Quadraphonic
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Quadraphonic
Quadraphonic (or quadrophonic and sometimes quadrasonic) sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space. The system allows for the reproduction of sound signals that are (wholly or in part) independent of one another. Four channel quadraphonic surround sound can be used to recreate the highly realistic effect of a three-dimensional live concert hall experience in the home. It can also be used to enhance the listener experience beyond the directional limitations of ordinary two channel stereo sound. Quadraphonic audio was the earliest consumer product in surround sound. Since it was introduced to the public in the early 1970s many thousands of quadraphonic recordings have been made. Quadraphonic sound was a commercial failure when first introduced due to a variety of technical issues and format incompatibilities. Four channel audio formats can be more expensive to ...
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QS Regular Matrix
Quadraphonic Sound (originally called Quadphonic Synthesizer, and later referred to as RM or Regular Matrix) was a matrix 4-channel quadraphonic sound system for phonograph records. The system was based on technology created by Peter Scheiber, but further developed by engineer Ryosuke Ito of Sansui in the early 1970s. The technology was freely licensed and was adopted by many record labels including ABC, Advent, BluesWay, Candide, Command, Decca, Impulse, Longines, MCA, Passport, Pye, Turnabout and Vox. Hundreds of recordings using this format were released on vinyl LP records during the 1970s. RM (''Regular Matrix'') was often used a synonym for QS, but was actually a standard set by the Japanese governing body, which also embraced the QM (''Quadraphonic Matrix'', consisting of Stereo-4 and Dynaquad) and QX (''QuadXtra'', based on D.H. Cooper "Dual-Triphonic") matrix systems. The QS matrix has been found to offer the advantages of excellent diagonal separation and stereo c ...
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Compatible Discrete 4
Compatible Discrete 4, also known as Quadradisc or CD-4 (not to be confused with compact disc) was as a discrete four-channel quadraphonic system for phonograph records. The system was created by JVC and RCA in 1971 and introduced in May 1972. Hundreds of recordings using this technology were released on LP during the 1970s. Other major record companies who adopted this format include A&M, Arista, Atlantic, Capricorn, Elektra, Fantasy, Nonesuch, Reprise and Warner Bros. This was the only discrete quadraphonic phonograph record system to gain major industry acceptance. A competing system, UD-4, was later introduced by Denon (Nippon Columbia). In discrete quadraphonic systems, all four channels remain fully independent of each other throughout the entire recording and reproduction chain. There is no intermingling of channels as is done in matrix decoder 4-channel systems such as Stereo Quadraphonic (SQ) and QS Regular Matrix. Though CD-4 and other quadraphonic technologies w ...
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Stereo Quadraphonic
SQ Quadraphonic ("Stereo Quadraphonic") was a matrix 4-channel quadraphonic sound system for vinyl LP records. It was introduced by CBS Records (known in the United States and Canada as Columbia Records) in 1971. Many recordings using this technology were released on LP during the 1970s. Record companies who adopted this format include: Angel, CTI, Columbia (internationally called CBS Records), EMI, Epic, Eurodisc, Harvest, HMV, Seraphim, Supraphon and Vanguard. With matrix formats, the four sound channels (forward left, forward right, back left, back right) are converted (encoded) down to two channels (left, right). These are then passed through a two-channel transmission medium (usually an LP record) before being decoded back to four channels and presented to four speakers. The SQ encoding is based on the work by Peter Scheiber and further developed by Benjamin Bauer. His basic formula used 90 degree phase shift circuitry to enable enhanced 4-2-4 matrix systems to be devel ...
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Dynaquad
Dynaquad, or DY, was a matrix decoder 4-channel quadraphonic sound system developed by Dynaco in 1969. The system originally had four speakers that were arranged in a diamond shape (centre-front, centre-left, centre-rear, centre-right). Initially (first available in 1969 with th ''Dynaco SCA-80Q'' amplifier ), it was introduced as a derived (2:2:4) four channel "decoding" system based on the Hafler circuit, where the back channels played ambient sounds recovered from standard stereo sounds. As such it wasn't used initially used as an encoding method (a similar approach was used on the Electrovoice Stereo-4 system). Commercial usage A simpler form of Dynaquad was adopted, allowing an easy adaptation of existing home setups. The two forward speakers remain in their normal positions, with the user only needing to add two similarly positioned back speakers, forming a square (front-left, front-right, back-left, back-right). Four channel record pioneers Vanguard Records started to ...
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Surround Sound
Surround sound is a technique for enriching the fidelity and depth of sound reproduction by using multiple audio channels from speakers that surround the listener ( surround channels). Its first application was in movie theaters. Prior to surround sound, theater sound systems commonly had three ''screen channels'' of sound that played from three loudspeakers (left, center, and right) located in front of the audience. Surround sound adds one or more channels from loudspeakers to the side or behind the listener that are able to create the sensation of sound coming from any horizontal direction (at ground level) around the listener. The technique enhances the perception of sound spatialization by exploiting sound localization: a listener's ability to identify the location or origin of a detected sound in direction and distance. This is achieved by using multiple discrete audio channels routed to an array of loudspeakers. Surround sound typically has a listener location ( sweet sp ...
