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Rip Van Winkle (operetta)
''Rip Van Winkle'' is an operetta in three acts by Robert Planquette. The English language libretto by Henri Meilhac, Philippe Gille and Henry Brougham Farnie was based on the short stories "The Legend of Sleepy Hollow" (1820) and "Rip Van Winkle" (1819) by Washington Irving after the play by Dion Boucicault and Joseph Jefferson. It first played at the Comedy Theatre in London in 1882 and ran for 328 performances, starring Fred Leslie in the title role. It then toured and was revived in Britain. It also played in New York, Vienna, Dresden, and in Paris, where it was revived in productions over the next 50 years. Background and performance history The piece was based on a non-musical adaptation of Washington Irving's stories presented by Dion Boucicault, which ran in London for 172 performances in 1865 and, in a revised version, 154 performances in 1875. The libretto for the operetta was by Henri Meilhac, Philippe Gille and H. B. Farnie. The piece opened at the Comedy Theatre i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard D'Oyly Carte
Richard D'Oyly Carte (; 3 May 1844 – 3 April 1901) was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establishing an opera company that ran continuously for over a hundred years and a management agency representing some of the most important artists of the day. Carte started his career working for his father, Richard Carte, in the music publishing and musical instrument manufacturing business. As a young man he conducted and composed music, but he soon turned to promoting the entertainment careers of others through his management agency. Carte believed that a school of wholesome, well-crafted, family-friendly, English comic opera could be as popular as the risqué French works dominating the London musical stage in the 1870s. To that end he brought together the dramatist W. S. Gilbert and composer Arthur Sullivan and nurtured their collaboration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Robert Planquette
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English-language Operettas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mily-Meyer
Émilie Mily Meyer, stage name 'Mily-Meyer' was a French soprano, born 1852 in Paris, died there in 1927, who for a quarter of a century became a major star of the Parisian operetta stage, and is described by Gänzl as "impishly boyish yet obviously feminine soubrette".Gänzl, K. ''The Encyclopedia of the Musical Theatre.'' Oxford: Blackwell, 1994. Career Her professional début was at the Eldorado café-concert; she then went to the Théâtre de la Renaissance and appeared as the young duchess in the premiere of ''Le petit duc'' on 25 January 1878. Creations in '' La Camargo'' (1878), ''Petite Mademoiselle'' (1879) and ''Belle Lurette'' (1880) swiftly followed. Mily-Meyer appeared at the Théâtre des Nouveautés as Kate in the French premiere of '' Rip'' and at the Théâtre des Bouffes Parisiens as Bianca in the first run of '' La Béarnaise'' in 1885. Also at Théâtre des Variétés was ''La princesse de Trébizonde'', while at the Théâtre des Folies-Dramatiques she was i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon-Max
Nicolas-Marie Simon (1852, in Reims, France – 1923), known as Simon-Max, was a French tenor who was mainly active in Paris in the field of opera-bouffe. After musical studies in Reims he made his debut in 1875 at the Théâtre de la Renaissance as Janio in ''La reine Indigo'' then on 9 September that year at the Théâtre des Folies-Dramatiques as Anatole de Quillembois in ''Les cent vierges'' by Lecocq.Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. At the Folies-Dramatiques he went on to sing in the premieres of ''Les cloches de Corneville'' on 17 April 1877 (Jean Grenicheux), '' La fille du tambour-major'' on 13 December 1879 and ''Madame Favart'' on 28 December 1878 (Hector de Boispréau). Other premieres included Cottinet in ''Le petit Parisien'' (16 January 1882), Inigo in ''La princesse des Canaries'' (9 February 1883), Ischabod in the French premiere of ''Rip'' (11 November 1884), Planchet in ''Les petits mousquetaires'' (5 March 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Folies-Dramatiques
The Théâtre des Folies-Dramatiques was a theatre in Paris in the 19th and 20th centuries. Opened first in 1832 in the site of the old Théâtre de l'Ambigu-Comique on the Boulevard du Temple, under Frédérick Lemaître it became a noted venue for the genre of mélodrame.’L'encyclopédie multimedia de la comédie musicale théâtrale en France (1918-1940)’ (http://comedie-musicale.jgana.fr/index.htm), accessed 14.01.10. In 1862, the theatre moved to the rue de Bondy and the repertoire developed more in the field of operetta, ''La fille de Madame Angot'' by Charles Lecocq in 1873, ''Les cloches de Corneville'' by Robert Planquette in 1877, ''Madame Favart'', by Jacques Offenbach in 1878, ''La fille du tambour-major'' by Offenbach in 1879, ''La fauvette du temple'' by André Messager in 1885, '' La Béarnaise'' by Messager in 1887 and '' Surcouf'' by Robert Planquette in October of the same year being among the premieres seen at the theatre. Other operettas and light operas we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Selina Dolaro
Selina Simmons Belasco Dolaro (20 August 1849 – 23 January 1889) was an English singer, actress, theatre manager and writer of the late Victorian era. During her career in operetta and other forms of musical theatre, she managed several of her own opera companies and directed the Royalty Theatre in London. She is best remembered as a producer of the original production of ''Trial by Jury'' by Gilbert and Sullivan. Dolaro sang the title role in the opera ''Carmen'' in the first English language version of that opera with the Carl Rosa Opera Company. She also wrote plays and novels. Early life Dolaro was born in London to Jewish parents, Benjamin Simmons, a violinist and conductor, and Julia (''née'' Lewis).Siegel, Michele"Selina Dolaro" ''Jewish Women: A Comprehensive Historical Encyclopedia'', 1 March 2009, Jewish Women's Archive, accessed 12 January 2010 She received early music lessons from her father's colleagues, and she attended the Paris Conservatory as a teenager ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Mansfield
Richard Mansfield (24 May 1857 – 30 August 1907) was an English actor-manager best known for his performances in Shakespeare plays, Gilbert and Sullivan operas, and the play '' Dr. Jekyll and Mr. Hyde''. Life and career Mansfield was born in Berlin and spent his early childhood on Heligoland, Germany, an island in the North Sea, then under British rule. His parents were Hermine Küchenmeister-Rudersdorf, a Russian-born operatic soprano, and Maurice Mansfield, a British London-based wine merchant (died 1861). His grandfather was the violinist Joseph Rudersdorff.Turney, Wayne S"Richard Mansfield", ''A Glimpse of Theater History'', accessed 20 May 2012 Mansfield was educated at Derby School, in Derby, England, where he studied painting in London. His mother took him to America, where she was performing, but he returned to England at age 20. Finding that he could not make a living as a painter, he gained some success as a drawing-room entertainer, eventually moving into actin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
