Ran (1985 Movie)
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Ran (1985 Movie)
is a 1985 epic historical drama film directed, edited and co-written by Akira Kurosawa. The plot derives from William Shakespeare's ''King Lear'' and includes segments based on legends of the ''daimyō'' Mōri Motonari. The film stars Tatsuya Nakadai as Hidetora Ichimonji, an aging ''Sengoku''-period warlord who decides to abdicate as ruler in favor of his three sons. Like most of Kurosawa's work in the 1970s and 80s, ''Ran'' is an international production, in this case a Japanese-French venture produced by Herald Ace, Nippon Herald Films, and Greenwich Film Productions. Production planning went through a long period of preparation. Kurosawa conceived the idea of ''Ran'' in the mid-1970s, when he read about Motonari, who was famous for having three highly loyal sons. Kurosawa devised a plot in which the sons become antagonists of their father. Although the film became heavily inspired by Shakespeare's play ''King Lear'', Kurosawa began using it only after he had started prepara ...
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Akira Kurosawa
was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is widely regarded as one of the most important and influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production. Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film '' Sanshiro Sugata''. After the war, the critically acclaimed ''Drunken Angel'' (1948), in which Kurosawa cast the then little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another fifteen films. ''Rashomon'' (1950), which premiered ...
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Nippon Herald Films
Kadokawa Daiei Studio, formerly is the film division of the Japanese company the Kadokawa Corporation. It is one of the four members of the Motion Picture Producers Association of Japan (MPPAJ), and is therefore one of Japan's Big Four film studios.  History  In 1945, Genyoshi Kadokawa established Kadokawa Shoten Publishing Co., focusing on the publishing business. In 1975, Kadokawa's president, Haruki Kadokawa, decided to venture into the film business, launching the film division of Kadokawa Shoten; thus Kadokawa Pictures was born. His goal was to try to reap synergy benefits by creating film adaptations of the publishing house's most popular books and marketing them simultaneously. The company's first film was the 1976 release '' The Inugamis'', directed by Kon Ichikawa and adapted from a Kadokawa Shoten published novel written by Seishi Yokomizo. Due to an aggressive marketing campaign, the film ended as the second-largest earner of the year in Japan. Between 1976 and ...
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Throne Of Blood
is a 1957 Japanese ''jidaigeki'' film co-written, produced, edited, and directed by Akira Kurosawa, with special effects by Eiji Tsuburaya. The film transposes the plot of William Shakespeare's play ''Macbeth'' from Medieval Scotland to feudal Japan, with stylistic elements drawn from Noh drama. The film stars Toshiro Mifune and Isuzu Yamada in the lead roles, modelled on the characters Macbeth and Lady Macbeth. As with the play, the film tells the story of a warrior who assassinates his sovereign at the urging of his ambitious wife. Kurosawa was a fan of the play and intended to make his own adaptation for several years, delaying it after learning of Orson Welles' ''Macbeth'' (1948). Among his changes was the ending, which required archers to fire arrows around Mifune. The film was shot around Mount Fuji and Izu Peninsula. Despite the change in setting and language and numerous creative liberties, ''Throne of Blood'' is often considered one of the better film adaptations of the ...
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Kagemusha
is a 1980 jidaigeki film directed by Akira Kurosawa. It is set in the Sengoku period of Japanese history and tells the story of a lower-class criminal who is taught to impersonate the dying ''daimyō'' Takeda Shingen to dissuade opposing lords from attacking the newly vulnerable clan. ''Kagemusha'' is the Japanese term for a political decoy, literally meaning "shadow warrior". The film ends with the climactic 1575 Battle of Nagashino. The film won the Palme d'Or at the 1980 Cannes Film Festival (tied with '' All That Jazz''). It was also nominated for the Academy Award for Best Foreign Language Film and received other honours. In 2009 the film was voted at No. 59 on the list of ''The Greatest Japanese Films of All Time'' by Japanese film magazine Kinema Junpo. Plot During the Sengoku period, Takeda Shingen, ''daimyō'' of the Takeda clan, meets a thief his brother Nobukado spared from crucifixion due to the thief's uncanny resemblance to Shingen; the brothers agree that he would ...
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Dersu Uzala (1975 Film)
''Dersu Uzala'' (russian: Дерсу Узала, ja, デルス·ウザーラ, ''Derusu Uzāra''; alternative U.S. title: ''Dersu Uzala: The Hunter'') is a 1975 Soviet-Japanese film directed and co-written by Akira Kurosawa, his only non-Japanese-language film and his only 70mm film. The film is based on the 1923 memoir ''Dersu Uzala'' (which was named after the native trapper) by Russian explorer Vladimir Arsenyev, about his exploration of the Sikhote-Alin region of the Russian Far East over the course of multiple expeditions in the early 20th century. Shot almost entirely outdoors in the Russian Far East wilderness, the film explores the theme of a native of the forests who is fully integrated into his environment, leading a style of life that will inevitably be destroyed by the advance of civilization. It is also about the growth of respect and deep friendship between two men of profoundly different backgrounds, and about the difficulty of coping with the loss of capability ...
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Abdication
Abdication is the act of formally relinquishing monarchical authority. Abdications have played various roles in the succession procedures of monarchies. While some cultures have viewed abdication as an extreme abandonment of duty, in other societies (such as pre-Meiji Restoration Japan), abdication was a regular event and helped maintain stability during political succession. Historically, abdications have occurred both by force (where the regnant was forced to abdicate on pain of death or other severe consequences) and voluntarily. Some rulers are deemed to have abdicated ''in absentia'', vacating the physical throne and thus their position of power, although these judgements were generally pronounced by successors with vested interests in seeing the throne abdicated, and often without or despite the direct input of the abdicating monarch. Recently, due to the largely ceremonial nature of the regnant in many constitutional monarchies, many monarchs have abdicated due to old ...
