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Road Rage (Catatonia Song)
"Road Rage" is a song recorded by Welsh band Catatonia, taken from their second studio album, '' International Velvet'' (1998). It was written by band member Mark Roberts, with the production credit given generally to the band. "Road Rage" was released as the third single from the album on 20 April 1998, following their breakthrough success with the song " Mulder and Scully". The title "Road Rage" was based on the murder of Lee Harvey by his girlfriend Tracie Andrews in December 1996, something for which singer Cerys Matthews later apologised to Harvey's mother. "Road Rage" was received positively by the press, with particular praise given to the way that Matthews rolled the r's in the chorus of the song. Commercially, the song peaked at number five on the UK Singles Chart, eventually gaining a silver sales certification from the British Phonographic Industry. It also reached the top 30 in Ireland and the top 40 in Australia. It received nominations for best song at the Brit Awar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catatonia (band)
Catatonia were an alternative rock band from Wales who gained popularity in the mid-to-late 1990s. The band formed in 1992 after Mark Roberts met Cerys Matthews and Kirsty Kennedy. The first major lineup featured Dafydd Ieuan of Super Furry Animals on drums, Paul Jones on bass, and Clancy Pegg on keyboards. With this line-up the band recorded two EPs, ''For Tinkerbell'' and ''Hooked''. Pegg was fired prior to work on their first studio album, ''Way Beyond Blue'', and during the recording of the album the band was joined by drummer Aled Richards, replacing Ieuan, who left to focus full-time on Super Furry Animals. During the live promotional appearances for the album the band was joined by guitarist Owen Powell. This latest incarnation of the band lasted until its dissolution in 2001. The single "You've Got a Lot to Answer For" received radio airplay and became the band's first top 40 single in the UK Singles Chart in September 1996. Their breakout success came at the start of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sixty Eight Guns
"Sixty Eight Guns" is a song by Welsh rock band the Alarm that was released as a single in August 1983 and later appeared on the group's debut album ''Declaration'' in February 1984. It was written by Alarm members Mike Peters and Eddie MacDonald. The song reached #17 on the UK Singles Chart, becoming the Alarm's first Top 40 appearance and their highest-ever position on that chart. The song also reached #39 on the Hot Mainstream Rock Tracks chart in the United States, the Alarm's first-ever chart position in that country. Soon after, it "bubbled under" the Billboard Hot 100 singles chart at #106, becoming the band's first charting single on the American pop charts. The song was recorded at Good Earth Studios and mixed at Abbey Road Studios. Background and writing The lyrics to "Sixty Eight Guns" were inspired by a book that Peters had read about the 1960s street gangs of Glasgow. Title The song's title is written as "Sixty Eight ''(sic)'' Guns" and "68 Guns" interchangeably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Jones (singer)
Sir Thomas Jones Woodward (born 7 June 1940), known professionally as Tom Jones, is a Welsh singer. His career began with a string of top-ten hits in the mid-1960s. He has toured regularly, with appearances in Las Vegas (1967–2011). Jones's voice has been described by AllMusic as a "full-throated, robust baritone". His performing range has included pop, R&B, show tunes, country, dance, soul and gospel. In 2008, the ''New York Times'' called Jones a musical "shape shifter", who could "slide from soulful rasp to pop croon, with a voice as husky as it was pretty". Jones has sold over 100 million records, with 36 Top 40 hits in the UK and 19 in the US, including "It's Not Unusual", "What's New Pussycat?", the theme song for the 1965 James Bond film '' Thunderball'', "Green, Green Grass of Home", "Delilah", "She's a Lady", "Kiss" and " Sex Bomb". Jones has also occasionally dabbled in acting, first making his acting debut playing the lead role in the 1979 television film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delilah (Tom Jones Song)
