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Rhythm And Blues (World Saxophone Quartet Album)
''Rhythm and Blues'' is an album by the jazz group the World Saxophone Quartet released on the Elektra label. The album features performances by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray and was first released in 1989. Reception The AllMusic review by Scott Yanow awarded the album 4½ stars, stating, "The combination works quite well on this surprising success."Yanow, SAllmusic Reviewaccessed July 19, 2011 The authors of the '' Penguin Guide to Jazz Recordings'' wrote: "The soul staples covered on ''Rhythm and Blues''... are done with absolute conviction and seriousness." Geoffrey Himes, writing for The Washington Post, praised the group's "sumptuous sound," and commented: "David Murray and Julius Hemphill conjure up the rich voices of Redding and Gaye on their horns (and Hamiet Bluiett's deep baritone sax resembles the bass voice of the Coasters' Bobby Nunn). The arrangements refract the vocal melody into three simultaneous alternatives that proceed w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Saxophone Quartet
The World Saxophone Quartet is an American jazz ensemble founded in 1977, incorporating elements of free jazz, R&B, funk and South African jazz into their music. The original members were Julius Hemphill (alto and soprano saxophone, flute), Oliver Lake (alto and soprano saxophone), Hamiet Bluiett (baritone saxophone, alto clarinet), and David Murray (tenor saxophone, bass clarinet). The first three had worked together as members of the Black Artists' Group in St. Louis, Missouri, and had appeared together on Anthony Braxton's album '' New York, Fall 1974''. In 1991, Hemphill left the group due to illness, and was replaced by Arthur Blythe, although several saxophonists have filled his chair in the years since. Hemphill died on April 2, 1995. Beginning in the early 1980s, the quartet used Bluiett's composition "Hattie Wall" (released on '' W.S.Q.'', '' Live in Zurich'', '' Dances and Ballads'', '' Steppenwolf'' and '' Yes We Can'') as a signature theme for the group. The grou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel London
Mel London (April 9, 1932 – May 16, 1975) was an American songwriter, record producer, and record label owner. He was active in the Chicago blues and R&B scenes in the 1950s and 1960s. London is best known for his compositions for Chicago blues artists Howlin' Wolf, Muddy Waters, Elmore James, and Junior Wells as well as being the record producer and owner of Chief Records (and its Profile Records and Age Records subsidiaries). In 1954, Mel London wrote the first of several hit songs for the blues and R&B markets. His "Poison Ivy" was recorded by Willie Mabon and reached number seven in the Billboard R&B chart in 1954. In 1955, three hits written by London followed: "Who Will Be Next" by Howlin' Wolf and two by Muddy Waters - "Sugar Sweet" and " Manish Boy.""Manish Boy" cowriters: Bo Diddley and Muddy Waters Not content with just songwriting, in 1957 he started his own record label, Chief Records. Chief's first single, the London-penned "Man from the Island," featured L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messin' With The Kid
"Messin' with the Kid" is a rhythm and blues-influenced blues song originally recorded by Junior Wells in 1960. Chief Records owner/songwriter/producer Mel London is credited as the songwriter. Considered a blues standard, it is Junior Wells's best-known song. "Messin' with the Kid" was inducted into the Blues Hall of Fame and has been recorded by a variety of blues and other artists. Background and composition "Messin' with the Kid" is an up-tempo twelve-bar blues which alternates between Afro-Cuban- and Little Richard-style rhythmic accompaniment. According to Junior Wells, the title was inspired by his young daughter Gina. Mel London arrived early at Wells' home to pick him up for a scheduled recording session: "'Where's you Daddy at? Get him up'. 'No, you said you were goin' to be here at nine o'clock. It's not nine o'clock... You're not goin' to be messin' with the kid'". "The Kid" was a nickname for Wells. Later in the studio, they needed another song for the sessio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otis Redding
Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the " King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. Redding was born in Dawson, Georgia, and at age two, moved to Macon. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first hit single, " These Arms of Mine", in 1962. Stax released Redding's debut album, '' Pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Cropper
Steven Lee Cropper (born October 21, 1941), sometimes known as "The Colonel", is an American guitarist, songwriter and record producer. He is the guitarist of the Stax Records house band, Booker T. & the M.G.'s, which backed artists such as Otis Redding, Sam & Dave, Carla Thomas, Rufus Thomas and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. ''Rolling Stone'' magazine ranked him 36th on its list of the 100 greatest guitarists of all time, while he has won two Grammy Awards from his seven nominations. Early life Born on a farm near Willow Springs, Missouri, Cropper lived in the nearby towns of Dora and West Plains before moving with his family to Memphis at age nine. In Memphis, where he was exposed to black church music, which, he said, "blew me away". Cropper acquired his first guitar via mail order at age 14. He loved the Five Royals and he admired guitarists including Tal Farlow, Chuck Berry, Ji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(Sittin' On) The Dock Of The Bay
