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Quintilla (poetry)
A ''quintilla'' is a Spanish language, Spanish stanza of five octosyllabic lines. It employs two rhymes and no three consecutive lines may rhyme nor may it end in a couplet. The most common scheme is ''abaab'', but ''abbab'', ''aabab'', ''ababa'' and ''aabba'' are also permitted. It is similar to the four-line ''redondilla'' but is distinct from the ''quintilla real'', which contains five hendecasyllabic lines.Chris Baldick (ed.)"Quintilla" ''The Oxford Dictionary of Literary Terms'' 4th ed. (Oxford University Press, 2015). Popular in the 15th century, as a standalone poem the ''quintilla'' only evolved in the 16th century from the separation of the parts of the nine- or ten-line ''Copla (meter), copla de arte menor''. It originally considered a type of ''redondilla''. The forms that begin with a couplet (''aabba'' and ''aabab'') were not popular on their own but do appear as the second half of the ''copla real''. The famous poem "Fiesta de toros en Madrid" by Nicolás Fernández de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Language
Spanish ( or , Castilian) is a Romance languages, Romance language of the Indo-European language family that evolved from colloquial Latin spoken on the Iberian peninsula. Today, it is a world language, global language with more than 500 million native speakers, mainly in the Americas and Spain. Spanish is the official language of List of countries where Spanish is an official language, 20 countries. It is the world's list of languages by number of native speakers, second-most spoken native language after Mandarin Chinese; the world's list of languages by total number of speakers, fourth-most spoken language overall after English language, English, Mandarin Chinese, and Hindustani language, Hindustani (Hindi-Urdu); and the world's most widely spoken Romance languages, Romance language. The largest population of native speakers is in Mexico. Spanish is part of the Iberian Romance languages, Ibero-Romance group of languages, which evolved from several dialects of Vulgar Latin in I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octosyllabic
The octosyllable or octosyllabic verse is a line of verse with eight syllables. It is equivalent to tetrameter verse in trochees in languages with a stress accent. Its first occurrence is in a 10th-century Old French saint's legend, the '' Vie de Saint Leger''; another early use is in the early 12th-century Anglo-Norman '' Voyage de saint Brendan''. It is often used in French, Italian, Spanish and Portuguese poetry. While commonly used in couplets, typical stanzas using octosyllables are: décima, some quatrains, redondilla. In Spanish verse, an octosyllable is a line that has its seventh syllable stressed, on the principle that this would normally be the penultimate syllable of a word (''Lengua Castellana y Literatura'', ed. Grazalema Santillana. El Verso y su Medida, p. 46). If the final word of a line does not fit this pattern, the line could have eight or seven or nine syllables (as normally counted), thus – :1 / 2 / 3 / 4 / 5 / Gra/NA/da :1 / 2 / 3 / 4 / 5 / Ma/DR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhymes
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rīm'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rīm'' meaning "enumeration, series, numeral") and Old High German ''rīm'', ultimately cognate to Old Irish ''rím'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quintilla Real
Quintilla (fl. 3rd century) was a Phrygian Christian prophetess within the movement known as Montanism. The sect of the Quintillians was named after her. Although her exact dates are unknown, Quintilla was probably not a contemporary of the Three— Montanus, Maximilla and Priscilla, the first generation of Montanist prophets—but was active some decades later, after the Three were dead. This would place her in the 3rd century AD. Epiphanius of Salamis, a strong opponent of Montanism, provides the only surviving account of Quintilla's Christophany in his ''Panarion'', part 49. He had heard it attributed both to her and to Priscilla, but the former is more probable. His account is generally regarded as authentic. While in Pepuza, Christ in the form of a woman in a bright robe visited her in a dream, imparted wisdom to her and revealed that Pepuza was a holy place where the New Jerusalem would descend. This should probably be interpreted as Christ manifested in the form of the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendecasyllabic
In poetry, a hendecasyllable (sometimes hendecasyllabic) is a line of eleven syllables. The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry. Classical In classical poetry, "hendecasyllable" or "hendecasyllabic" may refer to any of three distinct 11-syllable Aeolic meters, used first in Ancient Greece and later, with little modification, by Roman poets. Aeolic meters are characterized by an Aeolic base × × followed by a choriamb – u u –; where –=a long syllable, u=a short syllable, and ×=an anceps, that is, a syllable either long or short. The three Aeolic hendecasyllables (with base and choriamb in bold) are: Phalaecian ( la, hendecasyllabus phalaecius): × × – u u – u – u – – This is a line used only occasionally in Greek choral odes and scolia, but a favor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copla (meter)
The ''copla'' is a poetic form of four verses found in many Spain, Spanish popular songs as well as in Spanish language literature. There is a copla (music), related musical genre of the same name. The form is also found widely in Latin America. The name derives from the Latin language, Latin ''copula'', ("link" or "union"). ''Coplas'' normally consist of four verses ''de arte menor'' (that is, of no more than eight syllables to a line) of four lines each, either of Spain's most characteristic popular meter, the romance (meter), romance (8- 8a 8- 8a), or of seguidilla (7- 5a 7- 5a) or redondilla (8a 8b 8b 8a). Although most commonly considered a popular form, it has not been scorned by cultivated writers. Among those who have written ''coplas'' are Íñigo López de Mendoza, Marquis of Santillana, Rafael Alberti, Luis de Góngora, Antonio Machado, Jorge Manrique and Federico García Lorca. Manuel Machado (poet and playwright), Manuel Machado wrote of ''coplas'', using the form him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolás Fernández De Moratín
Nicolás Fernández de Moratín (1737–1780) was the father of one of the most important Spanish writers and dramatists A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English ... of the neoclassical era, Leandro Fernández de Moratín. He himself was involved in the Spanish literary movement of the day and heavily influenced his son. He wrote ''Arte de las putas'', a poem, and ''La petimetra'', a new comedy. He was also a member of the Tertulia de la Fonda de San Sebastián where he met famous authors like José Cadalso and Tomás de Iriarte. References List of writings* ''Arte de las putas''. Madrid: 1898. * ''Desengaños al teatro español''. Madrid: 1762-3. * ''La Diana, o arte de la caza''. Madrid: 1765. * ''Guzmán el Bueno''. Madrid: Antonio de Sancha, 1777. * ''Hormesinda''. Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cancionero General
The ''Cancionero general'' or ''Cancionero general de Hernando del Castillo'' is a lyric poetry anthology of the late Middle Ages or the early Renaissance. It is mostly devoted to the production in the kingdoms of Castile and León under Enrique IV and the Catholic Monarchs, Isabel de Castilla and Fernando de Aragon. Hernando del Castillo is responsible for the compilation which began around 1490 and was first printed in 1511 under the name of ''Cancionero general de muchos y diversos autores''. Structure The work is divided into nine parts according to their themes: * Devoción y moralidad * Obras de poetas diversos * Canciones * Invenciones y letras de justadores * Motes y sus glosas * Villancicos * Preguntas y respuestas * Obras menudas * Obras de burlas Editions The first edition of the Cancionero General was printed by Cristóbal Koffman in Valencia Valencia ( va, València) is the capital of the Autonomous communities of Spain, autonomous community of Valencian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
