|
Raising The Standard
''Raising the Standard'' (subtitled ''Live at the Jazz Standard Vol. 2'') is a live album by saxophonist Frank Morgan which was recorded at the Jazz Standard in 2003 and released on the HighNote label in 2005. Reception Writing for ''All About Jazz'', Joel Roberts observed "It charts little new ground but serves up some of the best, most authentic modern bebop you're likely to hear anywhere" stating "''Raising the Standard'' is another fine effort by one of jazz's most inspiring artists".Roberts, J.All About Jazz Review accessed February 22, 2019 On the same site Jack Bowers said "''Raising the Standard'' is another impressive tour de force for Morgan and his mates, one that is easily recommended".Bowers, J.All About Jazz Review accessed February 22, 2019 In ''JazzTimes'', David Franklin noted "Almost 70 at the time and having suffered a stroke five years earlier, Morgan still plays with youthful exuberance".Franklin, D.JazzTimes Review accessed February 22, 2019 In ''The Japan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Morgan (musician)
Frank Morgan (December 23, 1933 – December 14, 2007) was a jazz saxophonist with a career spanning more than 50 years. He mainly played alto saxophone but also played soprano saxophone. He was known as a Charlie Parker successor who primarily played bebop and ballads. Biography Early life (1933–1947) Frank Morgan was born in Minneapolis, Minnesota in 1933, but spent most of his childhood living with his grandmother in Milwaukee, Wisconsin while his parents were on tour. Morgan's father Stanley was a guitarist with Harlan Leonard and the Rockets and The Ink Spots, and his mother, Geraldine, was a 14-year-old student when she gave birth to him. Morgan took up his father's instrument at an early age, but lost interest the moment he saw Charlie Parker take his first solo with the Jay McShann band at the Paradise Theater in Detroit, Michigan. Stanley introduced them backstage, where Parker offered Morgan advice about starting out on the alto sax, and they met at a music store th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Get Around Much Anymore
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of "Don't Get Around Much Anymore", one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart. Other versions * Mose Allison – '' Young Man Mose'', Prestige, 1958) * Mose Allison – ''Creek Bank'' (Prestige, 1975) * Louis Armstrong with his All-Stars and Duke Ellington – ''The Great Reunion'' (1961) and included on ''The Great Summit'' * Louis Armstrong – ''I've Got the World on a String'' (1960) * Tony Bennett and Miguel Bosé – '' Viva Duets'' (2010) * To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Hart
Billy Hart (born November 29, 1940) is an American jazz drummer and educator. He is known internationally for his work with Herbie Hancock's "Mwandishi" band in the early 1970s, as well with Shirley Horn, Stan Getz, and Quest, among others. Biography Hart was born in Washington, D.C. He grew up in close proximity of the Spotlite Club, where he first heard the music of Lee Morgan, Ahmad Jamal, and Miles Davis, among others. Early on in his career he performed with Otis Redding and Sam and Dave, then with Buck Hill. Although he studied mechanical engineering at Howard University, he left school early to tour with Shirley Horn, whom Hart credits with accelerating his musical development. He was a sideman with the Montgomery Brothers (1961), Jimmy Smith (1964–1966), and Wes Montgomery (1966–68). Following Montgomery's death in 1968, Hart moved to New York City, where he recorded with McCoy Tyner, Wayne Shorter, Joe Zawinul, and Pharoah Sanders (playing on his famed record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtis Lundy
Curtis Lundy (born October 1, 1955) is an American double bass player, composer, producer, choir director and arranger. Lundy is best known for his work as part of jazz vocalist Betty Carter's band. Discography As leader * ''Beatitudes'' with Bobby Watson (New Note, 1985) * ''Just Be Yourself'' (New Note, 1987) * ''Against All Odds'' (Justin Time, 1999) * ''Purpose'' (Justin Time, 2002) As sideman With Billy Bang * ''Big Bang Theory'' (Justin Time, 2000) * ''Vietnam: The Aftermath'' (Justin Time, 2001) * ''Vietnam: Reflections'' (Justin Time, 2005) With Betty Carter * ''The Audience with Betty Carter'' (Bet-Car, 1980) * ''Whatever Happened to Love?'' (Bet-Car, 1982) * ''Betty Carter'' (Verve, 1990) * ''I'm Yours, You're Mine'' (Verve, 1996) * ''Betty Carter's Finest Hour'' (Verve, 2003) * ''Live in Montreal'' (Universal, 2004) With Johnny Griffin * '' Call It Whachawana'' (Galaxy, 1983) * ''Live Jazzbuhne Berlin '84'' (Amiga, 1984) * ''Tough Tenors Back Again!'' (Storyville, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Cables
George Andrew Cables (born November 14, 1944) is an American jazz pianist and composer. Early life Cables was born in New York City, United States. He was initially taught piano by his mother. He then studied at the High School of Performing Arts and later at Mannes College (1963–65). He formed the Jazz Samaritans at the age of 18, a band that included Billy Cobham, Steve Grossman, and Clint Houston. Cables' early influences on piano were Thelonious Monk and Herbie Hancock. Later life and career Cables has played with Art Blakey, Sonny Rollins, Dexter Gordon, Art Pepper, Joe Henderson, and other well-established jazz musicians. His own records include the 1980 '' Cables' Vision'' with Freddie Hubbard among others. From 1983, Cables worked in the project Bebop & Beyond. He left later in the 1980s, but returned for guest appearances on two early 1990s albums, before rejoining in 1998. Cables is a charter member of The Cookers band, founded in 2010, which includes leading jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In A Sentimental Mood
"In a Sentimental Mood" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band. Background According to Ellington, the song was born in Durham, North Carolina. "We had played a big dance in a tobacco warehouse, and afterwards a friend of mine, an executive in the North Carolina Mutual Insurance Company, threw a party for Amy. I was playing piano when another one of our friends had some trouble with two chicks. To pacify them, I composed this there and then, with one chick standing on each side of the piano." The recording featured solos by Otto Hardwicke, Harry Carney, Lawrence Brown, and Rex Stewart. Ellington recorded a version with John Coltrane which appears on '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willard Robison
Willard Robison (September 18, 1894 – June 24, 1968) was an American vocalist, pianist, and composer of popular songs, born in Shelbina, Missouri. His songs reflect a rural, melancholy theme steeped in Americana and their warm style has drawn comparison to Hoagy Carmichael. Many of his compositions, notably " A Cottage for Sale", "Round My Old Deserted Farm", "Don't Smoke in Bed", "'Taint So, Honey, 'Taint So" and " Old Folks", have become standards and have been recorded countless times by jazz and pop artists including Peggy Lee, Nina Simone, Nat King Cole, Billy Eckstine, Bing Crosby and Mildred Bailey. "A Cottage for Sale" alone has been recorded over 100 times. Life and career In the early 1920s, Robison led and toured with several territory bands in the Southwest. He met Jack Teagarden in this period, whom he befriended. In the late 1920s, Robison organized the Deep River Orchestra, later hosting a radio show entitled ''The Deep River Hour'' in the early 1930s. Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
