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Rear Projection
Rear projection (background projection, process photography, etc.) is one of many in-camera effects cinematic techniques in film production for combining foreground performances with pre-filmed backgrounds. It was widely used for many years in driving scenes, or to show other forms of "distant" background motion. Technique Actors stand in front of a screen while a projector positioned behind the screen casts a reversed image of the background. This requires a large space, as the projector needs to be placed some distance from the back of the screen. Frequently the background image may initially appear faint and washed out compared to the foreground. The image that is projected can be still or moving, but is always called the ''plate.'' One might hear the command "Roll plate" to instruct stage crew to begin projecting. These so-called ''process shots'' were widely used to film actors as if they were inside a moving vehicle, who in reality are in a vehicle mock-up on a sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In-camera Effect
An in-camera effect is any special effect in a video or movie that is created solely by using techniques in and on the camera and/or its parts. The in-camera effect is defined by the fact that the effect exists on the original camera negative or video recording before it is sent to a lab or modified. So effects that modify the original negative at the lab, such as skip bleach or flashing, are not included. Some examples of in-camera effects include: * Matte painting * Schüfftan process * Forced perspective * Dolly zoom * Lens flares * Lighting effects * Filtration such as using a fog filter to simulate fog, or a grad filter to simulate sunset. * Shutter effects. * Time-lapse, slow motion, fast motion, and speed ramping. * Bipacks * Slit-scan * Infrared photography * Reverse motion * Front projection * Rear projection * Phonotrope a live animation technique that uses the frame-rate of a camera There are many ways one could use the in-camera effect. The in-camera effect is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Born Killers
''Natural Born Killers'' is a 1994 American crime film directed by Oliver Stone and starring Woody Harrelson, Juliette Lewis, Robert Downey Jr., Tommy Lee Jones, and Tom Sizemore. The film tells the story of two victims of traumatic childhoods who become lovers and mass murderers, and are irresponsibly glorified by the mass media. The film is based on an original screenplay by Quentin Tarantino that was heavily revised by Stone, writer David Veloz, and associate producer Richard Rutowski. Tarantino received a story credit though he subsequently disowned the film. Jane Hamsher, Don Murphy, and Clayton Townsend produced the film, with Arnon Milchan, Thom Mount, and Stone as executive producers. ''Natural Born Killers'' was released on August 26, 1994 in the United States, and screened at the Venice Film Festival on August 29, 1994. It was a box office success, grossing $110 million against a production budget of $34 million, but received polarizing reviews. Some critics prai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traveling Matte
Mattes are used in photography and special effects filmmaking to combine two or more image elements into a single, final image. Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background painting. In film and stage, mattes can be physically huge sections of painted canvas, portraying large scenic expanses of landscapes. In film, the principle of a matte requires masking certain areas of the film emulsion to selectively control which areas are exposed. However, many complex special-effects scenes have included dozens of discrete image elements, requiring very complex use of mattes and layering mattes on top of one another. For an example of a simple matte, the director may wish to depict a group of actors in front of a store, with a massive city and sky visible above the store's roof. There would be two images—the actors on the set, and the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RKO Radio Pictures
RKO Radio Pictures Inc., commonly known as RKO Pictures or simply RKO, was an American film production and distribution company, one of the "Big Five" film studios of Hollywood's Golden Age. The business was formed after the Keith-Albee-Orpheum (KAO) theater chain and Joseph P. Kennedy's Film Booking Offices of America (FBO) studio were brought together under the control of the Radio Corporation of America (RCA) in October 1928. RCA chief David Sarnoff engineered the merger to create a market for the company's sound-on-film technology, RCA Photophone, and in early 1929 production began under the RKO name (an abbreviation of Radio-Keith-Orpheum). Two years later, another Kennedy holding, the Pathé studio, was folded into the operation. By the mid-1940s, RKO was controlled by investor Floyd Odlum. RKO has long been renowned for its cycle of musicals starring Fred Astaire and Ginger Rogers in the mid-to-late 1930s. Actors Katharine Hepburn and, later, Robert Mitchum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linwood Dunn
Linwood G. Dunn, A.S.C. (December 27, 1904 in Brooklyn, New York – May 20, 1998 in Los Angeles, California) was an American pioneer of visual special effects in motion pictures and an inventor of related technology. Dunn worked on many films and television series, including the original 1933 ''King Kong'' (1933), '' Citizen Kane'' (1941), and '' Star Trek'' (1966–69). Early career Dunn is noted as being very interested in cinema from as early as age 14, going so far as to compile his own rating scale for the movies he watched. This interest initiated his career, which began in 1923 in his home state as a projectionist. He was hired as an assistant camera operator by the Pathé company in 1925 and eventually moved to Hollywood, where he continued to work for Pathé until 1929. His early contributions in this capacity were for film serials such as '' The Green Archer'' (1925), '' Snowed In'' (1926), '' Hawk of the Hills'' (1927), and ''Queen of the Northwoods'' (1929). He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paramount Pictures
Paramount Pictures Corporation is an American film and television production company, production and Distribution (marketing), distribution company and the main namesake division of Paramount Global (formerly ViacomCBS). It is the fifth-oldest film studio in the world, the second-oldest film studio in the United States (behind Universal Pictures), and the sole member of the Major film studio, "Big Five" film studios located within the city limits of Los Angeles. In 1916, film producer Adolph Zukor put 24 actors and actresses under contract and honored each with a star on the logo. In 1967, the number of stars was reduced to 22 and their hidden meaning was dropped. In 2014, Paramount Pictures became the first major Hollywood studio to distribute all of its films in digital form only. The company's headquarters and studios are located at 5555 Melrose Avenue, Hollywood, California. Paramount Pictures is a member of the Motion Picture Association of America, Motion Picture Associ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farciot Edouart