"Delilah" is a song recorded by Welsh singer Tom Jones in December 1967. The lyrics were written by Barry Mason, and the music by Les Reed, who also contributed the title and theme of the song. It earned Reed and Mason the 1968 Ivor Novello award for Best Song Musically and Lyrically. Music and lyrics Although the song is a soulful number set in triple metre, the underlying genre may be considered to be a power ballad. Produced by Peter Sullivan, Jones's version features a big-band accompaniment set to a flamenco rhythm. The pitch of the final note is A4. Flamenco was a surprising choice, since there is no reference to Spain anywhere in the song. Possibly, it was because of similarities to the plot of "Carmen", in which Don José stabs Carmen to death when she tells him she is leaving him for another man. The song tells the story of a man who passes his girlfriend's window and sees her inside making love to another man. He waits outside all night, and then confronts her in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunday Mercury
''Sunday Mercury'' is a Sunday tabloid published in Birmingham, UK, and now owned by Reach plc. The first edition was published on 29 December 1918. The first editor was John Turner Fearon (1869–1937), who left the Dublin-based ''Freeman's Journal The ''Freeman's Journal'', which was published continuously in Dublin from 1763 to 1924, was in the nineteenth century Ireland's leading nationalist newspaper. Patriot journal It was founded in 1763 by Charles Lucas and was identified with rad ...'' to take up the position. David Brookes, who edited the ''Mercury'' between 2000 and 2008, returned to Birmingham in November 2009 and is now responsible for the ''Sunday Mercury'' as Editor-in-Chief along with the ''Birmingham Post'' and ''Birmingham Mail''. The paper had a circulation of more than 60,000 in 2006 but the average had dropped to below 25,000 in 2014. References Newspapers published in Birmingham, West Midlands Publications established in 1918 Newspapers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daily Mirror
The ''Daily Mirror'' is a British national daily tabloid. Founded in 1903, it is owned by parent company Reach plc. From 1985 to 1987, and from 1997 to 2002, the title on its masthead was simply ''The Mirror''. It had an average daily print circulation of 716,923 in December 2016, dropping to 587,803 the following year. Its Sunday sister paper is the '' Sunday Mirror''. Unlike other major British tabloids such as '' The Sun'' and the '' Daily Mail'', the ''Mirror'' has no separate Scottish edition; this function is performed by the '' Daily Record'' and the '' Sunday Mail'', which incorporate certain stories from the ''Mirror'' that are of Scottish significance. Originally pitched to the middle-class reader, it was converted into a working-class newspaper after 1934, in order to reach a larger audience. It was founded by Alfred Harmsworth, who sold it to his brother Harold Harmsworth (from 1914 Lord Rothermere) in 1913. In 1963 a restructuring of the media interests of the Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunday Mirror
The ''Sunday Mirror'' is the Sunday sister paper of the ''Daily Mirror''. It began life in 1915 as the ''Sunday Pictorial'' and was renamed the ''Sunday Mirror'' in 1963. In 2016 it had an average weekly circulation of 620,861, dropping markedly to 505,508 the following year. Competing closely with other papers, in July 2011, on the second weekend after the closure of the ''News of the World'', more than 2,000,000 copies sold, the highest level since January 2000. History ''Sunday Pictorial'' (1915–1963) The paper launched as the ''Sunday Pictorial'' on 14 March 1915. Lord Rothermere – who owned the paper – introduced the ''Sunday Pictorial'' to the British public with the idea of striking a balance between socially responsible reporting of great issues of the day and sheer entertainment. Although the newspaper has gone through many refinements in its near 100-year history those original core values are still in place today. Ever since 1915, the paper has continually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4/4 Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Road Rage
Road rage is aggressive or angry behavior exhibited by motorists. These behaviors include rude and verbal insults, yelling, physical threats or dangerous driving methods targeted at other drivers, pedestrians or cyclists in an effort to intimidate or release frustration. Road rage can lead to altercations, damage to property, assaults, and collisions that result in serious physical injuries or even death. Strategies include (but are not limited to) cutting motorists off, inappropriate honking, flipping off another driver, swerving, tailgating, brake checking and attempting to fight. According to a study by the AAA Foundation for Traffic Safety that examined police records nationally, there were more than 1,250 incidents of road rage on average reported per year between 19901996 in the United States. Many of these incidents have ended with serious injuries or fatalities. These rates rose yearly throughout the six years of the study. A number of studies have found that individuals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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