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Queen Henrietta's Men
Queen Henrietta's Men was an important playing company or troupe of actors in Caroline era in London. At their peak of popularity, Queen Henrietta's Men were the second leading troupe of the day, after only the King's Men. Beginnings The company was formed in 1625, at the start of the reign of King Charles I, by theatrical impresario Christopher Beeston under royal patronage of the new queen, Henrietta Maria of France. They were sometimes called the Queen's Majesty's Comedians or other variations on their name. The company was founded after an eight-month closure of the London theatres due to bubonic plague (March to October, 1625). The Lady Elizabeth's Men, then called the Queen of Bohemia's Men, had been resident at Beeston's Cockpit Theatre up to the plague closing, and provided the foundation of the new organization. Success Theatre manager Beeston had had several different companies acting in his Cockpit Theatre since he started it in 1617; it was with Queen Henrietta's Men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playing Company
Play is a range of intrinsically motivated activities done for recreational pleasure and enjoyment. Play is commonly associated with children and juvenile-level activities, but may be engaged in at any life stage, and among other higher-functioning animals as well, most notably mammals and birds. Many prominent researchers in the field of psychology, including Melanie Klein, Jean Piaget, William James, Sigmund Freud, Carl Jung and Lev Vygotsky have erroneously viewed play as confined to the human species, believing play was important for human development and using different research methods to prove their theories. Play is often interpreted as frivolous; yet the player can be intently focused on their objective, particularly when play is structured and goal-oriented, as in a game. Accordingly, play can range from relaxed, free-spirited and spontaneous through frivolous to planned or even compulsive. Play is not just a pastime activity; it has the potential to serve as an impor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Perkins (17th-century Actor)
Richard Perkins (c. 1579/c. 1585–1650) was a prominent early seventeenth-century actor, most famous for his performance in the role of Barabas in Christopher Marlowe's ''The Jew of Malta''. At the peak of his career in the 1630s, many contemporaries judged Perkins to be the premier tragedian of his generation. Early life Nothing is known about the early life of Perkins, and the year of his birth has been estimated at 1579 or 1585. His professional career had begun by 1602, when he was a member of Worcester's Men; he remained with that company throughout its next incarnation as Queen Anne's Men, 1603–1619. With the death of Anne of Denmark in 1619, the troupe lost its name and patron, but continued in its theatre, and was known as the Red Bull company or the Revels company. After a relatively brief stint with the King's Men, 1623–1625, Perkins became a founding member of the new Queen Henrietta's Men in 1625. Perkins remained with that company until the theatres we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Allen (actor)
William Allen (died 1647) was a prominent English actor in the Caroline era. He belonged to both of the most important theatre companies of his generation, Queen Henrietta's Men and the King's Men. Allen was a member of the Queen Henrietta's company through the main phase of its existence, from 1625 to 1636. Six cast lists for five plays survive for the company; Allen is one of only two men (the other being Michael Bowyer) who is included in all six lists. Allen played major roles: * Captain Landby in Shirley's '' The Wedding'' * Pandolph in Davenport's ''King John and Matilda'' * Grimaldi the Renegado in Massinger's ''The Renegado'' * Hannibal in Nabbes's ''Hannibal and Scipio'' * Mullisheg in Heywood's ''The Fair Maid of the West'' (both parts). The Queen Henrietta's company was disrupted and fractured by the long theatre closure from May 1636 to October 1637, due to a severe outbreak of bubonic plague. Allen was one of several members of the troupe who disappear from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Player
Boy player refers to children who performed in Medieval and English Renaissance playing companies. Some boy players worked for the adult companies and performed the female roles as women did not perform on the English stage in this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys. Children's companies In the Elizabethan and Jacobean periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in Shakespeare's ''Hamlet'', in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii, 339); the term "eyas" means an unfledged hawk. The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages. (Similar boy choirs exist to this day.) Thus the choir attached to St. Paul's Cathedral in London since the 12th century was in the 16th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fair Maid Of The West
''The Fair Maid of the West, or a Girl Worth Gold, Parts 1 and 2'' is a work of English Renaissance drama, a two-part play written by Thomas Heywood that was first published in 1631. Date The dates of authorship of the two parts of ''The Fair Maid of the West'' are not known with certainty. ''Part 1'' involves historical events of 1596 and 1597, and refers to Queen Elizabeth I in terms suggesting she was still alive at the time of its authorship; scholars therefore date ''Part 1'' to the 1597–1603 period. Significant differences in tone between the two parts suggest that they were written separately, perhaps widely separately, in time: "What slight evidence there is...indicates that Heywood wrote Part II some twenty-five or thirty years after Part I." Publication The drama was entered into the Stationers' Register on 16 June 1631; later that year, both parts were published together, in a quarto by the bookseller Richard Royston. The volume may have been typeset in the shop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wedding (1629 Play)
''The Wedding'' is a Caroline era stage play, a comedy written by James Shirley. Published in 1629, it was the first of Shirley's plays to appear in print. An early comedy of manners, it is set in the fashionable world of genteel London society in Shirley's day. The play is thought to date from c. 1626. It was published in quarto in 1629, printed by Nicholas Okes for the bookseller John Grove. This first edition contained commendatory verses, including one by John Ford; the play was dedicated to William Gowre, Esq., a personal friend of the author. A second quarto was published in 1632; the title page of Q2 states that the play was "lately acted" by Queen Henrietta's Men at the Cockpit Theatre (also called the Phoenix) in Drury Lane. ''The Wedding'' was included among eight of Shirley's plays that were published in one volume in 1640. Another individual edition appeared in 1660, at the start of the Restoration era, published by William Leake. The scholar and critic Alfred Harbage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Tricks