Farciot Edouart, ASC (born Alexander Farciot Edouart; November 5, 1894 – March 17, 1980) was a motion picture special effects artist and innovator, a recognized specialist and innovator in the area of "process photography", also known as rear projection. In a career beginning in 1915, Edouart won a total of ten Academy Awards: two competitive (1942 and 1943), seven technical and scientific awards (1938, 1940, two in 1944, 1948, and two in 1956), and an honorary award for special effects (1939). He worked on approximately 350 films, the last one being '' Rosemary's Baby'' in 1968. Leonard Maltin wrote "The master of process-screen photography is Farciot Edouart." Edouart was born in Northern California, the son of a portrait photographer, and began working as a cameraman while still a teenager at the production company of Hobart Bosworth. By way of mergers and acquisitions, Edouart became an employee of Paramount Pictures where he started to specialise on optical effects in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just Imagine
''Just Imagine'' is a 1930 American pre-Code science fiction musical-comedy film, directed by David Butler. The film is known for its art direction and special effects in its portrayal of New York City in an imagined 1980. ''Just Imagine'' stars El Brendel, Maureen O'Sullivan, John Garrick and Marjorie White. The "man from 1930" was played by El Brendel, an ethnic vaudeville comedian of a forgotten type: the Swedish immigrant. The film starts with a preamble showing life in 1880, where the people believed themselves the "last word in speed". It switches to 1930, with the streets crowded with automobiles and lined with electric lights and telephone wires. It then switches to 1980, where the tenement houses have morphed into 250-story buildings, connected by suspension bridges and multi-lane elevated roads. Plot In 1980, J-21 (John Garrick) sets his aircraft on "hover" mode in New York, lands and converses with the beautiful LN-18 (Maureen O'Sullivan). He describes how th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liliom
''Liliom'' is a 1909 play by the Hungarian playwright Ferenc Molnár. It was well known in its own right during the early to mid-20th century, but is best known today as the basis for the Rodgers and Hammerstein 1945 musical ''Carousel''. Plot The play takes place partly in Budapest, Hungary, and partly in a waiting area just outside Heaven. The story concerns Liliom, a tough, cocky carousel barker who falls in love with Julie, a young woman who works as a maid. When both lose their jobs, Liliom begins mistreating Julie out of bitterness—even slapping her once—although he loves her. When she discovers she is pregnant, he is deliriously happy, but, unbeknownst to Julie, he agrees to participate with his friend Ficsur, a criminal, in a hold-up to obtain money to provide for the child. Liliom is unwilling to leave Julie and return to his jealous former employer, the carousel owner Mrs. Muskat, and feels that the robbery is his only way left to obtain financial security. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fox Film Corporation
The Fox Film Corporation (also known as Fox Studios) was an American Independent film production studio formed by William Fox (1879–1952) in 1915, by combining his earlier Greater New York Film Rental Company and Box Office Attractions Film Company (founded 1913). The company's first film studios were set up in Fort Lee, New Jersey, but in 1917, William Fox sent Sol M. Wurtzel to Hollywood, California to oversee the studio's new West Coast production facilities, where the climate was more hospitable for filmmaking. On July 23, 1926, the company bought the patents of the Movietone sound system for recording sound onto film. After the Wall Street crash of 1929, William Fox lost control of the company in 1930, during a hostile takeover. Under new president Sidney Kent, the new owners began conversations of a fusion with Twentieth Century Pictures, under founders Joseph M. Schenck and his friend Darryl Zanuck. Schenck, Zanuck, and Spyros Skouras merged the Fox Studios with Twen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Gauge
Film gauge is a physical property of photographic or motion picture film stock which defines its width. Traditionally, the major movie film gauges are 8 mm, 16 mm, 35 mm, and 65/70 mm (in this case 65 mm for the negative and 70 mm for the release print; the extra five millimeters are reserved for the magnetic soundtrack). There have been other historic gauges in the past, especially in the silent era, most notably 9.5 mm film, as well as a panoply of others ranging from 3 mm to 75 mm. Larger film gauge is generally associated with higher image quality, higher image detail, greater materials expense, heavier camera equipment, larger and most costly projection equipment, as well as greater bulk and weight for distribution and storage (both interim and archival). See also *Film format A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film for still images or film stock for filmmaking. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orthochromatic
In chemistry, orthochromasia is the property of a staining, dye or stain to not change color on binding to a target, as opposed to Metachromasia, metachromatic stains, which change color. The word is derived from the Greek ''wikt:ortho-, orthos'' (correct, upright), and chromatic (color). Toluidine blue is an example of a partially orthochromatic dye, as it stains nucleic acids by its orthochromatic color (blue), but stains mast cell granules in its metachromatic color (red). In electromagnetic spectrum, spectral terms, orthochromasia refers to maintaining the position of spectral peaks, while metachromasia refers to a shift in wavelength, becoming either hypsochromic shift, shorter or bathochromic shift, longer. In photography, an orthochromatic light spectrum is one devoid of red light. In biology, orthochromatic refers to the greyish staining because of acidophilic and basophilic mixture in the cell. Orthochromatic photography Orthochromatic photography refers to a photog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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