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Ralph Mason
John Francis Mason (1 September 1938 – 10 August 2016), known by his stage name Ralph Mason, was an English singer best remembered for his performances in leading tenor roles with the D'Oyly Carte Opera Company in the 1960s and 1970s. After service in the British army, ultimately as the personal secretary to Field Marshal Montgomery, Mason began a professional singing career in 1959, joining D'Oyly Carte later that year. From 1963 to 1965, he appeared in ''My Fair Lady'', sometimes in the role of Freddie. He rejoined D'Oyly Carte from 1965 to 1973, becoming principal tenor. He then played Major Mark Blake in '' Coronation Street'', returned briefly to D'Oyly Carte as a guest artist, and sang in concerts. In 1977 Mason joined Welsh National Opera as a chorister and small part player, where he remained until his retirement in 2003. Early life and career Mason was born in Brighton, East Sussex, the son of Percival F. Mason and his wife Gladys (''née'' Sercombe), and attended B ...
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Ralph Mason As Lord Tolloller
Ralph (pronounced ; or ,) is a male given name of English, Scottish and Irish origin, derived from the Old English ''Rædwulf'' and Radulf, cognate with the Old Norse ''Raðulfr'' (''rað'' "counsel" and ''ulfr'' "wolf"). The most common forms are: * Ralph, the common variant form in English, which takes either of the given pronunciations. * Rafe, variant form which is less common; this spelling is always pronounced , as are all other English spellings without "l". * Raife, a very rare variant. * Raif, a very rare variant. Raif Rackstraw from H.M.S. Pinafore * Ralf, the traditional variant form in Dutch, German, Swedish, and Polish. * Ralfs, the traditional variant form in Latvian. * Raoul, the traditional variant form in French. * Raúl, the traditional variant form in Spanish. * Raul, the traditional variant form in Portuguese and Italian. * Raül, the traditional variant form in Catalan. * Rádhulbh, the traditional variant form in Irish. Given name Middle Ages * ...
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Cox And Box
''Cox and Box; or, The Long-Lost Brothers'', is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce '' Box and Cox'' by John Maddison Morton. It was Sullivan's first successful comic opera. The story concerns a landlord who lets a room to two lodgers, one who works at night and one who works during the day. When one of them has the day off, they meet each other in the room and tempers flare. Sullivan wrote this piece five years before his first opera with W. S. Gilbert, '' Thespis''. The piece premiered in 1866 and was seen a few times at charity benefits in 1867. Once given a professional production in 1869, it became popular, running for 264 performances and enjoying many revivals and further charity performances. During the 20th century, it was frequently played by the D'Oyly Carte Opera Company in an abridged version, as a curtain raiser for the shorter Gilbert and Sullivan operas. It has been played by numerous pr ...
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Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ...
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The Rake's Progress
''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings ''A Rake's Progress'' (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition. The story concerns the decline and fall of one Tom Rakewell, who deserts Anne Trulove for the delights of London in the company of Nick Shadow, who turns out to be the Devil. After several misadventures, all initiated by the devious Shadow, Tom ends up in Bedlam, a hospital for the insane at that time situated in the City of London. The moral of the tale is: "For idle hearts and hands and minds the Devil finds work to do." Performance history It was first performed at the Teatro La Fenice in Venice on 11 September 1951, with Elisabeth Schwarzkopf creating the role of Anne Trulove, and Robert Rounseville that of Tom Rakewell. It was fir ...
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Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stockho ...
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Savoy Theatre
The Savoy Theatre is a West End theatre in the Strand in the City of Westminster, London, England. The theatre was designed by C. J. Phipps for Richard D'Oyly Carte and opened on 10 October 1881 on a site previously occupied by the Savoy Palace. Its intended purpose was to showcase the popular series of comic operas of Gilbert and Sullivan, which became known as the Savoy operas. The theatre was the first public building in the world to be lit entirely by electricity. For many years, the Savoy Theatre was the home of the D'Oyly Carte Opera Company, which continued to be run by the Carte family for over a century. Richard's son Rupert D'Oyly Carte rebuilt and modernised the theatre in 1929, and it was rebuilt again in 1993 following a fire. It is a Grade II* listed building. In addition to ''The Mikado'' and other famous Gilbert and Sullivan premières, the theatre has hosted such premières as the first public performance in England of Oscar Wilde's '' Salome'' (1931) and Noà ...
