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Richard D. James Album
''Richard D. James Album'' is the eponymous fourth studio album by British electronic musician Richard D. James, under his pseudonym Aphex Twin. In the United Kingdom, the album was released on 4 November 1996 through Warp. In the United States, it was released on 28 January 1997 by Sire Records, with the '' Girl/Boy'' EP included as bonus tracks. A reissue on vinyl was released on 18 September 2012. ''Richard D. James Album'' was composed by James on his Macintosh computer, and took longer to complete than his previous efforts. The album features faster breakbeats and intricate drum programming which draw influence from jungle and drum and bass, combined with lush string arrangements, unstable time signatures, and slow ambient melodies reminiscent of James' earlier work, as well as modulated vocals by James. ''Richard D. James Album'' was less successful in the United Kingdom than James' two previous albums ''Selected Ambient Works Volume II'' (1994) and '' ...I Care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphex Twin
Richard David James (born 18 August 1971), best known as Aphex Twin, is an Irish-born British musician, composer and DJ. He is known for his idiosyncratic work in electronic music, electronic styles such as techno, ambient music, ambient, and jungle music, jungle. Journalists from publications including ''Mixmag'', ''The New York Times'', ''NME'', ''Fact (UK magazine), Fact,'' ''Clash (magazine), Clash'' and ''The Guardian'' have called James one of the most influential or important artists in contemporary electronic music. Raised in Cornwall, James began DJing at free party, free parties and clubs in the area in the late 1980s. His debut EP ''Analogue Bubblebath,'' released in 1991 on Mighty Force Records, brought James an early following; he began to perform across the UK and continental Europe. James co-founded the independent label Rephlex Records the same year. His 1992 debut album ''Selected Ambient Works 85–92'', released by Belgian label Apollo Records (Belgium), Apollo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonograph Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hangable Auto Bulb
''Hangable Auto Bulb'' is a series of two 1995 EPs by electronic musician Richard D. James, under his alias AFX. The two were re-released by Warp Records as a single album on 31 October 2005. They marked James's first foray into rapid drill 'n' bass style beat programming. Overview Split across two 12" EPs, the second released eight weeks after the first and each limited to 1000 pressings, the records marked a significant change in sound from previous AFX and Aphex Twin releases. Moving away from the analogue sounds of '' ...I Care Because You Do'' (1995), the tracks show James experimenting with computer-arranged breakbeat programming and timestretched samples inspired by drum and bass; this style would become known as "drill 'n' bass, and would become the dominant sound in his work up until the ''Analord'' releases of 2005. The records are influenced by the early EPs of fellow Cornish producer Plug (Luke Vibert), as well as other drum and bass movements of the day. The CD co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top Heatseekers Albums
Top Heatseekers are "Breaking and Entering" music charts issued weekly by ''Billboard'' magazine. The Heatseekers Albums and the Heatseekers Songs charts were introduced by ''Billboard'' in 1991 with the purpose of highlighting the sales by new and developing musical recording artists. Albums and songs appearing on Top Heatseekers may also concurrently appear on the ''Billboard'' 200 or ''Billboard'' Hot 100. Albums chart The Heatseekers Albums chart contains 25 positions that are ranked by Nielsen SoundScan sales data, and charts album titles from "new or developing acts" as determined by the acts' historical chart performance. Once an artist/act has had an album place in the top 100 of the ''Billboard'' Top 200, or in the top 10 of any of the Top R&B/Hip-Hop Albums, Country Albums, Latin Albums, Christian Albums, or Gospel Albums charts, the album and later works no longer qualify for tracking on Heatseeker Albums. This definition means that some artists can still qualify as " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Albums Chart
The Official Albums Chart is a list of albums ranked by physical and digital sales and (from March 2015) audio streaming in the United Kingdom. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on UKChartsPlus as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of The Guinness Book of British Hit Albums) in the 1980s until January 1989, since the compilations were removed this definition was changed to Top 75 with follow-up books such as The Virgin Book of British Hit Albums book only including this data. As of 2021, the OCC still only tracks how many UK Top 75s album hits and how many weeks in Top 75 albums chart each artist has achieved. To qualify for the Offi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Selected Ambient Works Volume II
''Selected Ambient Works Volume II'' is the second studio album by Aphex Twin, the pseudonym of British electronic musician Richard D. James. It was released by Warp in March 1994. Billed as a follow-up to James' debut ''Selected Ambient Works 85–92'', the album differs in sound by being largely beatless ambient music. James claimed that it was inspired by lucid dreaming, and likened the music to "standing in a power station on acid." ''Selected Ambient Works Volume II'' was not especially well received by critics upon release, but peaked at No. 11 on the UK Albums Chart. However, its stature has grown considerably in subsequent years and it later placed on various best of the decade lists by publications such as ''Rolling Stone'', ''Spin'', and ''Pitchfork''. Background Composition James stated that the sounds on ''Selected Ambient Works Volume II'' were inspired by lucid dreams, and that upon awaking, he would attempt to re-create the sounds and record them. He claimed to ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oldschool Jungle
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