''Love Tricks, or The School of Complement'' is a Caroline stage play by James Shirley, his earliest known work. Performance ''Love Tricks'' was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 10 February 1625; it was performed by the Lady Elizabeth's Men at the Cockpit Theatre (prior to the epidemic of bubonic plague that closed the London theatres for most of 1625). ''Love Tricks'' was revived during the Restoration era; it was performed by the Duke's Company at Lincoln's Inn Fields. Samuel Pepys saw it on 5 August 1667. Publication The play was published in 1631 under its subtitle, ''The School of Complement'', in a quarto printed by Elizabeth Allde for the bookseller Francis Constable. The volume was dedicated to William Tresham. Other editions followed in 1637 and 1667. (The third edition of 1667 coincided with the revival that year, a common practice in the period.) Derivativeness Critics have complained that drama in the Caroline era had be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Renegado
''The Renegado, or The Gentleman of Venice'' is a late Literature in English#Jacobean literature, Jacobean stage play, a tragicomedy written by Philip Massinger and first published in 1630 in literature, 1630. The play has attracted critical attention for its treatment of cultural conflict between Christian Europe and Muslim North Africa. Massinger based the plot of his play on a novel by Miguel de Cervantes titled ''Los Baños de Argel,'' which had been printed in 1615 in literature, 1615. Performance and publication ''The Renegado'' was licensed for performance by Sir Henry Herbert (Master of the Revels), Henry Herbert, the Master of the Revels, on 17 April 1624 in literature, 1624. It was acted at the Cockpit Theatre by the Lady Elizabeth's Men; when that troupe was merged or re-organized into Queen Henrietta's Men in the following year, 1625 in literature, 1625, the play remained in their repertory. The 1630 book size, quarto was printed by Augustine Matthews for the booksell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tragedy Of Chabot, Admiral Of France
''The Tragedy of Chabot, Admiral of France'' is an early seventeenth-century play, generally judged to be a work of George Chapman, later revised by James Shirley. The play is the last in Chapman's series of plays on contemporary French politics and history, which started with ''Bussy D'Ambois'' and continued through ''The Conspiracy and Tragedy of Charles, Duke of Byron'', and ''The Revenge of Bussy D'Ambois.'' As usual in Chapman's French histories, the characters and plot are based on actual historical personages and events – which in this case occurred in the early sixteenth century in the reign of Francis I of France, revolving around Philippe de Chabot. Date and source Scholars have disputed the date of authorship of Chapman's original version; it had to be later than 1611, when Chapman's primary historical source, Pasquier's ''Les Recherches de la France'', was published. Some scholars have dated the original play as late as 1622. Publication The play entered the docu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Chapman
George Chapman (Hitchin, Hertfordshire, – London, 12 May 1634) was an English dramatist, translator and poet. He was a classical scholar whose work shows the influence of Stoicism. Chapman has been speculated to be the Rival Poet of Shakespeare's sonnets by William Minto, and as an anticipator of the metaphysical poets of the 17th century. Chapman is best remembered for his translations of Homer's ''Iliad'' and ''Odyssey'', and the Homeric ''Batrachomyomachia''. Life and work Chapman was born at Hitchin in Hertfordshire. There is conjecture that he studied at Oxford but did not take a degree, though no reliable evidence affirms this. Very little is known about Chapman's early life, but Mark Eccles uncovered records that reveal much about Chapman's difficulties and expectations. In 1585 Chapman was approached in a friendly fashion by John Wolfall Sr., who offered to supply a bond of surety for a loan to furnish Chapman money "for his proper use in Attendance upon the the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Turner (actor)
Anthony Turner ( fl. 1622 – 1659) was a noted English actor in the Caroline era. For most of his career he worked with Queen Henrietta's Men, one of the leading theatre companies of the time. Nothing is known of Turner's early life or the start of his career; by 1622 he was already a leading player with the Lady Elizabeth's Men. In 1625, Christopher Beeston formed a new company under the patronage of the new queen, Henrietta Maria; some members of the Lady Elizabeth's troupe, including Turner, joined the organization. Turner was a consistent presence in the known casts of the Queen Henrietta's company; he played — * Justice Landby in Shirley's '' The Wedding'' * Old Lord Bruce in Davenport's ''King John and Matilda'' * Bashaw Alcade in Part 2 of Heywood's ''The Fair Maid of the West'' * Crates and two other minor parts in Nabbes's ''Hannibal and Scipio''. Turner tended to play older men, like Justice Landby and Old Lord Bruce; yet he also took the role of a kitc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Of Denmark
Anne of Denmark (; 12 December 1574 – 2 March 1619) was the wife of King James VI and I; as such, she was Queen of Scotland The monarchy of the United Kingdom, commonly referred to as the British monarchy, is the constitutional form of government by which a hereditary sovereign reigns as the head of state of the United Kingdom, the Crown Dependencies (the Bailiw ... from their marriage on 20 August 1589 and Queen of England and Ireland from the union of the Scottish and English crowns on 24 March 1603 until her death in 1619. The second daughter of King Frederick II of Denmark and Sophie of Mecklenburg-Güstrow, Anne married James at age 14. They had three children who survived infancy: Henry Frederick, Prince of Wales, who predeceased his parents; Elizabeth Stuart, Queen of Bohemia, Princess Elizabeth, who became Queen of Bohemia; and James's future successor, Charles I of England, Charles I. Anne demonstrated an independent streak and a willingness to use fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
