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Rest On The Flight Into Egypt (Parmigianino)
''Nativity'' or ''Rest on the Flight into Egypt'' is a c.1521–1522 oil on panel painting by Parmigianino, now in the Courtauld Gallery in London. Its attribution as a youthful work by Parmigianino has not always been unanimous, being supported by Freedberg (1950), Ghidiglia Quintavalle (1963, 1968) and Di Giampaolo (1991) and opposed by Berenson (1907), Venturi (1926), Fröhlich-Bum (1921) and Copertini (1932, assigning it instead to Bertoia). Recent scholarship has tended to accept it by comparison with other early works such as '' Adoration of the Shepherds'', with the exception of Rossi (1980), who according to Di Giampaolo argued it was a copy. Mario Di Giampaolo ed Elisabetta Fadda, Parmigianino, Keybook, Santarcangelo di Romagna 2002. It passed through several famous collections such as count Moritz von Fries's collection in Vienna, before being acquired by the English painter Thomas Lawrence in 1830. It was later acquired by the Cook collection in Richmond-upon-Tham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes ''Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous ''Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtauld Gallery
The Courtauld Gallery () is an art museum in Somerset House, on the Strand in central London. It houses the collection of the Courtauld Institute of Art, a self-governing college of the University of London specialising in the study of the history of art. The Courtauld collection was formed largely through donations and bequests and includes paintings, drawings, sculptures and other works from medieval to modern times; it is particularly known for its French Impressionist and Post-Impressionist paintings. The collection contains some 530 paintings and over 26,000 drawings and prints. The head of the Courtauld Gallery is Ernst Vegelin. The gallery closed on 3 September 2018 for a major redevelopment, called Courtauld Connects, and reopened on 19 November 2021. History The Courtauld Institute was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the art historian Sir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Shepherds (Parmigianino)
''Adoration of the Shepherds'' is an oil on panel painting by Parmigianino, executed ''c.'' 1521–1522, now in a private collection. The work was rediscovered by Gould in 1992 and a year later was exhibited at the Kunsthaus Zürich. Like '' Nativity'' (Courtauld Gallery The Courtauld Gallery () is an art museum in Somerset House, on the Strand in central London. It houses the collection of the Courtauld Institute of Art, a self-governing college of the University of London specialising in the study of the hist ...), it was identified as a work of the artist's youth, whilst he was still strongly influenced by Correggio, an influence which only faded after 1524. A preparatory drawing for the Madonna, angels and Joseph survives in a London private collection and was exhibited in Washington and Parma, also showing the influence of Correggio, whilst the two rams and a lamb in the bottom left may be a tribute to the bucranium in that painter's Camera di San Paolo. Another dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moritz Von Fries
Moritz Christian Johann Reichsgraf von Fries (6 May 1777 – 26 December 1826) was an Austrian nobleman, banker and patron of the arts. Early life He was born in Vienna as the youngest son of Count Johann von Fries (1719-1785), one of the richest men in the Holy Roman Empire, thanks to many successful financial and industrial ventures and his wife Anna d’Escherny (1737-1807). They lived in their Palais Fries (now Palais Pallavicini) in Vienna. He had three surviving siblings, Count Joseph Johann von Fries (1755-1788), Countess Ursula Viktoria von Schönfeld (1767-1805) and Countess Anna Philippina von Haugwitz (1769-1842). Personal life In 1800, at the time when Moritz von Fries married Princess Maria Theresia zu Hohenlohe-Waldenburg-Schillingsfürst (1779-1819) he owned 80% of the family bank, which was itself worth 2.5 million guilders. However, this was the height of von Fries' social and financial success, as the inflation and other economic troubles of the Napole ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Lawrence
