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Ranat Ek
The ''ranat ek'' ( th, ระนาดเอก, , "also xylophone") is a Thai musical instrument in the percussion family that consists of 21 wooden bars suspended by cords over a boat-shaped trough resonator and struck by two mallets. It is used as a leading instrument in the piphat ensemble. ''Ranat ek'' bars are typically made from rosewood (''Dalbergia oliveri''; th, ไม้ชิงชัน; ''mai ching chan'') and they are two types of ranat ek mallets. The hard mallets create the sharp and bright sound, normally used for faster playing. The soft mallets create the mellow and softer tone, used for slower songs. In the Thai xylophone family, there are several similar instrument with bars made from different types of material, such as metal (''ranat ek lek'', ''ranat thum lek'') and glass (''ranat kaeo''). There is another similar Thai xylophone that has a different kind of wooden bar, called “ranat thum”. Its appearance is similar to the ''ranat ek'', but it is low ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bambusa Tulda
''Bambusa tulda'', or Indian timber bamboo (alternatively spineless Indian bamboo or Bengal bamboo), is considered to be one of the most useful of bamboo species. It is native to the Indian subcontinent, Indochina, Tibet, and Yunnan, and naturalized in Iraq, Puerto Rico, and parts of South America. ''B. tulda'' is used extensively by the paper pulp Pulp is a lignocellulosic fibrous material prepared by chemically or mechanically separating cellulose fibers from wood, fiber crops, waste paper, or rags. Mixed with water and other chemical or plant-based additives, pulp is the major raw mate ... industry in India. It can grow to a height of 15 m and a thickness of 8 cm. The single most important fact about Bambusa tulda is its incredible tensile strength; up to 60,000 pounds (27,000 Kg) per square inch. It is commonly found in southeastern Asia [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Overture
''The Overture'' ( th, โหมโรง or Hom rong) is a 2004 in film, 2004 Cinema of Thailand, Thai tragic-nostalgia musical film, music-Drama (film and television), drama film. A fictionalised account based on the life story of Thai palace musician Luang (title), Luang Pradit Phairoh (Sorn Silapabanleng), it follows the life of a Piphat, Thai classical musician from the late 19th century to the 1940s. The film was the winner of several awards in Thailand and was the country's List of Thailand's official entries to the Academy Awards, official selection for the Submissions for the 77th Academy Award for Best Foreign Film, Academy Award for Best Foreign Language Film. It was directed by Itthisoontorn Vichailak and producers included Nonzee Nimibutr and Chatrichalerm Yukol. The film was also credited with a revival in the popularity of piphat – Thai classical music. In 2015, this film had been remade into a musical play from the 4th of April to 17 May at KBank Siam Pic-Ganesha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Thai Musical Instruments
Traditional Thai musical instruments ( th, เครื่องดนตรีไทย, ) are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments played by both the Thai majority as well as the nation's ethnic minorities. In the traditional Thai system of organology, they are classified into four categories, by the action used in playing: #Plucking (plucked string instruments; , ''khrueang dit'') #Bowing (bowed string instruments; , ''khrueang si'') #Striking (percussion instruments and hammered dulcimer; , ''khrueang ti'') #Blowing (wind instruments; , ''khrueang pao'') Traditional Thai musical instruments also are classified into four categories, by the region of Thailand in which they are used. String Plucked *Krachappi (กระจับปี่) - ancient fretted lute * Chakhe (จะเข้) - crocodile-shaped fretted floor zither with three strings. The first two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranat Thum Lek
The ''ranat thum lek'' ( th, ระนาดทุ้มเหล็ก, ) is a metallophone used in the classical music of Thailand. It is the larger of the two sizes of Thai metallophone; the smaller one is called ''ranat ek lek''. The ''ranat thum lek'' consists of flat metal slabs placed over a rectangular wooden resonator. It is played with two bamboo sticks with padded ends. The origin of this instrument is attributed to the brother of King Rama IV (1854–1868) the same time as the creation of ''roneat ek lek''. The ''ranat thum lek'' is very similar to the Khmer ''roneat thong Roneat ( km, រនាត) is the generic Khmer word for referring to several types of xylophones used in traditional Cambodian music; the pinpeat and mohaori. Roneat may refers to several Cambodian xylophone types such as roneat thmor, roneat e ...''. References External links ListeningKhryang Tii : hit instruments (made of metal) pagefrom SEAsite Plaque percussion idiophones Key ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranat Ek Lek
The ''ranat ek lek'' ( th, ระนาดเอกเหล็ก, ) is a metallophone used in the classical music of Thailand. It is the smaller of the two sizes of Thai metallophone; the larger one is called ''ranat thum lek''. This musical instrument was originated in the reign of King Rama IV (1854-1868). The ''ranat ek lek'' consists of flat metal slabs placed over a rectangular wooden resonator. It is played with two bamboo sticks with padded ends. The ''ranat ek lek'' is very similar to the Khmer ''roneat dek''. See also *ranat (musical instrument) ''Ranat'' ( th, ระนาด, , also spelled ''ranad'' or ''ranaat'') is the generic name for keyboard percussion instruments used in the music of Thailand. The bars of the various types of ''ranat'' may be made from hardwood or bamboo (''ranat ... References External links ListeningKhryang Tii : hit instruments (made of metal) pagefrom SEAsite Plaque percussion idiophones Keyboard percussion instruments Thai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranat Thum
