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RCA Studios New York
RCA Victor Studios New York were music recording studios established by RCA Victor in New York City, including its studio at 155 East 24th Street which was active from 1928 to 1969, and its successor at 1133 Avenue of the Americas which was active from 1969 to 1993. History Background Beginning in 1901, the Victor Talking Machine Company produced its earliest recordings at various locations in Philadelphia, New York City and at its headquarters in Camden, New Jersey. Some early recordings included " The Memphis Blues" (1914), credited as the first recorded blues song. and "Livery Stable Blues" by the Original Dixieland Jass Band (1917). 155 East 24th Street (1928 to 1969) In early 1928, after decades of recording in various locations, Victor acquired a property in Manhattan to build a recording studio. Originally built in 1907 as a seven-story stable, the building at 155 East 24th Street was previously home to Manhattan's leading supplier of coach, livery, and workhorses, suppl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
RCA Records
RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Group Corporation. It is one of Sony Music's four flagship labels, alongside Columbia Records (its former longtime rival), Arista Records and Epic Records. The label has released multiple genres of music, including pop music, pop, classical music, classical, rock music, rock, hip hop, afrobeat, electronic music, electronic, Contemporary R&B, R&B, blues, jazz, and country music, country. The label's name is derived from the initials of its now defunct parent company, the Radio Corporation of America (RCA). After the RCA Corporation was purchased by General Electric in 1986, RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG); following the merger of BMG and Sony in 2004, RCA Records became a label of Sony BMG Music Entertainment. In 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music, RCA Records became fully ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
RCA Type 77-A Microphone
The RCA Type 77-A microphone was a simplex (''uni-directional'') ribbon microphone A ribbon microphone, also known as a ribbon velocity microphone, is a type of microphone that uses a thin aluminum, duraluminum or nanofilm of electrically conductive ribbon placed between the poles of a magnet to produce a voltage by electroma ..., the forerunner of the RCA Type 77-DX microphone. The 77-A was designed Dr. Harry F. Olson in the late 1920s or early 1930s; prototypes are rumored to have existed in 1929 and 1930, but the 77-A was not announced until 1932. The 77-A would set the standard for all other RCA ribbon microphone comparisons for the next 40 years. Construction It featured a spiral acoustic labyrinth inside the case and two vertical in-line ribbons which enabled it to be uni-directional. References External linksRCA Type 77-A information from www.coutant.org {{product-stub Ribbon microphones ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Audio Engineering Society
The Audio Engineering Society (AES) is a professional body for engineers, scientists, other individuals with an interest or involvement in the professional audio industry. The membership largely comprises engineers developing devices or products for audio, and persons working in audio content production. It also includes acousticians, audiologists, academics, and those in other disciplines related to audio. The AES is the only worldwide professional society devoted exclusively to audio technology. Established in 1948, the Society develops, reviews and publishes engineering standards for the audio and related media industries, and produces the AES Conventions, which are held twice a year alternating between Europe and the US. The AES and individual regional or national ''sections'' also hold ''AES Conferences'' on different topics during the year. History The idea of a society dedicated solely to audio engineering had been discussed for some time before the first meeting, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Jimmie Rodgers
James Charles Rodgers ( – ) was an American singer, songwriter, and musician who rose to popularity in the late 1920s. Widely regarded as the "Honorific nicknames in popular music, Father of Country Music", he is best known for his distinctive yodeling. Rodgers was known as "The Singing Brakeman" and "America's Blue yodeling, Blue Yodeler". He has been cited as an inspiration by many artists, and he has been inducted into multiple halls of fame. Originally from Meridian, Mississippi, Rodgers was the son of railroad worker Aaron Rodgers. During his early childhood the family moved according to the needs of his father's employment, or Rodgers' own poor health. As a teenager he was musically influenced by the diverse vaudeville shows that he often attended. At the age of 13 he won a local singing contest, and then traveled through the Southern United States with a medicine show. After his father took him back home to Meridian, Rodgers dropped out of school and joined the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Charlie Barnet
Charles Daly Barnet (October 26, 1913 – September 4, 1991) was an American jazz saxophonist, composer, and bandleader. His major recordings were "Nagasaki", "Skyliner", "Cherokee", "The Wrong Idea", "Scotch and Soda", "In a Mizz", and "Southland Shuffle". Early life Barnet was born in New York City, the son of Charline (Daly) and Willard Barnet. His parents divorced when he was two, and he was raised by his mother and her grandparents. His grandfather was Charles Frederick Daly, a vice-president for the New York Central Railroad, banker, and businessman. Barnet attended boarding schools, both in the New York and Chicago areas. He learned to play piano and saxophone as a child. He often left school to listen to music and to try to gain work as a musician. Although his family wanted him to become a lawyer, he chose to be a musician instead. Career By sixteen, Barnet had played on tours with Jean Goldkette's satellite band and was in New York, where he joined Frank Winegar's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Bix Beiderbecke
