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Rarohenga
In Māori oral tradition, Rarohenga refers to the subterranean realm where spirits of the deceased dwell after death. The underworld is ruled by the Goddess of Death and Night, Hine-nui-te-pō. Additional occupants include Guardians, Gods, Goddesses, Holy Chiefs and Nobles (Rangatira), and the tūrehu, who are described as celestial, fairy-like people. Rarohenga is predominantly depicted as a place of peace and light. As articulated by Māori ethnographer, Elsden Best: It is a place where darkness is unknown, as darkness “pertains only to the upper world”. “This is the reason why, of all spirits of the dead, since the time oHine-ahu-one not a single one has ever returned, or hither dto dwell in this world”. In contemporary Māori society, Rarohenga continues to hold a collective, cultural significance. This is a result of several prominent rituals that originate from the underworld, that are still commonly practiced today. This includes facial tattooing ( ta moko), finger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underworld
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. Persons having social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be taken a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hine-nui-te-pō
Hine-nui-te-pō ("Great woman of night") in Māori legends, is a goddess of night and she receives the spirits of humans when they die. She is the daughter of Tāne Mahuta / Tāne Tuturi and Hine-ahuone. It is believed among Māori that the colour red in the sky comes from her. Hine-nui-te-pō shepherds the wairua/souls into the first level of Rarohenga to ready them for the next stage of their journey. Background Hine-nui-te-pō, also known as the "Great Woman of Night" is a giant goddess of death and the underworld. Her father is Tāne, the god of forests and land mammals. Her mother is a human, Hine-ahu-one was made from earth. Hine-nui-te-pō is the second child of Tāne and Hine-ahu-one. Her birth name, Tikikapakapa, was changed shortly thereafter to Hine-au-tauria. Hine-au-tauria marries her father Tāne and bears his children. She realizes he is her father, becomes ashamed, and goes down to the underground world, known aPō("darkness"). There, she becomes Hine-nui-te- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prestige (sociolinguistics)
In sociolinguistics, prestige is the level of regard normally accorded a specific language or dialect within a speech community, relative to other languages or dialects. Prestige varieties are language or dialect families which are generally considered by a society to be the most "correct" or otherwise superior. In many cases, they are the standard form of the language, though there are exceptions, particularly in situations of covert prestige (where a non-standard dialect is highly valued). In addition to dialects and languages, prestige is also applied to smaller linguistic features, such as the pronunciation or usage of words or grammatical constructs, which may not be distinctive enough to constitute a separate dialect. The concept of prestige provides one explanation for the phenomenon of variation in form among speakers of a language or languages. The presence of prestige dialects is a result of the relationship between the prestige of a group of people and the language th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honour
Honour (British English) or honor (American English; American and British English spelling differences#-our, -or, see spelling differences) is the idea of a bond between an individual and a society as a quality of a person that is both of social teaching and of personal ethos, that manifests itself as a code of conduct, and has various elements such as valour, chivalry, honesty, and compassion. It is an abstract concept entailing a perceived quality of worthiness and respectability that affects both the social standing and the self-evaluation of an individual or institutions such as a family, school, regiment or nation. Accordingly, individuals (or institutions) are assigned worth and stature based on the harmony of their actions with a specific code of conduct, code of honour, and the moral code of the society at large. Samuel Johnson, in his ''A Dictionary of the English Language'' (1755), defined honour as having several senses, the first of which was "nobility of soul, magna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mana
According to Melanesian and Polynesian mythology, ''mana'' is a supernatural force that permeates the universe. Anyone or anything can have ''mana''. They believed it to be a cultivation or possession of energy and power, rather than being a source of power. It is an intentional force. In the 19th century, scholars compared ''mana'' to similar concepts such as the ''orenda'' of the Iroquois Indians and theorized that ''mana'' was a universal phenomenon that explained the origin of religions. ''Mana'' is not universal to all of Melanesia. Etymology The reconstructed Proto-Oceanic word "mana" is thought to have referred to "powerful forces of nature such as thunder and storm winds" rather than supernatural power. That meaning became detached as the Oceanic-speaking peoples spread eastward and the word started to refer to unseen supernatural powers. Polynesian culture ''Mana'' is a foundation of Polynesian theology, a spiritual quality with a supernatural origin and a sacr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ochre
Ochre ( ; , ), or ocher in American English, is a natural clay earth pigment, a mixture of ferric oxide and varying amounts of clay and sand. It ranges in colour from yellow to deep orange or brown. It is also the name of the colours produced by this pigment, especially a light brownish-yellow. A variant of ochre containing a large amount of hematite, or dehydrated iron oxide, has a reddish tint known as "red ochre" (or, in some dialects, ruddle). The word ochre also describes clays coloured with iron oxide derived during the extraction of tin and copper. Earth pigments Ochre is a family of earth pigments, which includes yellow ochre, red ochre, purple ochre, sienna, and umber. The major ingredient of all the ochres is iron(III) oxide-hydroxide, known as limonite, which gives them a yellow colour. * Yellow ochre, , is a hydrated iron hydroxide (limonite) also called gold ochre. * Red ochre, , takes its reddish colour from the mineral hematite, which is an anhydrous iron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soot