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Stereo-4
Stereo-4, also known as EV (from Electro-Voice) or EV-4, was a matrix 4-channel quadraphonic sound system developed in 1970 by Leonard Feldman and Jon Fixler. The system was heavily promoted by RadioShack stores in the United States, and some record companies released LP albums encoded in this format. It was the first commercial quadraphonic sound system for LP records. Development The original EV system was compatible with the Dynaquad DY system, and is related to Sansui's QS Regular Matrix system. The EV and QS records are very close to each other—it would take an expert to tell them apart by ear. EV decoders were sometimes used to produce pseudo 4-channel effects from 2-channel stereo recordings. In 1973 Electro-Voice signed an agreement with Columbia/CBS Records to build a new ''universal'' decoder that could decode both SQ and EV records with good results. It could even decode QS records—again, with good results. EV later suggested the same coefficients for an encode ...
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Stereo
Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeaker A loudspeaker (commonly referred to as a speaker or speaker driver) is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A ''speaker system'', also often simply referred to as a "speaker" or " ...s (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect, the term ''stereophonic'' also applies to systems with more than two channels or speakers such as quadraphonic and surround sound. Binaural recording, Binaural sound systems are also ''stereophonic''. Stereo sound has been in common use since the 1970s in entertainment media such ...
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Peter Scheiber
Peter Scheiber is a classically trained musician and audio engineer. He is considered to be the originator of multichannel ''matrix'' audio formats, a mathematical formula used to convert four audio channels into two and back again. Scheiber is also the inventor of the 360-degree spatial decoder. Like Lou Dorren, Scheiber was an early pioneer of multi-channel sound. In matrix quadraphonic systems four channels are converted (encoded) down to two channels. These two matrixed channels are recorded onto tape or vinyl record. Reproduction occurs via a two-channel stereo transmission medium - in most cases a vinyl record - these are decoded back to four channels and reproduced via four loudspeakers. Musician Scheiber an Oberlin College music graduate obtained a full scholarship to study with the first-chair players of the Boston Symphony at Tanglewood. He was 22 years of age when he got to study with Chicago Symphony's first bassoonist. He also played first-chair in the Chicago Cha ...
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LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ...
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Vanguard Records
Vanguard Recording Society is an American record label set up in 1950 by brothers Maynard and Seymour Solomon in New York City. It was a primarily classical label at its peak in the 1950s and 1960s, but also has a catalogue of recordings by a number of pivotal jazz, folk, and blues musicians. The Bach Guild was a subsidiary label. The label was acquired by Concord Bicycle Music in April 2015. History The newly founded venture's first record was of J.S. Bach's 21st cantata, ''Ich hatte viel Bekümmernis'', BWV 21 ("I had much grief"), with Jonathan Sternberg conducting the tenor Hugues Cuénod and other soloists, chorus and orchestra. "What speaks for the Solomons' steadfastness in their taste and their task", wrote a ''Billboard'' journalist in November 1966, "is that this record is still alive in the catalogue (SC-501). As Seymour says, it was a good performance, not easy to top. Of the whole Vanguard/Bach Guild catalogue, numbering about 480 issues, 30 are Bach records..." ...
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Jim Fosgate
James M. Fosgate (born December 5, 1937 in Indianapolis, Indiana) was an American inventor, engineer and businessman. The self-taught son of a television and radio repairman, Fosgate invented the first car amplifier in 1973 and founded Fosgate Electronics, now called Rockford Fosgate. Since his departure from Rockford Fosgate in 1981, Fosgate has remained active in the audio world, running Fosgate Laboratories and leading the team that created Dolby Pro Logic II. Fosgate was also the developer of one of the finest quadraphonic decoders, the TATE II 101A (see Stereo Quadraphonic for details), in collaboration with Peter Scheiber and Martin Willcocks, which was superseded by his 3601 decoder. Audio career Collaborating with four channel matrix pioneer Peter Scheiber early on gave Fosgate's company the edge to become one of the leaders in the Dolby Surround market. In 2003 Fosgate received an Emmy Award for the development of surround sound for television.''Stereophile ''Stereop ...
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Dolby Digital
Dolby Digital, originally synonymous with Dolby AC-3, is the name for what has now become a family of audio compression technologies developed by Dolby Laboratories. Formerly named Dolby Stereo Digital until 1995, the audio compression is lossy (except for Dolby TrueHD), based on the modified discrete cosine transform (MDCT) algorithm. The first use of Dolby Digital was to provide digital sound in cinemas from 35 mm film prints; today, it is also used for applications such as TV broadcast, radio broadcast via satellite, digital video streaming, DVDs, Blu-ray discs and game consoles. The main basis of the Dolby AC-3 multi-channel audio coding standard is the modified discrete cosine transform (MDCT), a lossy audio compression algorithm. It is a modification of the discrete cosine transform (DCT) algorithm, which was first proposed by Nasir Ahmed in 1972 and was originally intended for image compression. The DCT was adapted into the modified discrete cosine transform (MD ...
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