Leon Bismark "Bix" Beiderbecke ( ; March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell”. His solos on seminal recordings such as Singin' the Blues (1920 song)#Trumbauer/Beiderbecke Recording, "Singin' the Blues" and "I'm Coming Virginia, I'm Coming, Virginia" (both 1927) demonstrate a gift for extended Jazz improvisation, improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. "In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
PEnnsylvania 6-5000 (song)
"Pennsylvania 6-5000" (also written "Pennsylvania Six-Five Thousand") is a 1940 swing jazz and pop standard recorded by Glenn Miller and His Orchestra as a Bluebird 78 rpm single. The music was by Jerry Gray and the lyrics by Carl Sigman. Glenn Miller recording Many big band musicians played in Hotel Pennsylvania's Cafe Rouge in New York City, including the Glenn Miller Orchestra. The hotel's telephone number, Pennsylvania 6-5000, inspired the Glenn Miller 1940 Top 5 ''Billboard'' hit of the same name, which had a 12-week chart run. The instrumental was recorded on April 28, 1940 at the RCA Victor Studios at 155 East 24th Street in New York City. The 78 single was released in June, 1940 as RCA Victor Bluebird 78 B-10754-A backed with "Rug Cutter's Swing". The song was also an advertisement for attendance at the band's live performances, as a call could be put through to Hotel Pennsylvania’s venue the Cafe Rouge for a reservation. Johnny Best played the improvised tru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Moonlight Serenade
"Moonlight Serenade" is an American swing ballad composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when released in May 1939 as an instrumental arrangement, though it had been adopted and performed as Miller's signature tune as early as 1938, even before it had been given the name "Moonlight Serenade". In 1991, Miller's recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame. Background Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he composed "Moonlight Serenade". The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
In The Mood
"In the Mood" is a popular big band-era jazz standard recorded by Americans, American bandleader Glenn Miller. "In the Mood" is based on the composition "Tar Paper Stomp" by Wingy Manone. The first recording under the name "In the Mood" was released by Edgar Hayes & His Orchestra in 1938. In 1983, the Glenn Miller recording from 1939 was inducted into the Grammy Hall of Fame. In 2004, the recording was inducted into the Library of Congress National Recording Registry which consists of recordings that are "culturally, historically, or aesthetically significant." In 1999, National Public Radio (NPR) included the 1939 Glenn Miller recording in its list of "The 100 most important American musical works of the 20th century". Glenn Miller's "In the Mood", with "I Want to Be Happy" on the B-side, became the best-selling swing (music), swing instrumental. Arrangement "In the Mood" starts with a saxophone section theme based on repeated arpeggios that are rhythmically displaced; trum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Glenn Miller Orchestra
Glenn Miller and His Orchestra was an American swing dance band that was formed by Glenn Miller in 1938. Arranged around a clarinet and tenor saxophone playing melody, and three other saxophones playing harmony, the band became the most popular and commercially successful dance orchestra of the swing era and one of the greatest singles charting acts of the 20th century. As of , Ray Anthony is the last surviving member of the orchestra. Miller began professionally recording in New York City as a sideman in the hot jazz era of the late 1920s. With the arrival of virtuoso trombonists Jack Teagarden and Tommy Dorsey, Miller focused more on developing his arrangement skills. Writing for contemporaries and future stars such as Artie Shaw, and Benny Goodman, Miller gained prowess as an arranger by working in a variety of settings. Later, Miller largely improved his arranging and writing skills by studying under music theorist Joseph Schillinger. In February 1937, Miller starte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Glenn Miller
Alton Glen "Glenn" Miller (March 1, 1904 – December 15, 1944) was an American big band conductor, arranger, composer, trombonist, and recording artist before and during World War II, when he was an officer in the United States Army Air Forces, US Army Air Forces. His civilian band, Glenn Miller Orchestra, Glenn Miller and his Orchestra, was one of the most popular and successful bands of the 20th century and the big band era. Glenn Miller and his Orchestra was the best-selling recording band from 1939 to 1942. Unlike his military unit, Miller's civilian band did not have a string section, but it did have a Slapping (music), slap bass in the rhythm section. It was also a touring band that played multiple radio broadcasts nearly every day. Its best-selling records include Miller's theme song, "Moonlight Serenade", and the first gold record ever made, "Chattanooga Choo Choo", a song on the soundtrack of Miller's first film, ''Sun Valley Serenade'', and the number-one song in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Begin The Beguine
"Begin the Beguine" is a popular song written by Cole Porter. Porter composed the song during a 1935 Pacific cruise aboard the Cunard ocean liner ''Franconia'' from Kalabahi, Indonesia, to Fiji. In October 1935, it was introduced by June Knight in the Broadway musical ''Jubilee'', produced at the Imperial Theatre in New York City. The first successful recording was a swing orchestral version released by Artie Shaw and His Orchestra in 1938. In 1981, Julio Iglesias released a Spanish language version which reached No. 1 on the U.K. chart, the first fully Spanish song to top the chart in the country. Music The beguine is a dance and music form, similar to a slow rhumba. In his book ''American Popular Song: The Great Innovators 1900–1950'', musicologist and composer Alec Wilder, described "Begin the Beguine" as a maverick, it is an unprecedented experiment and one which, to this day, after hearing it hundreds of times, I cannot sing or whistle or play from start to finish wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
