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Quqnūs
Quqnūs () is a 1941 poem by Nima Yooshij. Quqnūs is often referred to as an evolved Afsaneh poem that depicts She'r-e Nimaa'i both in form (rhyme and paragraph) and in meaning (social symbolism). The poem describes a myth of Quqnūs: "It is said that Quqnūs lives a thousand years, and when a thousand years pass and his life comes to an end, he gathers a lot of firewood and sits on top of it and begins to compose and flutter his wings like fire from his wings, He falls into the wood and burns himself with the wood, but from the ashes of his corpse, his chickens come out." In fact, the poet uses an old myth and introduces himself as a Quqnūs that must burn in order for his thoughts and poems to be spread among the people and for other birds to spread it in the world. Context The writing of "Quqnūs" first began in February 1938, and three years later was first published in the "Journal of Music" in 1941, in the midst of World War II and the occupation of Iran. The publication ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nima Yushij
Nimā Yushij ( fa, نیما یوشیج) (11 November 1895 – 4 January 1960), also called Nimā (), born Ali Esfandiāri (), was an Iranian poet. He is famous for his style of poetry which he popularized, called ''she'r-e now'' (, lit. "new poetry"), also known as '' She'r-e Nimaa'i'' (, lit "Nima poetry") in his honour after his death. He is considered as the father of modern Persian poetry. He died of pneumonia in Shemiran, in the northern part of Tehran and was buried in his native village of Yush, Nur County, Mazandaran, as he had willed. Early life He was the eldest son of Ibrahim Nuri of Yush (a village in Baladeh, Nur County, Mazandaran province of Iran). He was a Tabarian, but also had Georgian roots on his maternal side. He grew up in Yush, mostly helping his father with the farm and taking care of the cattle. As a boy, he visited many local summer and winter camps and mingled with shepherds and itinerant workers. Images of life around the campfire, especiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nima Yooshij
Nimā Yushij ( fa, نیما یوشیج) (11 November 1895 – 4 January 1960), also called Nimā (), born Ali Esfandiāri (), was an Iranian poet. He is famous for his style of poetry which he popularized, called ''she'r-e now'' (, lit. "new poetry"), also known as '' She'r-e Nimaa'i'' (, lit "Nima poetry") in his honour after his death. He is considered as the father of modern Persian poetry. He died of pneumonia in Shemiran, in the northern part of Tehran and was buried in his native village of Yush, Nur County, Mazandaran, as he had willed. Early life He was the eldest son of Ibrahim Nuri of Yush (a village in Baladeh, Nur County, Mazandaran province of Iran). He was a Tabarian, but also had Georgian roots on his maternal side. He grew up in Yush, mostly helping his father with the farm and taking care of the cattle. As a boy, he visited many local summer and winter camps and mingled with shepherds and itinerant workers. Images of life around the campfire, especiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
She'r-e Nimaa'i
She'r-e Nimaa'i () is a school of Modernist poetry in Iran that is derived from the literary theory of Nima Yooshij, a contemporary Iranian poet. Nima Yoshij revolutionized the stagnant atmosphere of Iranian poetry with the influential poem Afsaneh, which was the manifesto of She'r-e Nimaa'i. He consciously challenged all the foundations and structures of ancient Persian poetry. The nature of Mazandaran, social criticism, and humor are just a few examples of the themes that Nima Yoshij used in his poems. She'r-e Nimaa'i was the source of inspiration and growth of many great modern Iranian poets, including Sohrab Sepehri, Forough Farrokhzad, Mehdi Akhavan-Sales and Fereydoun Moshiri. She'r-e Nimaa'i has a special place in modern Iranian poetry. It was used for the first colloquial language in Iranian poetry. The shutters became shorter and longer, and a new look was taken at the poem. Although many criticisms were leveled at Nima Yoshij at the beginning, the She'r-e Nimaa'i school of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of Music (Iran)
''Journal of Music'' (formerly ''Journal of Music in Ireland'', or ''JMI'') is an Irish music magazine founded in 2000. It "has been a critical voice in Traditional and Contemporary musics since 2000". In 2009 it was relaunched as the ''Journal of Music''. In 2010, the ''Journal of Music'' was the recipient of ''Utne Reader ''Utne Reader'' (also known as ''Utne'') ( ) is a digital digest that collects and reprints articles on politics, culture, and the environment, generally from alternative media sources including journals, newsletters, weeklies, zines, music, and ...'' magazine's Utne Independent Press Award for Arts Coverage. References External links Official web site Bi-monthly magazines Classical music in Ireland Defunct magazines published in Ireland Music magazines published in Ireland Magazines established in 2000 Magazines disestablished in 2009 Classical music magazines {{ireland-media-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Value Of Emotions In Artists' Lives
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolism (arts)
Symbolism was a late 19th-century art movement of French art, French and Art of Belgium, Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against Naturalism (literature), naturalism and Realism (arts), realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock Trope (literature), tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related decadent movement, Decadents of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attar Of Nishapur
Abū Ḥamīd bin Abū Bakr Ibrāhīm (c. 1145 – c. 1221; fa, ابو حامد بن ابوبکر ابراهیم), better known by his pen-names Farīd ud-Dīn () and ʿAṭṭār of Nishapur (, Attar means apothecary), was a PersianRitter, H. (1986), “Attar”, Encyclopaedia of Islam, New Ed., vol. 1: 751-755. Excerpt: "ATTAR, FARID AL-DIN MUHAMMAD B. IBRAHIM.Persian mystical poet.Farīd al-Dīn ʿAṭṭār, in Encyclopædia Britannica, online edition - accessed December 2012./ref> poet, theoretician of Sufism, and hagiographer from Nishapur who had an immense and lasting influence on Persian poetry and Sufism. He wrote a collection of lyrical poems and number of long poems in the philosophical tradition of Islamic mysticism, as well as a prose work with biographies and sayings of famous Muslim mystics. Manṭiq-uṭ-Ṭayr (''The Conference of the Birds)'' and ''Ilāhī-Nāma'' (''The Book of Divine)'' and Memorial of the Saints are among his best known works. Biography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omar Khayyam
Ghiyāth al-Dīn Abū al-Fatḥ ʿUmar ibn Ibrāhīm Nīsābūrī (18 May 1048 – 4 December 1131), commonly known as Omar Khayyam ( fa, عمر خیّام), was a polymath, known for his contributions to mathematics, astronomy, philosophy, and Persian poetry. He was born in Nishapur, the initial capital of the Seljuk Empire. As a scholar, he was contemporary with the rule of the Seljuk dynasty around the time of the First Crusade. As a mathematician, he is most notable for his work on the classification and solution of cubic equations, where he provided geometric solutions by the intersection of conics. Khayyam also contributed to the understanding of the parallel axiom.Struik, D. (1958). "Omar Khayyam, mathematician". ''The Mathematics Teacher'', 51(4), 280–285. As an astronomer, he calculated the duration of the solar year with remarkable precision and accuracy, and designed the Jalali calendar, a solar calendar with a very precise 33-year intercalation cycle''The Cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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