"(Sittin' On) The Dock of the Bay" is a song co-written by soul singer Otis Redding and guitarist Steve Cropper. It was recorded by Redding twice in 1967, including once just three days before his death in a plane crash on December 10, 1967. The song was released on Stax Records' Volt label in 1968, becoming the first ever posthumous single to top the charts in the US. It reached number 3 on the UK Singles Chart. Redding started writing the lyrics to the song in August 1967, while sitting on a rented houseboat in Sausalito, California. He completed the song in Memphis with the help of Cropper, who was a Stax producer and the guitarist for Booker T. & the M.G.'s. The song features whistling and sounds of waves crashing on a shore. Origins While on tour with the Bar-Kays in August 1967, Redding had grown in popularity, and was inundated with fans at his hotel in downtown San Francisco. Rock concert impresario Bill Graham offered Redding a respite to stay at his houseboat at Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Townsend
Edward Benjamin 'Ed' Townsend (April 16, 1929 – August 13, 2003) was an American singer, songwriter, producer and attorney. He performed and composed "For Your Love", a rhythm and blues doo wop classic, and co-wrote "Let's Get It On" with Marvin Gaye. Biography Townsend was born in Fayetteville, Tennessee, United States, and his family soon moved to Memphis where his father was pastor at an African Methodist Episcopal church. The year Townsend graduated from high school, he was elected to the International American Methodist Episcopal Youth Council (IAMEYC) and traveled worldwide before enrolling in college the next year at the University of Arkansas at Pine Bluff (formerly Arkansas AM&N College). After graduating, he taught for a year. Although he never formally practiced law, he frequently used his law training to assist other entertainers in negotiating their recording and performance contracts. In 1951, Townsend joined the United States Marine Corps and served in Korea. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvin Gaye
Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul". Gaye's Motown songs include "Ain't That Peculiar", "How Sweet It Is (To Be Loved By You)", and "I Heard It Through the Grapevine". Gaye also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye recorded the albums '' What's Going On'' and ''Let's Get It On'' and became one of the first artists in Motown to break away from the reins of a production company. His later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. "Sexual Healing", released in 1982 on the album ''Midnight Love'', won him his first two Grammy Awards. Gaye's last televised appearances we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Get It On (song)
"Let's Get It On" is a song by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. The song was recorded on March 22, 1973, at Hitsville West in Los Angeles, California. The song features romantic and sexual lyricism and funk instrumentation by The Funk Brothers. The title track of Gaye's album of the same name, it was written by Marvin Gaye and producer Ed Townsend. "Let's Get It On" became Gaye's most successful single for Motown and one of his most well-known songs. With the help of the song's sexually explicit content, "Let's Get It On" helped give Gaye a reputation as a sex symbol during its initial popularity. "Let's Get It On" is written and composed in the key of E-flat major and is set in time signature of common time with a tempo of 82 beats per minute. Conception Co-written with producer Ed Townsend, "Let's Get It On" was Gaye's plea for sexual liberation. When originally conceived by Townsend, who was released from a rehab f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leon Huff
Kenneth Gamble (born August 11, 1943, Philadelphia, Pennsylvania) and Leon A. Huff (born April 8, 1942, Camden, New Jersey) are an American songwriting and production team credited for developing the Philadelphia soul music genre (also known as Philly sound) of the 1970s. In addition to forming their own label, Philadelphia International Records, Gamble and Huff have written and produced 175 gold and platinum records, earning them an induction into the Rock and Roll Hall of Fame in the non-performer category in March 2008. History Early years Gamble's childhood in Philadelphia shaped his adult life: he recorded himself on various arcade recording machines, assisted the morning show DJs on WDAS, operated a record store, and sang with The Romeos. In 1964, before there was "Gamble & Huff" there was "Gamble & Ross". Gamble was discovered and managed by Jerry Ross when Gamble was only 17 years old and they collaborated for many years. Gamble teamed up with Leon Huff (keyboards) for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Gamble
Kenneth Gamble (born August 11, 1943, Philadelphia, Pennsylvania) and Leon A. Huff (born April 8, 1942, Camden, New Jersey) are an American songwriting and production team credited for developing the Philadelphia soul music genre (also known as Philly sound) of the 1970s. In addition to forming their own label, Philadelphia International Records, Gamble and Huff have written and produced 175 gold and platinum records, earning them an induction into the Rock and Roll Hall of Fame in the non-performer category in March 2008. History Early years Gamble's childhood in Philadelphia shaped his adult life: he recorded himself on various arcade recording machines, assisted the morning show DJs on WDAS, operated a record store, and sang with The Romeos. In 1964, before there was "Gamble & Huff" there was "Gamble & Ross". Gamble was discovered and managed by Jerry Ross when Gamble was only 17 years old and they collaborated for many years. Gamble teamed up with Leon Huff (keyboards) for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