Soot ( ) is a mass of impure carbon particles resulting from the incomplete combustion of hydrocarbons. It is more properly restricted to the product of the gas-phase combustion process but is commonly extended to include the residual pyrolysed fuel particles such as coal, cenospheres, charred wood, and petroleum coke that may become airborne during pyrolysis and that are more properly identified as cokes or char. Soot causes various types of cancer and lung disease. Sources Soot as an airborne contaminant in the environment has many different sources, all of which are results of some form of pyrolysis. They include soot from coal burning, internal-combustion engines, power-plant boilers, hog-fuel boilers, ship boilers, central steam-heat boilers, waste incineration, local field burning, house fires, forest fires, fireplaces, and furnaces. These exterior sources also contribute to the indoor environment sources such as smoking of plant matter, cooking, oil lamps, candles, qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rangi And Papa
In Māori mythology the primal couple Rangi and Papa (or Ranginui and Papatūānuku) appear in a creation myth explaining the origin of the world (though there are many different versions). In some South Island dialects, Rangi is called Raki or Rakinui. Union and separation Ranginui first married Poharua Te Po where they bore 3 offspring including Aorangi (or Aoraki as given in South Island). He later married Papatūānuku together becoming the primordial sky father and earth mother bearing over 70 children including Tāwhirimātea, Tāne and Tangaroa, all of whom are male. Both Ranginui and Papatūānuku lie locked together in a tight embrace, and their sons forced to live in the cramped darkness between them. These children grow and discuss among themselves what it would be like to live in the light. Tūmatauenga, the fiercest of the children, proposes that the best solution to their predicament is to kill their parents. But his brother Tāne disagrees, suggesting that it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranginui
In Māori mythology the primal couple Rangi and Papa (or Ranginui and Papatūānuku) appear in a creation myth explaining the origin of the world (though there are many different versions). In some South Island dialects, Rangi is called Raki or Rakinui. Union and separation Ranginui first married Poharua Te Po where they bore 3 offspring including Aorangi (or Aoraki as given in South Island). He later married Papatūānuku together becoming the primordial sky father and earth mother bearing over 70 children including Tāwhirimātea, Tāne and Tangaroa, all of whom are male. Both Ranginui and Papatūānuku lie locked together in a tight embrace, and their sons forced to live in the cramped darkness between them. These children grow and discuss among themselves what it would be like to live in the light. Tūmatauenga, the fiercest of the children, proposes that the best solution to their predicament is to kill their parents. But his brother Tāne disagrees, suggesting that it is b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rūaumoko
In Māori mythology, Rūaumoko (also known as Rūamoko) is the god of earthquakes, volcanoes and seasons. He is the youngest son of Ranginui (the Sky father) and Papatūānuku (the Earth mother) (commonly called Rangi and Papa). Ruaumoko Patera, named after this god, is one of many paterae (shallow craters) on Io, one of Jupiter's moons. Mythology After Rangi and Papa were separated by their sons, Rangi cried, and his tears drenched the land. To stop this, the sons decided to turn Papa face down, so Rangi and Papa could no longer see each other's sorrow. Rūaumoko was at his mother's breast when this happened, so he was carried into the world below. He was given fire for warmth by Tama-kaka, and his movements below the earth cause earthquakes and volcanoes. Another version tells that he remains in Papa's womb, with some variants saying it was to keep Papa company after her separation from Rangi. In these versions, his movements in the womb cause earthquakes. The earthquak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred
Sacred describes something that is dedicated or set apart for the service or worship of a deity; is considered worthy of spiritual respect or devotion; or inspires awe or reverence among believers. The property is often ascribed to objects (a " sacred artifact" that is venerated and blessed), or places (" sacred ground"). French sociologist Émile Durkheim considered the dichotomy between the sacred and the profane to be the central characteristic of religion: "religion is a unified system of beliefs and practices relative to ''sacred things'', that is to say, things set apart and forbidden." Durkheim, Émile. 1915. ''The Elementary Forms of the Religious Life''. London: George Allen & Unwin. . In Durkheim's theory, the sacred represents the interests of the group, especially unity, which are embodied in sacred group symbols, or using team work to help get out of trouble. The profane, on the other hand, involve mundane individual concerns. Etymology The word ''sacred'' des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tā Moko
' is the permanent marking or "tattoo" as traditionally practised by Māori, the indigenous people of New Zealand. It is one of the five main Polynesian tattoo styles (the other four are Marquesan, Samoan, Tahitian and Hawaiian). (tattooists) were considered ', or inviolable and sacred. Background Tattoo arts are common in the Eastern Polynesian homeland of the Māori people, and the traditional implements and methods employed were similar to those used in other parts of Polynesia. In pre-European Māori culture, many if not most high-ranking persons received . ''Moko'' were associated with ''mana'' and high social status; however, some very high-status individuals were considered too ''tapu'' to acquire ''moko'', and it was also not considered suitable for some ''tohunga'' to do so. Receiving constituted an important milestone between childhood and adulthood, and was accompanied by many rites and rituals. Apart from signalling status and rank, another reason for the pract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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