Reading The Romance
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Reading The Romance
''Reading the Romance'' is a book by Janice Radway that analyzes the Romance novel genre using reader-response criticism, first published in 1984 and reprinted in 1991. The 1984 edition of the book is composed of an introduction, six chapters, and a conclusion, structured partly around Radway's investigation of romance readers in Smithton (a pseudonym) and partly around Radway's own criticism. Radway herself expresses preference for reader-response criticism throughout the course of the book, as opposed to the popular new criticism New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as ... during the 1980s. The book continues to sell at much the same rate it did in its first year of publication, having been adopted as a critical text in the fields of anthropology, sociology, history, and li ...
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Janice Radway
Janice Radway (born January 29, 1949) is an American literary and cultural studies scholar. Education Radway holds a BA from Michigan State University, 1971, and an MA from State University of New York, Stony Brook, 1972. She earned her PhD from Michigan State University 1977 with the dissertation ''A Phenomenological Theory of Popular and Elite Literature''. She taught in the American Civilization Department at the University of Pennsylvania and in the Literature Program (which she also chaired) at Duke University. She served as an editor of ''American Quarterly'', and, in 1998–99, as president of the American Studies Association. In 2008, she became Walter Dill Scott Professor of Communication Studies at Northwestern University. Radway is also professor emerita of Literature and History at Duke University Duke University is a private research university in Durham, North Carolina. Founded by Methodists and Quakers in the present-day city of Trinity in 1838, the school moved t ...
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Reader-response Criticism
Reader-response criticism is a school of literary theory that focuses on the reader (or "audience An audience is a group of people who participate in a show or encounter a work of art, literature (in which they are called "readers"), theatre, music (in which they are called "listeners"), video games (in which they are called "players"), o ...") and their experience of a literary work, in contrast to other schools and theories that focus attention primarily on the author or the content and mode (literature), form of the work. Development Although literary theory has long paid some attention to the reader's role in creating the meaning and experience of a literary work, modern reader-response criticism began in the 1960s and '70s, particularly in the US and Germany. This movement shifted the focus from the text to the reader and argues that affective response is a legitimate point for departure in criticism. Its conceptualization of critical practice is distinguished from the ...
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New Criticism
New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object. The movement derived its name from John Crowe Ransom's 1941 book ''The New Criticism''. The work of Cambridge scholar I. A. Richards, especially his ''Practical Criticism'' and ''The Meaning of Meaning'', which offered what was claimed to be an empirical scientific approach, were important to the development of New Critical methodology. Also very influential were the critical essays of T. S. Eliot, such as " Tradition and the Individual Talent" and " Hamlet and His Problems", in which Eliot developed his notions of the "theory of impersonality" and " objective correlative" respectively. Eliot's evaluative judgments, such as his condemnation of Milton and Dryden, his liking for the s ...
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Literary Realism
Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid- nineteenth-century French literature (Stendhal) and Russian literature (Alexander Pushkin). Literary realism attempts to represent familiar things as they are. Realist authors chose to depict everyday and banal activities and experiences. Background Broadly defined as "the representation of reality", realism in the arts is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, as well as implausible, exotic and supernatural elements. Realism has been prevalent in the arts at many periods, and is in large part a matter of technique and training, and the avoidance of stylization. In the visual arts, illusionistic realism is the accurate depiction of lifeforms, perspective, and the ...
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1984 Non-fiction Books
Events January * January 1 – The Bornean Sultanate of Brunei gains full independence from the United Kingdom, having become a British protectorate in 1888. * January 7 – Brunei becomes the sixth member of the Association of Southeast Asian Nations (ASEAN). * January 10 ** The United States and the Vatican City, Vatican (Holy See) restore full diplomatic relations. ** The Victoria, Seychelles, Victoria Agreement is signed, institutionalising the Indian Ocean Commission. *January 24 – Steve Jobs launches the Macintosh 128K, Macintosh personal computer in the United States. February * February 3 ** Dr. John Buster and the research team at Harbor–UCLA Medical Center announce history's first embryo transfer from one woman to another, resulting in a live birth. ** STS-41-B: Space Shuttle Challenger, Space Shuttle ''Challenger'' is launched on the 10th Space Shuttle mission. * February 7 – Astronauts Bruce McCandless II and Robert L. Stewart make the first untethered spac ...
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Books About Writing
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is ''codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called a bo ...
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