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Rejoicing With The Light
''Rejoicing with the Light'' is an album by Muhal Richard Abrams. It was released on the Italian Black Saint label in 1983 and features performances of five of Abrams' compositions by a fourteen-member orchestra. Reception The AllMusic review by Ron Wynn states: "He led the orchestra through pieces that were sometimes introspective and other times jubilant and swinging, but never simple or predictable. This session was a challenging, instructive, and entertaining lesson in modern big band writing, arranging and performing".Wynn, R. AllMusic Reviewaccessed March 2, 2009. ''The Penguin Guide to Jazz'' awarded the album 3 stars stating "These albums seem even more compelling now than they did when they first came out, because it is clear where the leader's ideas are going". Track listing ''All compositions by Muhal Richard Abrams'' # "The Heart Is Love and "I Am"" - 10:25 # "Blessed Be the Heavens at 12" - 9:33 # "Bloodline" - 7:54 # "Rejoicing with the Light" - 8:42 # "Spira ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is suppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marty Ehrlich
Marty Ehrlich (born May 31, 1955) is a multi-instrumentalist (saxophones, clarinets, flutes) and is considered one of the leading figures in avant-garde jazz. Biography Though born in St. Paul, Minnesota, the portion of Ehrlich's youth spent in St. Louis, Missouri, was particularly important. As a high school student at University City High School in nearby University City, the teenager came into contact with the influential Black Artists' Group (BAG, 1968–72) which was modelled after the AACM in Chicago. Later, during formal studies at the New England Conservatory, Ehrlich developed a particularly close relationship with pianist Jaki Byard. It was here that he was most deeply schooled in traditional jazz forms, as well as Western European classical music. During these formative years, Ehrlich was exposed to the cultural, political and musical workings of radical African-American art, and was mentored by such legends as Julius Hemphill and Oliver Lake. Often associated wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Clarinet
The alto clarinet is a woodwind instrument of the clarinet family. It is a transposing instrument pitched in the key of E, though instruments in F have been made. In size it lies between the soprano clarinet and the bass clarinet. It bears a greater resemblance to the bass clarinet in that it typically has a straight body (made of grenadilla or other wood, hard rubber, or plastic), but a curved neck and bell made of metal. All-metal alto clarinets also exist. In appearance it strongly resembles the basset horn, but usually differs in three respects: it is pitched a whole step lower, it lacks an extended lower range, and it has a wider bore than many basset horns. The range of the alto clarinet is from the concert G2 or G2 (in the second octave below middle C, bottom line of the bass clef) to E6 (in the second octave above middle C), with the exact upper end of the range depending on the skill of the player. Despite the broad range, the instrument is always scored in the treble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patience Higgins
Patience Higgins is a New York-based jazz saxophonist, flutist, and multi-reed musician. He also plays clarinet, oboe, and English horn. He has performed with Duke Ellington Orchestra, Barry Harris, Archie Shepp, Jimmy Scott, Stevie Wonder, Ray Charles, Dee Dee Bridgewater, Paquito D’Rivera, Cleo Laine, and The Sugar Hill Jazz Quartet. Higgins has a history as a Broadway musician. He is a music educator and teaches at thNew York Jazz Workshop Music School Higgins has toured with the tour with Duke Ellington and Count Basie Orchestras. In 1998 he was featured artist playing saxophone and flute for double Grammy Award-winning recording Dee Dee Bridgewater's Dear Ella. Higgins along with the Sugar Hill Quartet were the house band for the Lenox Lounge, and regular Monday night sessions at St. Nick's Pub in Harlem. His 1998 album 'Live in Harlem' documents Monday night sessions at St. Nick's Pub. Career Higgins has also performed with the Duke Ellington Band under the direction o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Chancey
Vincent Chancey (born February 4, 1950) is an American jazz hornist. Early life and education Chancey was born and raised in Chicago. He earned a Bachelor of Arts degree in music from the SIUC School of Music in 1973 and studied under Julius Watkins in New York City. Career Chancey began playing professionally in the 1970s, mostly with large ensembles such as the Sun Ra Arkestra, Lester Bowie's Brass Fantasy, David Murray Big Band, Carla Bley Big Band, and the Richard Abrams orchestra. He later performed and recorded with the Mingus Orchestra, Dave Douglas, Wayne Shorter, Herbie Hancock, Shirley Horn, Diana Krall, Elvis Costello, Mose Allison, Aretha Franklin, and Cassandra Wilson. Discography As leader *''Welcome Mr. Chancey'' (1993) *''Next Mode'' (1998, DIW Records) As sideman With Ahmed Abdullah * '' Life's Force'' (About Time, 1979) * '' Live at Ali's Alley'' (Cadence, 1980) With Muhal Richard Abrams *'' Mama and Daddy'' ( Black Saint, 1980) *'' Blues F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Paul Bourelly
Jean-Paul Etienne Bourelly (born November 23, 1960) is an American guitarist whose music crosses the boundaries of jazz fusion and rock. Bourelly was born in Chicago, Illinois, to parents from Haiti. His grandmother taught him Yoruba music. When he was ten years old, he sang at the Lyric Opera. He took lessons on piano and drums. He played acoustic guitar, but after hearing Jimi Hendrix on the radio, he bought an electric guitar with money he had saved from working at his uncle's gas station. During the same year, a late-night radio show introduced him to the music of Charlie Parker, which impressed him. In 1979, he moved to New York City. During the 1980s, he worked with Muhal Richard Abrams, Olu Dara, Roy Haynes, Elvin Jones, Pharoah Sanders, McCoy Tyner, Steve Coleman, Marc Ribot, Elliott Sharp, Archie Shepp, and David Torn. He produced albums for Cassandra Wilson. He got a small role in the film '' The Cotton Club'' directed by Francis Ford Coppola. Near the end of the decade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
