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Robert Bridges' Theory Of Elision
Robert Bridges's theory of elision is a theory of elision developed by the poet Robert Bridges, while he was working on a prosodic analysis of John Milton's poems ''Paradise Lost, Paradise Regained, and Samson Agonistes.'' Bridges describes his theory in thorough detail in his 1921 book ''Milton's Prosody''. With his definition of poetic elision, Bridges is able to demonstrate that no line in ''Paradise Lost'' contains an extra unmetrical syllable mid-line; that is, any apparent extra mid-line syllable can be explained as an example of Bridges's elision. Milton's elision in ''Paradise Lost'' Bridges identifies the following kinds of elision: # vowel elisions # elision through H # poetic elision of semi-vowels # elision through R # elision through L # elision through N Vowel elisions Bridges identifies two basic types of vowel elision # the y-glide #the w-glide The y-glide Bridges identifies three situations where this could occur: #where the first syllable is stressed, such as i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elision
In linguistics, an elision or deletion is the omission of one or more sounds (such as a vowel, a consonant, or a whole syllable) in a word or phrase. However, these terms are also used to refer more narrowly to cases where two words are run together by the omission of a final sound. An example is the elision of word-final /t/ in English if it is preceded and followed by a consonant: "first light" is often pronounced /fɜ:s laɪt/. Many other terms are used to refer to particular cases where sounds are omitted. Citation forms and contextual forms A word may be spoken individually in what is called the Lemma (morphology), citation form. This corresponds to the pronunciation given in a dictionary. However, when words are spoken in context, it often happens that some sounds that belong to the citation form are omitted. Elision is not an all-or-nothing process: elision is more likely to occur in some styles of speaking and less likely in others. Many writers have described the styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Bridges
Robert Seymour Bridges (23 October 1844 – 21 April 1930) was an English poet who was Poet Laureate from 1913 to 1930. A doctor by training, he achieved literary fame only late in life. His poems reflect a deep Christian faith, and he is the author of many well-known hymns. It was through Bridges's efforts that Gerard Manley Hopkins achieved posthumous fame. Personal and professional life Bridges was born at Walmer, Kent, in England, the son of John Thomas Bridges (died 1853) and his wife Harriett Elizabeth, daughter of the Rev. Sir Robert Affleck, 4th Baronet. He was the fourth son and eighth child. After his father's death his mother married again, in 1854, to John Edward Nassau Molesworth, vicar of Rochdale, and the family moved there. Bridges was educated at Eton College and Corpus Christi College, Oxford. He went on to study medicine in London at St Bartholomew's Hospital, intending to practise until the age of forty and then retire to write poetry. He practised a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradise Lost
''Paradise Lost'' is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse (poetry), verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's ''Aeneid'') with minor revisions throughout. It is considered to be Milton's masterpiece, and it helped solidify his reputation as one of the greatest English poets of all time. The poem concerns the The Bible, biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Composition In his introduction to the Penguin Books, Penguin edition of ''Paradise Lost'', the Milton scholar John Leonard notes, "John Milton was nearly sixty when he published ''Paradise Lost'' in 1667. The biographer John Aubrey (1626–1697) tells us that the poem was begun in about 1658 and finished in about 1663. However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradise Regained
''Paradise Regained'' is a poem by English poet John Milton, first published in 1671. The volume in which it appeared also contained the poet's closet drama ''Samson Agonistes''. ''Paradise Regained'' is connected by name to his earlier and more famous epic poem ''Paradise Lost'', with which it shares similar theological themes; indeed, its title, its use of blank verse, and its progression through Christian history recall the earlier work. However, this effort deals primarily with the temptation of Christ as recounted in the Gospel of Luke. Milton composed ''Paradise Regained'' at his cottage in Chalfont St Giles in Buckinghamshire. ''Paradise Regained'' is four books long and comprises 2,065 lines; in contrast, ''Paradise Lost'' is twelve books long and comprises 10,565 lines. As such, Barbara K. Lewalski has labelled the work a "brief epic". Plot Book 1 Jesus is baptized by John. Satan, seeing this, calls a meeting of demons to plot against him, confident he can fool Chr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson Agonistes
''Samson Agonistes'' (from Greek Σαμσών ἀγωνιστής, "Samson the champion") is a tragic closet drama by John Milton. It appeared with the publication of Milton's '' Paradise Regained'' in 1671, as the title page of that volume states: "Paradise Regained / A Poem / In IV Books / To Which Is Added / Samson Agonistes". It is generally thought that ''Samson Agonistes'' was begun around the same time as ''Paradise Regained'' but was completed after the larger work, possibly very close to the date of publishing, but there is no certainty. Background Milton began plotting various subjects for tragedies in a notebook created in the 1640s. Many of the ideas dealt with the topic of Samson, and he gave them titles such as ''Samson pursophorus or Hybristes'' ("Samson the Firebrand, or Samson the Violent"), ''Samson marriing or in Ramath Lechi'', and ''Dagonalia'' (the unholy rites at which Samson performed his vindication of God). The title he chose emphasises Samson as a war ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milton's Prosody (book)
''Milton's Prosody, with a chapter on Accentual Verse and Notes'' is a book by Robert Bridges. It was first published by Oxford University Press in 1889, and a final revised edition was published in 1921. Bridges begins with a detailed empirical analysis of the blank verse of ''Paradise Lost'', and then examines the changes in Milton's practice in his later poems ''Paradise Regained'' and ''Samson Agonistes.'' A third section deals with 'obsolete mannerisms'. The final section of the book presents a new system of prosody for accentual verse. Writing of the book Bridges had been asked by Henry Beeching, his local vicar, to write a preface for an edition of ''Paradise Lost'' that Beeching was preparing for sixth-form pupils. Beeching wanted something to counter the prevailing da-DUM-da-DUM style of reading, that artificially distorted words to fit the regular pattern of the iambic pentameter rhythm. When Gerard Manley Hopkins visited Bridges in mid August 1886, they discussed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synaloepha
A synalepha or synaloepha is the merging of two syllables into one, especially when it causes two words to be pronounced as one. The original meaning in Ancient Greek is more general than modern usage and includes coalescence of vowels within a word. Similarly, synalepha most often refers to elision (as in English contraction), but it can also refer to coalescence by other metaplasms: synizesis, synaeresis or crasis.W. Sidney Allen, ''Vox Graeca'', chart of "Types of vowel-junction", p. 98. Examples {{Original research, date=January 2022, section Spanish, Portuguese and Italian use synalepha, which is important in counting syllables in poetry. An example is in this hendecasyllable (11-syllable line) by Garcilaso de la Vega: : ''Los cabellos que al oro oscurecían.'' :: The hair that endarkened the gold. The words ''que'' and ''al'' form one syllable in counting them because of synalepha. The same thing happens with ''-ro'' and ''os-'' and so the line has eleven syllables (sylla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Rhythm
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