The ''ranat thum'' ( th, ระนาดทุ้ม, ) is a low pitched xylophone used in the music of Thailand. It has 18 wooden keys, which are stretched over a boat-shaped trough resonator. Its shape looks like a ''ranat ek'', but it is lower and wider. It is usually played in accompaniment of a ''ranat ek''. ''ranat thum'' bars are typically made from bamboo, although instruments with rosewood (''Dalbergia oliveri''; th, ไม้ชิงชัน; ''mai ching chan'') bars can also be found. It is similar to a Cambodian xylophone called ''roneat thung The ''roneat thung'' or ''roneat thum'' ( km, រនាតធុង) is a low-pitched xylophone used in the Khmer classical music of Cambodia. It is built in the shape of a curved, rectangular shaped boat. This instrument plays an important part i ...''. External linksSound sample [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranat
''Ranat'' ( th, ระนาด, , also spelled ''ranad'' or ''ranaat'') is the generic name for keyboard percussion instruments used in the music of Thailand. The bars of the various types of ''ranat'' may be made from hardwood or bamboo (''ranat ek'' and ''ranat thum'' ), metal (''ranat ek lek'' and ''ranat thum lek'' ), or, much more rarely, glass (''ranat kaeo'' ). The earliest known description of ''ranat'' in Thailand was written in 19th century (1826 AD), an instrument probably of Burmese origin (pattala) focusing on the foot of the pattala Phanat (ဖိနပ်, lit. "shoes"). See also *Ranat ek *Ranat thum *Ranat ek lek *Ranat thum lek *Ranat kaeo *Bong lang *Traditional Thai musical instruments Traditional Thai musical instruments ( th, เครื่องดนตรีไทย, ) are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments ... References External ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Yasser
Joseph Yasser (April 16, 1893 – September 6, 1981) was a Russian–American organist, music theorist, author, and musicologist. An influential figure who established a handful of musical institutions, Yasser is noted for his 1932 publication, ''A Theory of Evolving Tonality''. He was active until his death at age 88 in 1981. Yasser was married but had no children. Early life and career Yasser was born in Łódź, Poland (then part of the Russian Empire), on April 16, 1893. He studied piano in Moscow with renowned pianist-cum-composer Jacob Weinberg and from 1912 to 1917 enrolled at the Moscow Conservatory, graduating with honors. In 1918 Yasser succeeded B. Sabaneev as leader of the school's organ department. In 1919 he was named chief organist of the Imperial Opera (Bolshoi Theatre), and in 1920 and 1921 toured Siberia with a state quartet as a pianist and lecturer. In 1921 Yasser moved to Shanghai, China, directing the "Shanghai Songsters" choral society and performing in co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equal Temperament
An equal temperament is a musical temperament or tuning system, which approximates just intervals by dividing an octave (or other interval) into equal steps. This means the ratio of the frequencies of any adjacent pair of notes is the same, which gives an equal perceived step size as pitch is perceived roughly as the logarithm of frequency. In classical music and Western music in general, the most common tuning system since the 18th century has been twelve-tone equal temperament (also known as 12 equal temperament, 12-TET or 12-ET; informally abbreviated to twelve equal), which divides the octave into 12 parts, all of which are equal on a logarithmic scale, with a ratio equal to the 12th root of 2 ( ≈ 1.05946). That resulting smallest interval, the width of an octave, is called a semitone or half step. In Western countries the term ''equal temperament'', without qualification, generally means 12-TET. In modern times, 12-TET is usually tuned relative to a standard pitch of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dalbergia Cochinchinensis
''Dalbergia cochinchinensis'', the Thailand rosewood, Siamese rosewood, or tracwood, ( th, พะยูง: ''Phayung'' ; Vietnamese: Trắc (or Cẩm lai nam bộ); Khmer: ក្រញូង: ''Kranhung'' ; Lao: ກະຍູງ: ''Kayung'' ; Chinese: 酸枝木: ''Suān zhī mù'' ) is a species of legume in the family Fabaceae. It is a tree yielding valuable hardwood found in Cambodia, Laos, Thailand, and Vietnam. In 2022 its status was re-evaluated as Critically Endangered caused by illegal logging and smuggling. Conservationists project that the species could be extinct within 10 years (by 2026). Due to its pioneering characteristics, drought tolerance, and nitrogen-fixing ability, it shows potential for restoring degraded forests and deforested sites. Therefore, sustainable plantation of the tree can serve both goals of conservation and forest landscape restoration. University of Oxford published the transcriptomes of ''Dalbergia cochinchinensis'' and five other ''Dalberg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artocarpus Lacucha
''Artocarpus lacucha'', also known as monkey jack or monkey fruit, is a tropical evergreen tree species of the family Moraceae. It is distributed throughout the Indian Subcontinent and Southeast Asia. The tree is valued for its wood; its fruit is edible and is believed to have medicinal value. In Northeastern Thailand, the wood is used to make pong lang, a local traditional instrument. The stilbenoid oxyresveratrol can be isolated from the heartwood of ''Artocarpus lacucha'' as well as in ''Puag Haad'', the light brown powder obtained from the aqueous extract of the wood chips of ''A. lakoocha'' by boiling, then slow evaporation, followed by cooling. This traditional drug is effective against the intestinal fluke ''Haplorchis taichui'' or against taeniasis. This tree is mentioned in the Arthashastra. Arthashastra/Book XIII See also * Domesticated plants and animals of Austronesia * Barharwa: A town in India named after the Hindi Hindi (Devanāgarī: or , ), or more p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
