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Rasa (literary Form)
''Rasa'' ( gu, રાસ) or ''Raso'' is a certain didactic literary form in Apabhramsa. It is a genre of poetry in Old Gujarati language popular during early period of Gujarati literature. Sometimes the term is used interchangeably with ''Prabandha'' of medieval literature. History ''Rasa'' developed during the period of Gurjar Apbhramsa. It is a period between Hemachandra and Narsinh Mehta. They are mostly written by Jain monks and were performed in Jain temples on certain occasions. Early examples are ''Updeshrasayan Rasa'' (1143) by Jinadattasuri, ''Bharateshwar-Bahubali Raso'' (1184) by Shilabhadrasuri, ''Jeevdaya Raso'' (1200) by Asigu. ''Sandesa Rasak'' (15th century) by Abdul Rahman is one example of non-Jain composition. The literary tradition till 19th century. ''Gajsinh-Raja-no-Rasa'' (1851) is one late example. Form During its earliest form, it was a musical ''Roopaka'' (theatrical performance). Vagbhatta describes ''Rasaka'' as a soft and vigorous musical ''Roopaka'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Gujarati Language
Old or OLD may refer to: Places *Old, Baranya, Hungary *Old, Northamptonshire, England *Old Street station, a railway and tube station in London (station code OLD) *OLD, IATA code for Old Town Municipal Airport and Seaplane Base, Old Town, Maine, United States People *Old (surname) Music *OLD (band), a grindcore/industrial metal group * ''Old'' (Danny Brown album), a 2013 album by Danny Brown * ''Old'' (Starflyer 59 album), a 2003 album by Starflyer 59 * "Old" (song), a 1995 song by Machine Head *''Old LP'', a 2019 album by That Dog Other uses * ''Old'' (film), a 2021 American thriller film *''Oxford Latin Dictionary'' *Online dating *Over-Locknut Distance (or Dimension), a measurement of a bicycle wheel and frame *Old age See also *List of people known as the Old * * *Olde, a list of people with the surname *Olds (other) Olds may refer to: People * The olds, a jocular and irreverent online nickname for older adults * Bert Olds (1891–1953), Australian rules ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gujarati Literature
The history of Gujarati literature ( gu, ગુજરાતી સાહિત્ય) may be traced to 1000 AD, and this literature has flourished since then to the present. It is unique in having almost no patronage from a ruling dynasty, other than its composers. Gujarat Vidhya Sabha, Gujarat Sahitya Sabha, Gujarat Sahitya Akademi and Gujarati Sahitya Parishad are Gujarat-based literary institutions promoting the Gujarati literature. History Such factors as the policies of the rulers, the living style of the people, and the worldwide influence on society are important for any literature to flourish. In Gujarat, due to the development of trade and commerce, the religious influence of Jainism as well as Hinduism, and also due to the safety and encouragement of rulers like Chaulukya (Solanki) and Vaghela Rajputs, literary activities were in full force from the 11th century. * Gujarati literature ** Early literature (up to 1450 AD) *** Prāg-Narsinh Yug (1000 AD to 1450 AD) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prabandha
Prabandha is a literary genre of medieval Indian Sanskrit literature. The ''prabandha''s contain semi-historical anecdotes about the lives of famous persons. They were written primarily by Jain scholars of western India (Gujarat and Malwa) from 13th century onwards. The ''prabandha''s feature colloquial Sanskrit with vernacular expressions, and contain elements of folklore. Definition The ''prabandha''s are semi-historical anecdotes about famous persons. The ''Prabandha Kosha'' of Rajashekhara Suri mentions two types of biographical narratives: ''charita''s and ''prabandha''s. It states that the ''charita''s are the life-stories of tirthankaras, kings and religious leaders up to Aryarakshita-Suri (who died in 30 CE). The biographies of persons born after Aryarakshita-Suri are called ''prabandha''s. It is not clear if this is Rajashekhara's own definition or if it is based on some other authority. However, several later texts do not abide by this definition. For example, there a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hemachandra
Hemachandra was a 12th century () Indian Jain saint, scholar, poet, mathematician, philosopher, yogi, grammarian, law theorist, historian, lexicographer, rhetorician, logician, and prosodist. Noted as a prodigy by his contemporaries, he gained the title ''kalikālasarvajña'', "the knower of all knowledge in his times" and ''father of Gujarati language''. Born as Changadeva, he was ordained in the Śvētāmbara school of Jainism in 1110 and took the name Somachandra. In 1125 he became an adviser to King Kumarapala and wrote ''Arhanniti'', a work on politics from a Jain perspective. He also produced ''Trishashti-shalaka-purusha-charita'' (“Deeds of the 63 Illustrious Men”), a Sanskrit epic poem on the history of important figures of Jainism. Later in his life, he changed his name to Hemachandra. Early life Hemachandra was born in Dhandhuka, in present-day Gujarat, on Kartika Sud Purnima (the full moon day of Kartika month). His date of birth differs according to source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narsinh Mehta
