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Quilapayún Chante Neruda
''Quilapayún Chante Neruda'' is a compilation music album released by Quilapayún in exile in France in 1983 in commemoration of the 10th Anniversary of the death of the Chilean poet and Nobel laureate Pablo Neruda – who died in September 1973. Background Pablo Neruda was not a musician but he was a major inspiration to artist in the music field all over Latin America, especially for artists of the '' Nueva Cancion Chilena'' (New Chilean Song) movement. Neruda wrote the liner notes for a number of recordings released by young folk Chilean artists under the DICAP label. Many compositions were directly inspired by the poetry of Neruda and popular protest songs were often musical arrangements for his poetical text. Neruda's epic work Canto General, from which several poems featured in this recording were taken from, has been a major source of text for compositions by folk, contemporary and classical composers. Content This album included a compilation of songs from 1975 to 198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canto General
''Canto General'' is Pablo Neruda's tenth book of poems. It was first published in Mexico in 1950, by ''Talleres Gráficos de la Nación''. Neruda began to compose it in 1938. "Canto General" ("General Song") consists of 15 sections, 231 poems, and more than 15,000 lines. This work attempts to be a history or encyclopedia of the entire American Western Hemisphere, or New World, from a Hispanic American perspective. The XV Cantos *First Canto. A Lamp on Earth. *Second Canto. The Heights of Macchu Picchu *Third Canto. The Conquistadors *Fourth Canto. The Liberators *Fifth Canto. The Sand Betrayed *Sixth Canto. America, I Do Not Invoke Your Name in Vain *Seventh Canto. Canto General of Chile *Eighth Canto. The Earth’s Name is Juan *Ninth Canto. Let the Woodcutter Awaken *Tenth Canto. The Fugitive *Eleventh Canto. The Flower of Punitaqui *Twelfth Canto. The Rivers of Song *Thirteenth Canto. New Year’s Chorale for the Country in Darkness *Fourteenth Canto. The Great Ocean *Fifte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quilapayún Albums
Quilapayún () are a folk music group from Chile and among the longest lasting and most influential ambassadors of the ''Nueva Canción Chilena'' movement and genre. Formed during the mid-1960s, the group became inseparable with the revolution that occurred in the popular music of the country under the Popular Unity Government of Salvador Allende. Since its formation and during its forty-year history both in Chile and during its lengthy period of exile in France the group has seen modifications to its personnel lineup and the subject and content of its work. Controversy regarding irreconcilable differences with the current and former group directors led to the division into two distinctive Quilapayún ensembles; one in Chile (Quilapayún-Histórico) and one in France (Quilapayún-France). History Quilapayún originated in 1965 when Julio Numhauser and the brothers Julio and Eduardo Carrasco formed a folk music trio, which they simply called "the three bearded men" (viz. ''Quila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willy Oddó
Willy or Willie is a masculine, male given name, often a diminutive form of William or Wilhelm, and occasionally a nickname. It may refer to: People Given name or nickname * Willie Aames (born 1960), American actor, television director, and screenwriter * Willie Allen (basketball) (born 1949), American basketball player and director of the Growing Power urban farming program * Willie Allen (racing driver) (born 1980), American racing driver * Willie Anderson (other) * Willie Apiata (born 1972), New Zealand Army soldier, only recipient of the Victoria Cross for New Zealand * Willie (footballer) (born 1993), Brazilian footballer Willie Hortencio Barbosa * Willy Böckl (1893–1975), Austrian world champion figure skater * Willy Bocklant (1941–1985), Belgian road racing cyclist * Willy Bogner, Sr. (1909–1977), German Nordic skier * Willy Bogner, Jr. (born 1942), German fashion designer and alpine skier * Willie Bosket (born 1962), American convicted murderer whose numerou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joaquín Murieta
Joaquin Murrieta Carrillo (sometimes spelled Murieta or Murietta) (1829 – July 25, 1853), also called the Robin Hood of the West or the Robin Hood of El Dorado, was a Mexican-American figure of disputed historicity. The novel '' The Life and Adventures of Joaquín Murieta: The Celebrated California Bandit'' (1854) by John Rollin Ridge ostensibly recounts his story. Legends subsequently arose about a notorious outlaw in California during the California Gold Rush of the 1850s, but evidence for a historical Murrieta is scarce. Contemporary documents record testimony in 1852 concerning a minor horse thief of that name. Newspapers reported'' banditos'' named Joaquin, who robbed and killed several people during the same time. A California Ranger named Harry Love was assigned to track down Murrieta and was said to have brought his head in for the bounty. The popular legend of Joaquin Murrieta was that he was a forty-niner, a gold miner and a ''vaquero ''from Sonora. Peace loving, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergio Ortega (composer)
Sergio Ortega Alvarado (February 2, 1938 – September 15, 2003) was a Chilean composer and pianist. Biography Ortega was born in Antofagasta, Chile. He studied composition with Roberto Falabella and with Gustavo Becerra-Schmidt in the National Conservatory at the University of Chile. After graduating, he worked in the Institute of Musical Extension and was a sound engineer for six years in the university's experimental theater, Teatro Antonio Varas. Ortega was a force for the leftist movement in Chile. Not only did he compose President Salvador Allende's electoral theme song, " Venceremos" (We shall triumph), he was also the author of the worldwide anthem of popular resistance, " ¡El pueblo unido, jamás será vencido!" (The people united will never be defeated!). He was also the composer of the anthems of the Partido Radical (Radical Party), the Juventudes Comunistas (Communist Youth), and the Brazilian Central Única dos Trabalhadores (United Workers' Central). He also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodolfo Parada
Rodolfo Parada Lillo is a Chilean musician, composer, engineer and anthropologist. Parada joined Quilapayún in 1968, which made the group into a sextet - the formation which recorded the “ Cantata Santa María de Iquique. Upon joining the group he became the major solo voice of the ensemble (e.g. in ''“Dicen que la patria es…”, “Por que los pobres no tienen”, “Plegaria a un labrador”, “Vamos mujer”''. A fan of the “chanson française” he decided to reduce his activity as a student leader while the group was at its popularity peak during the Salvador Allende Government. He first composed ''“Ausencia”'' for the group in their “Quilapayún 5” album with assistance from Eduardo Carrasco. Whilst in exile he composed the instrumental music pieces: ''“Susurro”'' and ''"El paso del ñandu"'', plus he also composed music for Pablo Neruda's poem ''"El arbol de los libres"'' and for Rafael Alberti's ''"La primavera"''. After exile his voice register u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
