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Reincarnation (Exuma Album)
''Reincarnation'' is the fifth studio album by Bahamian folk musician Exuma, released in 1972 through Kama Sutra Records. Reception A reviewer for ''Billboard'' wrote of the album: "Strong appeal here to both the pop and soul markets from the flashy Exuma. Originals such as 'Brown Girl' and 'Baby, Let Me In' are strong, as is his interpretation of Paul McCartney's 'Monkberry Moon Delight. Sidney Nelson of the ''Evening Post'' referred to the track "Obeah Man Come Back" as one that generates "tremendous excitement", and "Metastophaliese" as a "rather sinister incantation/hymn"; Nelson concluded that the album "allow not a moment of boredom to set in". Track listing Personnel Adapted from the album's liner notes.From the album's liner notes. * Exuma – lead vocals, background vocals, guitar, cowbells, whistles, goat skin drums, ankle bells, "sacred sand", throat harp, "sand box", "walking road" * Achmed Ben Mansel (Yogi Bagabby) – backing vocals, cowbells, percussion, "s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exuma (musician)
Macfarlane Gregory Anthony Mackey (18 February 1942 – 25 January 1997), known professionally as Tony McKay and Exuma, was a Bahamian musician, artist, playwright, and author best known for his music that blends folk, carnival, junkanoo, calypso, reggae, and African music stylings. His Exuma persona, as well as his lyrics, were influenced by the West African and Bahamian tradition of Obeah, a system of spiritual and healing practices developed among enslaved West Africans in the West Indies, practiced by many on the islands of The Bahamas. He himself was also a practitioner of herbal medicine. Reviewers have often identified McKay's music as containing or invoking voodoo-related imagery, and have compared his music to that of New Orleans-born musician Dr. John (and vice versa). However, McKay clarified against the association between the imagery of his music and the popular concept of voodoo as depicted in Hollywood-produced films, stressing that his music is instead b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cowbell
A cowbell (or cow bell) is a bell worn around the neck of free-roaming livestock so herders can keep track of an animal via the sound of the bell when the animal is grazing out of view in hilly landscapes or vast plains. Although they are typically referred to as "cow bells" due to their extensive use with cattle, the bells are used on a wide variety of animals. Characteristics and uses The bell and clapper are commonly crafted from iron, bronze, brass, copper, or wood. The collar used to hold the bell is traditionally made with leather and wood fibers. The craftsmanship of cow bells varies by geographic location and culture. Most cow bells are made of thin, flat pieces of plated sheet metal. Plating causes the sheet metal to have a surface which can be decorated or left plain. The ornaments on the cow bell and the collar are usually decorative although some cultures believe that certain ornaments provide or enhance magical protections such as the power to prevent or cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1972 Albums
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Melody Saxophone
The C melody saxophone, also known as the C tenor saxophone, is a saxophone pitched in the key of C one whole tone above the common B-flat tenor saxophone. The C melody was part of the series of saxophones pitched in C and F intended by the instrument's inventor, Adolphe Sax, for orchestral use. The instrument enjoyed popularity in the early 1900s, perhaps most prominently used by Rudy Wiedoeft and Frankie Trumbauer, but is now uncommon. A C melody saxophone is larger than an alto and smaller than a tenor. The bore on most models has a diameter and taper more like a 'stretched' alto than a tenor. When seen in profile, its shape bears some resemblance to a tenor saxophone, though it is smaller and the bell appears longer. Most C melody saxophones have curved necks (with a similar shape to that of the tenor saxophone) though C.G.Conn did make straight-necked C melody instruments (more similar to the alto). C melody saxophones are usually marked with a letter "C" above or below th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whistle
A whistle is an instrument which produces sound from a stream of gas, most commonly air. It may be mouth-operated, or powered by air pressure, steam, or other means. Whistles vary in size from a small slide whistle or nose flute type to a large multi-piped church organ. Whistles have been around since early humans first carved out a gourd or branch and found they could make sound with it. In prehistoric Egypt, small shells were used as whistles. Many present day wind instruments are inheritors of these early whistles. With the rise of more mechanical power, other forms of whistles have been developed. One characteristic of a whistle is that it creates a pure, or nearly pure, tone. The conversion of flow energy to sound comes from an interaction between a solid material and a fluid stream. The forces in some whistles are sufficient to set the solid material in motion. Classic examples are Aeolian tones that result in galloping power lines, or the Tacoma Narrows Bridge (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monkberry Moon Delight
"Monkberry Moon Delight" is a song written by English musician Paul McCartney and his wife Linda, from their 1971 album '' Ram''. Composition and Arrangement "Monkberry Moon Delight" is in the key of C minor. McCartney's vocals are accompanied by a chord progression consisting of Cm, Gm7, and G7 chords (i–v7–V7). In the chorus, which features Linda in a more active role on vocals, her and McCartney's singing is supported by Cm and Fm chords. This leads to an A♭7–G7–Cm harmonic succession, with the A♭7 functioning as an augmented sixth chord (Ger+6). McCartney's gruff, distinctive vocalization was influenced by Screamin' Jay Hawkins, who later covered the song. Lyrics McCartney said of the song's title, which also appears in the song's lyrics: When my kids were young they used to call milk "monk" for whatever reason that kids do—I think it's magical the way that kids can develop better names for things than the real ones. In fact, as a joke, Linda and I still occas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Sound Studios
Bell Sound Studios was an independent recording studio in New York City from 1950 to 1976. At its height, the studio was the largest independent recording studio in the United States, and the site of recording sessions that produced seminal hits by Frankie Lymon & The Teenagers, the McGuire Sisters, The Flamingos, Dion and the Belmonts, Paul Anka, Frankie Avalon, the Drifters and Ben E. King, The Four Seasons, Lesley Gore, the Dixie Cups, The Everly Brothers, Buddy Holly, and Kiss. History Early years Co-founders Allen Weintraub and Dan Cronin were classmates at Brooklyn Technical High School and aspiring radio engineers. In June 1950 with an initial investment of $600 Weintraub and Cronin established the recording studio as Bell Recording Co. in a storefront at 73 Mott Street in New York's Chinatown. The studios were initially used for recording radio airchecks and weddings and bar mitzvahs. Within a year the studio had outgrown its initial location and was moved to Brooklyn, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul McCartney
Sir James Paul McCartney (born 18 June 1942) is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring styles ranging from pre–rock and roll pop to classical and electronica. His songwriting partnership with Lennon remains the most successful in history. Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon's skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called "the cute Beatle", McCartney later invo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