Narsinh Mehta, also known as Narsinh Bhagat, was a 15th-century poet-Saint#Hinduism, saint of Gujarat, India, honored as the first poet, or ''Adi Kavi,'' of the Gujarati language. Narsinh Mehta is member of Nagar Brahman community. Narsinh became a devotee of Krishna, and dedicated his life to composing poetic works described as ''bhakti,'' or devotion towards Krishna. His Bhajan, ''bhajans'' have remained popular in Gujarat and Rajasthan for over 5 centuries. Most notably, his composition ''Vaishnav Jan To'' was Mahatma Gandhi's favorite and became popular with freedom fighters across India. Biography Much of what is known about Narsinh Mehta is derived from his own compositions and poetic works, due to the lack of formal historical documentation during this period. Additional insights into Narsinh Mehta's biography are found in works from other poets of subsequent eras, as their poems describe in detail the personality of Narsinh Mehta and certain key events from his life. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain
Jainism ( ), also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the cosmology. The three main pillars of Jainism are ''ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and '' aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), '' satya'' (truth), '' asteya'' (not stealing), ''brahmacharya'' (chastity), and '' aparigraha'' (non-possessiveness). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain Temple
A Jain temple, Derasar (Gujarati: દેરાસર) or Basadi (Kannada: ಬಸದಿ) is the place of worship for Jains, the followers of Jainism. Jain architecture is essentially restricted to temples and monasteries, and Jain buildings generally reflect the prevailing style of the place and time they were built. Jain temple architecture is generally close to Hindu temple architecture, and in ancient times Buddhist architecture. Normally the same builders and carvers worked for all religions, and regional and period styles are generally similar. For over 1,000 years, the basic layout of a Hindu or most Jain temples has consisted of a small garbhagriha or sanctuary for the main murti or cult images, over which the high superstructure rises, then one or more larger mandapa halls. Māru-Gurjara architecture or the "Solanki style" is, a particular temple style from Gujarat and Rajasthan (both regions with a strong Jain presence) that originated in both Hindu and Jain temp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jinadattasuri
Jinadattasuri was a Jain Apabhramsa poet. He was born in 1075 and died in 1154. He was a contemporary of Hemchandra and a disciple of Jinavallabhsuri. Works His ''Upadesharasayana-rasa'' (1143) is a didactic poem of 80 verse written in the form of a ''Rasa (literary form), Rasa''. In appreciation of his teacher Jinavallabhsuri, he wrote a didactic poem in 32 verses titled ''Kalaswarupakulakam'' in Apabhramsa and Chachchari. References {{Authority control 1075 births 1154 deaths Indian male poets Indian Jain monks 11th-century Indian Jains 11th-century Jain monks 11th-century Indian monks 11th-century Indian poets 12th-century Indian Jain writers 12th-century Jain monks 12th-century Indian monks 12th-century Indian poets Śvētāmbara monks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maharaja Sayajirao University Of Baroda
The Maharaja Sayajirao University of Baroda, formerly Baroda College, is a public university in the city of Vadodara, in Gujarat state, India. Originally established as a college in 1881, it became a university in 1949 after the independence of the country. It was later renamed after its benefactor Maharaja Sayajirao Gaekwad III, the former ruler of Baroda State. The university offers undergraduate, post-graduate, and doctoral programs. It houses 89 departments spread over 6 campuses (2 rural and 4 urban) covering 275 acres of land. History The university has its origins in the Baroda College, established in 1881 by Baroda State. The main building, which houses the Faculty of Arts, was designed by Robert Fellowes Chisholm in Indo-Saracenic architecture style, in a fusion of Indian and Byzantine arches and domes in brick and polychrome stone. The main dome on the convocation hall was modelled after the great dome of the Gol Gumbaz in Bijapur. Pratap Singh Gaekwad of Baroda (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa Lila
The rasalila (), also rendered the raslila or the ras dance, is part of the traditional story of Krishna described in Hindu scriptures such as the Bhagavata Purana and literature such as the Gita Govinda, where he dances with Radha and the gopis of Vraja. Rasalila has also been a popular theme for other India classical dances including Bharatanatyam, Odissi, Manipuri, Kuchipudi, and Kathak. The Indian classical dance of Kathak evolved from the rasalila of Vraja and ''Manipuri Raas Leela Classical Dance'' (Vrindavana) also known as ''Natwari Nritya'', which was revived in 1960s by the Kathak dancer, Uma Sharma. Etymology The term, '' rasa'' meaning "aesthetics" and ''lila'' meaning "act," "play" or "dance" is a concept from Hinduism, which roughly translates to "play (lila) of aesthetics (rasa)," or more broadly as "Dance of Divine Love". Apart from the definition above, the term also comes from the Sanskrit words '' rasa'' and ''lila'', with ''rasa'' meaning "juice", "nectar", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