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Warlord
A warlord is a person who exercises military, economic, and political control over a region in a country without a strong national government; largely because of coercive control over the armed forces. Warlords have existed throughout much of history, albeit in a variety of different capacities within the political, economic, and social structure of states or ungoverned territories. The term is most often applied to China in the mid-19th century and the early 20th century. The term can also be used for any supreme military leader. Historical origins and etymology The first appearance of the word "warlord" dates to 1856, when used by American philosopher and poet Ralph Waldo Emerson in a highly critical essay on the aristocracy in England, "Piracy and war gave place to trade, politics and letters; the war-lord to the law-lord; the privilege was kept, whilst the means of obtaining it were changed." During the First World War, the term appeared in China as ''Junfa'' ( 軍閥), ...
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Sengoku Period
The was a period in History of Japan, Japanese history of near-constant civil war and social upheaval from 1467 to 1615. The Sengoku period was initiated by the Ōnin War in 1467 which collapsed the Feudalism, feudal system of Japan under the Ashikaga shogunate. Various samurai warlords and Japanese clans, clans fought for control over Japan in the power vacuum, while the emerged to fight against samurai rule. The Nanban trade, arrival of Europeans in 1543 introduced the arquebus into Japanese warfare, and Japan ended its status as a Tributary system of China, tributary state of China in 1549. Oda Nobunaga dissolved the Ashikaga shogunate in 1573 and launched a war of political unification by force, including the Ishiyama Hongan-ji War, until his death in the Honnō-ji Incident in 1582. Nobunaga's successor Toyotomi Hideyoshi completed his campaign to unify Japan and consolidated his rule with numerous influential reforms. Hideyoshi launched the Japanese invasions of Korea (159 ...
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Mōri Motonari
was a prominent ''daimyō'' (feudal lord) in the western Chūgoku region of Japan during the Sengoku period of the 16th century. The Mōri clan claimed descent from Ōe no Hiromoto (大江広元), an adviser to Minamoto no Yoritomo. Motonari was called the "Beggar Prince". He was known as a great strategist who began as a small local warlord (''jizamurai'') of Aki Province and extended his clan's power to nearly all of the Chūgoku region through war, marriage, adoption and assassination. Sandwiched between the powerful Amago and Ōuchi clans, Motonari led his clan by carefully balancing actions and diplomacy. Eventually, Motonari succeeded in defeating both and controlled the entire Chūgoku region. In his later years, he crushed the Ōtomo clan of Bungo Province in Kyūshū. Motonari ruled from Yoshida-Kōriyama Castle, the clan's main bastion since the early 14th century. His descendants became lords of the Chōshū Domain. Early life Mōri Motonari was born on April 16, ...
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Daimyō
were powerful Japanese magnates, feudal lords who, from the 10th century to the early Meiji era, Meiji period in the middle 19th century, ruled most of Japan from their vast, hereditary land holdings. They were subordinate to the shogun and nominally to the Emperor of Japan, emperor and the ''kuge''. In the term, means 'large', and stands for , meaning 'private land'. From the ''shugo'' of the Muromachi period through the Sengoku period, Sengoku to the ''daimyo'' of the Edo period, the rank had a long and varied history. The backgrounds of ''daimyo'' also varied considerably; while some ''daimyo'' clans, notably the Mōri clan, Mōri, Shimazu clan, Shimazu and Hosokawa clan, Hosokawa, were cadet branches of the Imperial family or were descended from the ''kuge'', other ''daimyo'' were promoted from the ranks of the samurai, notably during the Edo period. ''Daimyo'' often hired samurai to guard their land, and they paid the samurai in land or food as relatively few could aff ...
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Historical Period Drama
A historical drama (also period drama, costume drama, and period piece) is a work set in a past time period, usually used in the context of film and television. Historical drama includes historical fiction and romances, adventure films, and swashbucklers. A period piece may be set in a vague or general era such as the Middle Ages, or a specific period such as the Roaring Twenties, or the recent past. Scholarship Films set in historical times have always been some of the most popular works. D. W. Griffith's ''The Birth of a Nation'' and Buster Keaton's '' The General'' are examples of popular early American works set during the U.S. Civil War. In different eras different subgenres have risen to popularity, such as the westerns and sword and sandal films that dominated North American cinema in the 1950s. The ''costume drama'' is often separated as a genre of historical dramas. Early critics defined them as films focusing on romance and relationships in sumptuous surroundings, cont ...
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Epic Film
Epic films are a style of filmmaking with large-scale, sweeping scope, and spectacle. The usage of the term has shifted over time, sometimes designating a film genre and at other times simply synonymous with big-budget filmmaking. Like epics in the classical literary sense it is often focused on a heroic character. An epic's ambitious nature helps to set it apart from other types of film such as the period piece or adventure film. Epic historical films would usually take a historical or a mythical event and add an extravagant setting and lavish costumes, accompanied by an expansive musical score with an ensemble cast, which would make them among the most expensive of films to produce. The most common subjects of epic films are royalty, and important figures from various periods in world history. Characteristics The term "epic" originally came from the poetic genre exemplified by such works as the ''Epic of Gilgamesh'' and the works of the Trojan War Cycle. In classical litera ...
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