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Peter Pratt
Peter Pratt (21 March 1923 – 11 January 1995) was an English actor and singer. He was best known for his comic roles in the Gilbert and Sullivan comic operas. Pratt started his career in the chorus of the D'Oyly Carte Opera Company in 1945, moving up to small roles and then understudying Martyn Green, the principal comedian. From 1951 to 1959, he was the company's principal comedian, earning critical praise in the famous "patter" roles. After leaving the company, he moved on to a career in theatre, television, concert and radio, although he continued to perform the Gilbert and Sullivan roles throughout his career. Among his television roles Pratt was the second actor to play the Master in the science fiction series ''Doctor Who''. Biography Pratt was born and grew up in Eastbourne, England, where he began to study singing as a child and was a soloist in his church choir. He was also involved in amateur theatrical societies.
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Cheadle Hulme
Cheadle Hulme () is a suburb in the Metropolitan Borough of Stockport, Greater Manchester, England,. Historically in Cheshire, it is south-west of Stockport and south-east of Manchester. It lies in the Ladybrook Valley, on the Cheshire Plain, and the drift consists mostly of boulder clay, sands and gravels. In 2011, it had a population of 26,479. Evidence of Bronze Age, Roman and Anglo-Saxon activity, including coins, jewellery and axes, have been discovered locally. The area was first mentioned in the Domesday Book of 1086 when it was a large estate which included neighbouring Cheadle. In the early 14th century, it was split into southern and northern parts at about the future locations of Cheadle Hulme and Cheadle respectively. The area was acquired by the Moseley family in the 17th century and became known as Cheadle Moseley. Unlike many English villages, it did not grow around a church; instead it formed from several hamlets, many of which retain their names as neighbou ...
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The Daily Telegraph
''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a national British daily broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. It was founded by Arthur B. Sleigh in 1855 as ''The Daily Telegraph & Courier''. Considered a newspaper of record over ''The Times'' in the UK in the years up to 1997, ''The Telegraph'' generally has a reputation for high-quality journalism, and has been described as being "one of the world's great titles". The paper's motto, "Was, is, and will be", appears in the editorial pages and has featured in every edition of the newspaper since 19 April 1858. The paper had a circulation of 363,183 in December 2018, descending further until it withdrew from newspaper circulation audits in 2019, having declined almost 80%, from 1.4 million in 1980.United Newspapers PLC and Fleet Holdings PLC', Monopolies and Mergers Commission (1985), pp. 5–16. Its si ...
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Ruddigore
''Ruddigore; or, The Witch's Curse'', originally called ''Ruddygore'', is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan. It was first performed by the D'Oyly Carte Opera Company at the Savoy Theatre in London on 22 January 1887. The first night was not altogether a success, as critics and the audience felt that ''Ruddygore'' (as it was originally spelled) did not measure up to its predecessor, '' The Mikado''. After some changes, including respelling the title, it achieved a run of 288 performances. The piece was profitable, and the reviews were not all bad. For instance, the ''Illustrated London News'' praised the work of both Gilbert and, especially, Sullivan: "Sir Arthur Sullivan has eminently succeeded alike in the expression of refined sentiment and comic humour. In the former respect, the charm of graceful melody pre ...
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Princess Ida
''Princess Ida; or, Castle Adamant'' is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. ''Princess Ida'' opened at the Savoy Theatre on 5 January 1884, for a run of 246 performances. The piece concerns a princess who founds a women's university and teaches that women are superior to men and should rule in their stead. The prince to whom she had been married in infancy sneaks into the university, together with two friends, with the aim of collecting his bride. They disguise themselves as women students, but are discovered, and all soon face a literal war between the sexes. The opera satirizes feminism, women's college, women's education and Charles Darwin, Darwinian evolution, which were controversial topics in conservative Victorian era, Victorian England. ''Princess Ida'' is based on a narrative poem by Alfred, Lord Tennyson called ''The Princess (Tennyson poem), The Princess'' (1847), and Gilb ...
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Iolanthe
''Iolanthe; or, The Peer and the Peri'' () is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert, first performed in 1882. It is one of the Savoy operas and is the seventh of fourteen operatic collaborations by Gilbert and Sullivan. In the opera, the fairy Iolanthe has been banished from fairyland because she married a mortal; this is forbidden by fairy law. Her son, Strephon, is an Arcadia (utopia), Arcadian shepherd who wants to marry Phyllis, a Ward (law), Ward of Court of Chancery, Chancery. All the members of the House of Lords, House of Peers also want to marry Phyllis. When Phyllis sees Strephon hugging a young woman (not knowing that it is his mother – immortal fairies all appear young), she assumes the worst and sets off a climactic confrontation between the peers and the fairies. The opera satire, satirises many aspects of British government, law and society. The confrontation between the fairies and the peers is a version of one of Gilbert's ...
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