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Renaissance Illumination
Renaissance illumination refers to the production of illuminated manuscripts in Western Europe in the late 15th and 16th centuries, influenced by the representational techniques and motifs of Renaissance painting. With the invention of printing, book painting did not disappear abruptly, but continued in certain luxury manuscripts, and even in some printed works. Illuminators of the period used techniques of perspective representation and iconographic themes specific to the period. Restricted to luxury works, this type of production declined in the second half of the 16th century, as engraving became increasingly competitive. Characteristics New scripts and decorations At the beginning of the 15th century, humanist scholars developed a new script. It was inspired by Romanesque manuscripts of the 11th and 12th centuries, which in turn were inspired by Carolingian texts of the 9th century. The first manuscript written in this script is probably one of the works of Catullus from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clovio Magi
Juraj Julije Klović (; 1498 – 5 January 1578) was a Croatian-Italian illuminator, miniaturist, and painter born in the Kingdom of Croatia, who was mostly active in Renaissance Italy. He is considered the greatest illuminator of the Italian High Renaissance, and arguably the last very notable artist in the long tradition of the illuminated manuscript, before some modern revivals. Biography Giulio Clovio was born in Grižane, a village in Kingdom of Croatia (today's Croatia).The Life and Works of Giorgio Giulio Clovio, Miniaturist: with notices of his contemporaries, and of the art of decoration in the Sixteenth Century - by John William Bradley – 1891 He came from a Croatian family, Bradley, 2004 (reprint), pp. 368–369 and he is known as ''Clovio Croata.'' It is not known where he had his early training, but he may have studied art with monks at Rijeka of Novi Bazar when he was young. He moved to Italy at age 18 and entered the household of Cardinal Marino Grimani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Renaissance
The Italian Renaissance ( ) was a period in History of Italy, Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Italian Renaissance painting#Proto-Renaissance painting, Proto-Renaissance, beginning around 1250, is typically accepted. The French word (corresponding to in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanism, Renaissance humanists labelled as the Dark Ages (historiography), "Dark Ages". The Italian Renaissance historian Giorgio Vasari used the term ('rebirth') in his ''Lives of the Most Excellent Painters, Sculptors, and Architects'' in 1550, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Zoppo
Marco Zoppo (1433 – 19 February 1498) was an Italian painter of the Renaissance period, active mainly in Bologna. He was born in Cento. He was a pupil of the painter Lippo Dalmasio then for a few years with Francesco Squarcione around 1455. He was a contemporary of Andrea Mantegna. He painted a number of variations of the ''Virgin and Child Enthroned with Saints'' while he was in Bologna. Francesco Francia was one of his pupils. He died in Venice, where he had gone after working for Squarcione. Artistic career The oldest document in which Marco Ruggieri, known as lo Zoppo, appears, dates back to 1452, when the young painter, living in his native Cento, is entrusted with the gilding of a statue of the Virgin and Child. The following year lo Zoppo is documented in Padua, in the workshop of the ‘tailor and embroiderer’ Francesco Squarcione, whose adopted son he soon became. During these Paduan years, Zoppo was strongly influenced by the art of Donatello, who had recently fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Angelico
Fra Angelico, O.P. (; ; born Guido di Pietro; 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his ''Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Penguin Classics, 1965. He earned his reputation primarily for the series of frescoes he made for his own friary, San Marco, in Florence, then worked in Rome and other cities. All his known work is of religious subjects. He was known to contemporaries as Fra Giovanni da Fiesole ( English: Friar John of Fiesole) and Fra Giovanni Angelico (Angelic Brother John). In modern Italian he is called ''Beato Angelico'' (Blessed Angelic One); the common English name Fra Angelico means the "Angelic friar". In 1982, Pope John Paul II beatified him in recognition of the holiness of his life, thereby making the title of "Blessed" official. Fiesole is sometimes misinterpreted as being part of his formal name, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pisanello
Pisanello (), born Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento. He was acclaimed by poets such as Guarino da Verona and praised by humanists of his time, who compared him to such illustrious names as Cimabue, Phidias and Praxiteles. Pisanello is known for his resplendent frescoes in murals, portraits, easel pictures, and a number of drawings such as those in the Codex Vallardi (Louvre). He is the most important commemorative portrait medallist in the first half of the 15th century, and he can claim to have originated this important genre. He was employed by the Doge of Venice, the Pope in the Vatican City, Vatican and the courts of Verona, Ferrara, Mantua, Milan, Rimini, and by the King of Naples. He stood in high esteem in the House of Gonzaga, Gonzaga and House of Este, Este families. Pisanello had a number of his w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Gothic