Sir Thomas Lawrence (13 April 1769 – 7 January 1830) was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18 he went to London and soon established his reputation as a portrait painter in oil paint, oils, receiving his first royal commission, a portrait of Charlotte of Mecklenburg-Strelitz, Queen Charlotte, in 1790. He stayed at the top of his profession until his death, aged 60, in 1830. Self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. He became an associate of the Royal Academy in 1791, a full member in 1794, and president in 1820. In 1810 he acquired the generous patronage of the George IV, Prince Regent, was sent abroad to paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Cook, 1st Viscount Of Monserrate
Sir Francis Cook, 1st Baronet, 1st Viscount (23 January 1817 – 17 February 1901) was a British merchant and art collector. Early life Cook was born on 23 January 1817 in Clapham, London. He was the son of William Cook and Mary Ann (née Lainson) Cook. Career In 1833, he entered his father's firm Cook, Son & Co. based in the City of London, which traded finished wool, cotton, linen and silk, after travels in Europe and the Near East. From 1869, he was its head, rising to be one of Britain's three richest men. He was created 1st Visconde de Monserrate, Sintra, Portugal, and on 10 March 1886, he was created 1st Baronet Cook, of Doughty House, Richmond, Surrey. Collections In 1849, he bought Doughty House in Richmond and in 1855 the quinta of Monserrate in Sintra, Portugal. There, he restored Monserrate Palace, a Moorish-style palace, and became ''visconde de Monserrate'' (Viscount of Monserrate). He began to collect classical sculpture in the late 1850s. He collected his firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richmond-upon-Thames
The London Borough of Richmond upon Thames () in southwest London forms part of Outer London and is the only London borough on both sides of the River Thames. It was created in 1965 when three smaller council areas amalgamated under the London Government Act 1963. It is governed by Richmond upon Thames London Borough Council and is divided into nineteen wards. The population is 198,019 and the major settlements are Barnes, East Sheen, Mortlake, Richmond, Twickenham, Teddington and Hampton. The borough is home to Richmond Park, the largest park in London, along with the National Physical Laboratory and The National Archives. The attractions of Kew Gardens, Hampton Court Palace, Twickenham Stadium and the WWT London Wetlands Centre are within its boundaries and draw domestic and international tourism. Settlement, economy and demography The borough is approximately half parkland – large areas of London's open space fall within its boundaries, including Richmond Park, Ke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Seilern
Count Antoine Seilern (17 September 1901 – 6 July 1978) was an Anglo-Austrian art collector and art historian. He was considered, along with Sir Denis Mahon, to be one of a handful of important collectors who was also a respected scholar. The bulk of his collection was bequeathed anonymously to the Courtauld Institute of Art. Known as the "Princes Gate bequest", most of it is on display at the Courtauld Gallery in London. Early life Count Antoine Edward Seilern und Aspang was born on 17 September 1901 at Frensham Place, Farnham, in Surrey, England. He was the youngest of the three sons of Count Carl Seilern und Aspang (1866–1940) and the American heiress Antoinette "Nettie" ''née'' Woerishoffer (1875–1901). He therefore enjoyed citizenship of both Austria and the United Kingdom. His ancestors had been ennobled after successful involvement with the Pragmatic Sanction of 1713. His father's sister Ida was married to Phillip Hennessy, whose sister Nora was the wife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin And Child (Parmigianino)
''Virgin and Child'' is an unfinished c.1527-1528 oil on panel painting by Parmigianino, now in the Courtauld Gallery in London. As it is usually identified with one which Giorgio Vasari sketched in Bologna and later bought for himself, it is sometimes also known as the Vasari Madonna. The work passed through unknown hands after Vasari, eventually ending up in Lord Kinnard's collection, from whose successors Antoine Seilern acquired it via Colnaghi in 1965 before bequeathing it to the Courtauld in 1978. A preparatory drawing in the Albertina in Vienna shows an angel omitted from the final work. The architectural background of the painting is complete, but traces of the underdrawing and preparation still show behind both the Madonna and Child, with much of her mantle still unpainted. That background draws on Roman examples and refers to Raphael's Madonnas, whilst the Madonna's pose draws on that of the Erythraean Sibyl in Michelangelo Michelangelo di Lodovico Buonarroti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
