 million people live within 250 miles of Manhattan, which serves as New York City’s economic and administrative center, cultural identifier, and the city’s historical birthplace. Manhattan has been described as the cultural, financial, media, and entertainment capital of the world, is considered a safe haven for global real estate investors, and hosts the United Nations headquarters. New York City is the headquarters of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frick Collection
The Frick Collection is an art museum in New York City. Its permanent collection (normally at the Henry Clay Frick House, currently at the 945 Madison Avenue#2021–present: Frick Madison, Frick Madison) features Old Master paintings and European fine and decorative arts, including works by Giovanni Bellini, Bellini, Jean-Honoré Fragonard, Fragonard, Goya, Hans Holbein the Younger, Holbein, Rembrandt, Titian, J. M. W. Turner, Turner, Velázquez, Vermeer, Thomas Gainsborough, and many others. The museum was founded by the industrialist Henry Clay Frick (1849–1919), and its collection has more than doubled in size since opening to the public in 1935. The Frick also houses the Frick Art Reference Library, a premier art history research center established in 1920 by Helen Clay Frick (1888–1984). History The Frick Collection became a public institution when Henry Clay Frick bequeathed his art collection, as well as his Upper East Side residence at 1 East 70th Street, to the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Abbott McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, ''Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavane (Fauré)
The Pavane in F-sharp minor, Op. 50, is a short work by the French composer Gabriel Fauré written in 1887. It was originally a piano piece, but is better known in Fauré's version for orchestra and optional chorus. It was first performed in Paris in 1888, becoming one of the composer's most popular works. History The work is titled after the slow processional Spanish court dance of the same name. Fauré's original version of the piece was written for piano and chorus in the late 1880s.Howat, p. 155 He described it as "elegant, assuredly, but not particularly important." Fauré composed the orchestral version at Le Vésinet Le Vésinet () is a suburban commune in the Yvelines department in the Île-de-France region in north-central France. It is a part of the affluent outer suburbs of western Paris, from the centre of Paris. In 2019, it had a population of 15,943. ... in the summer of 1887.Orledge, Robert (1993). Notes to EMI CD CDM 7-64715-2 He envisaged a purely orc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Fauré
Gabriel Urbain Fauré (; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his ''Pavane (Fauré), Pavane'', Requiem (Fauré), Requiem, ''Sicilienne (Fauré), Sicilienne'', Fauré Nocturnes, nocturnes for piano and the songs Trois mélodies, Op. 7 (Fauré), "Après un rêve" and Clair de lune (Fauré), "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmony, harmonically and melody, melodically complex style. Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the École Niedermeyer de Paris, Ecole Niedermeyer music college in Paris, where he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