International Gothic is a period of Gothic art that began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the French art historian Louis Courajod at the end of the 19th century. The spread of ideas and portable works, such as illuminated manuscripts throughout Europe led to consensus among artists and their patrons that considerably reduced variation in national styles. The main influences were northern France, the Duchy of Burgundy, Flanders and Brabant, the Imperial court in Prague, and Italy. Royal marriages such as that between Richard II of England and Anne of Bohemia helped to spread the style. It was initially a style of courtly sophistication, but somewhat more robust versions spread to art commissioned by the emerging mercantile classes and the smaller nobility. In Northern Europe "Late Gothic" continuations of the style, especially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Monaco
Lorenzo Monaco (1370 – 1425) was a Sienese painter and miniaturist of the late Gothic to early Renaissance age, active principally in Florence. He was born Piero di Giovanni. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He has been considered the last important exponent of the Giotto style, before the Renaissance revolution that came with Fra Angelico and Masaccio. Life He was probably born in Florence and not in Siena, as it was believed until recently. Nothing is known of his early years, but he was certainly trained in painting in Florence. Formed in the same tradition as Giotto, he was influenced not only by him but also by that artist's followers Spinello Aretino and Agnolo Gaddi. He later worked with Gaddi in painting the predella of the altarpiece in the Nobili Chapel in Santa Maria degli Angeli. In 1390 he entered the Camaldolese monastery of Santa Maria degli Angeli, as a novice, where he took his vows in 1391. Here ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedimental Sculpture
Pedimental sculpture is a form of architectural sculpture designed for installation in the Tympanum (architecture), tympanum, the space enclosed by the architectural element called the pediment. Originally a feature of Ancient Greek architecture, pedimental sculpture started as a means to decorate a pediment in its simplest form: a low triangle, like a gable, above an horizontal base or entablature. However, as classical architecture developed from the basis of Ancient Greek and Roman architecture, the varieties of pedimental sculpture also developed. The sculpture can be either freestanding or relief sculpture, in which case it is attached to the back wall of the pediment. Cyril M. Harris, Harris in ''The Illustrated Dictionary of Historic Architecture'' defines pediment as "In classical architecture, the triangular gable end of the roof above the horizontal cornice, often filled with sculpture." Pediments can also be used to crown doors or windows. In Romanesque architecture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colonnade
In classical architecture, a colonnade is a long sequence of columns joined by their entablature, often free-standing, or part of a building. Paired or multiple pairs of columns are normally employed in a colonnade which can be straight or curved. The space enclosed may be covered or open. In St. Peter's Square in Rome, Bernini's great colonnade encloses a vast open elliptical space. When in front of a building, screening the door (Latin ''porta''), it is called a portico. When enclosing an open court, a peristyle. A portico may be more than one rank of columns deep, as at the Pantheon in Rome or the stoae of Ancient Greece. When the intercolumniation is alternately wide and narrow, a colonnade may be termed "araeosystyle" (Gr. αραιος, "widely spaced", and συστυλος, "with columns set close together"), as in the case of the western porch of St Paul's Cathedral St Paul's Cathedral, formally the Cathedral Church of St Paul the Apostle, is an Anglican c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Frontispiece
A frontispiece in books is a decorative or informative illustration facing a book's title page, usually on the left-hand, or verso, page opposite the right-hand, or recto page of a book. In some ancient editions or in modern luxury editions the frontispiece features thematic or allegory, allegorical elements, in others is the author's portrait that appears as the frontispiece. In medieval illuminated manuscripts, a presentation miniature showing the book or text being presented (by whom and to whom varies) was often used as a frontispiece. Etymology The word comes from the French language, French ''frontispice'', which derives from the late Latin ''frontispicium'', composed of the Latin ''frons'' ('forehead') and ''specere'' ('to look at'). It was synonymous with 'metoposcopy'. In English, it was originally used as an frontispiece (architecture), architectural term, referring to the decorative facade of a building. In the 17th century, in other languages as in Italian language, It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nude (art)
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures were generally understood to be symbols of fertility or well-being. In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their nude sculptures, which comprise about 10% of the temple decorations, a minority of them being erotic. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
