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Qareen
A Qareen ( ar, قرين ''qarīn, Urdu:'' ہمزاد literally meaning: 'constant companion') is a spiritual double of human, either part of the human himself or a complementary creature in a parallel dimension.Kelly Bulkeley, Kate Adams, Patricia M. Davis ''Dreaming in Christianity and Islam: Culture, Conflict, and Creativity'' Rutgers University Press 2009 page 144 Due to its ghostly nature, the Qareen is classified among the Jinn-type creatures, although usually not actually a Jinni.Veena Das, Clara Han ''Living and Dying in the Contemporary World: A Compendium'' Univ of California Press 2015 page 145 The Qareen as an accompanying spirit should not be confused with the '' Qarinah'', a female "childbed demon" in Middle Eastern traditions. Qareen in Islam Qareen are mentioned by name in the following Quran verses: Sūrat az-Zukhruf: "And whosoever turns away from remembering and mentioning the Most Beneficent, we appoint for him a Satan to be a ''Qareen '' to him." Sūrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmuta
In Mandaeism, a dmuta ( myz, ࡃࡌࡅࡕࡀ, lit=image) or dmut is a spiritual counterpart or "mirror image" in the World of Light. People, spirits, and places are often considered to have both earthly and heavenly counterparts (''dmuta'') that can dynamically interact with each other. A few examples include: *The heavenly Adam kasia corresponding to the earthly Adam pagria *The heavenly Piriawis (or "Great Jordan") corresponding to earthly ''yardnas'' (rivers) *Abatur Rama ("Lofty Abatur") corresponding to Abatur Muzania ("Abatur of the Scales") A dmuta dwells in the Mshunia Kushta, a section of the World of Light. Merging of the soul A successful masiqta merges the incarnate soul ( myz, ࡍࡉࡔࡉࡌࡕࡀ ) and spirit ( myz, ࡓࡅࡄࡀ ) from the Earth (Tibil) into a new merged entity in the World of Light called the ''ʿuṣṭuna''. The ''ʿuṣṭuna'' can then reunite with its heavenly, non-incarnate counterpart (or spiritual image), the ''dmuta'', in the World of L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaitan
' (; ''devils'' or ''demons''), singular: (شَيْطَان) are evil spirits in Islam, inciting humans (and jinn) to sin by "whispering" (وَسْوَسَة, “waswasah”) to their qalb, hearts (قَلْب ''qalb''). Folklore suggests that they are grotesque creatures created from Jahannam, hell-fire.el-Zein, Amira (2009). Islam, Arabs, and Intelligent World of the Jinn. Syracuse, NY: Syracuse University Press. ISBN 978-0-8156-5070-6. The Quran speaks of various ways that shayāṭīn tempt humans into sin. They may teach sorcery, assault heaven to steal the news of the angels, or lurk near humans without being seen. Related to the shayāṭīn is Iblis (Satan), who is generally considered to be their leader. Hadith, Hadith-literature holds shayāṭīn responsible for various calamities which may affect personal life. Both hadith and folklore usually speak about shayāṭīn in abstract terms, describing their evil influence only. During Ramadan, the shayāṭīn are chained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jinn
Jinn ( ar, , ') – also Romanization of Arabic, romanized as djinn or Anglicization, anglicized as genies (with the broader meaning of spirit or demon, depending on sources) – are Invisibility, invisible creatures in early Arabian mythology, pre-Islamic Arabian Religious system, religious systems and later in Islamic mythology and Islamic theology, theology. Like humans, they are accountable for their deeds, can be either believers (''Muslim'') or unbelievers (''kafir''); depending on whether they accept God's guidance. Since jinn are neither innately evil nor innately good, Islam acknowledged spirits from other religions and was able to adapt spirits from other religions during its expansion. Jinn are not a strictly Islamic concept; they may represent several Religion in pre-Islamic Arabia, pagan beliefs integrated into Islam. To assert a strict monotheism and the Islamic concept of ''Tauhid'', Islam denies all affinities between the jinn and God, thus placing the jinn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guardian Angel
A guardian angel is a type of angel that is assigned to protect and guide a particular person, group or nation. Belief in tutelary beings can be traced throughout all antiquity. The idea of angels that guard over people played a major role in Ancient Judaism. In Christianity, the hierarchy of angels was extensively developed in the 5th century by Pseudo-Dionysius the Areopagite. The theology of angels and tutelary spirits has undergone many changes since the 5th century. The belief is that guardian angels serve to protect whichever person God assigns them to. The idea of a guardian angel is central to the 15th-century book ''The Book of the Sacred Magic of Abramelin the Mage'' by Abraham of Worms, a German Cabalist. In 1897, this book was translated into English by Samuel Liddell MacGregor Mathers (1854–1918), a co-founder of the Hermetic Order of the Golden Dawn, who styled the guardian angel as the Holy Guardian Angel. Aleister Crowley (1875–1947), the founder of the eso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Familiar Spirit
In European folklore of the medieval and early modern periods, familiars (sometimes referred to as familiar spirits) were believed to be supernatural entities that would assist witches and cunning folk in their practice of magic. According to records of the time, those alleging to have had contact with familiar spirits reported that they could manifest as numerous forms, usually as an animal, but sometimes as a human or humanoid figure, and were described as "clearly defined, three-dimensional... forms, vivid with colour and animated with movement and sound", as opposed to descriptions of ghosts with their "smoky, undefined form . When they served witches, they were often thought to be malevolent, but when working for cunning folk they were often considered benevolent (although there was some ambiguity in both cases). The former were often categorized as demons, while the latter were more commonly thought of and described as fairies. The main purpose of familiars was to serve th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genius (mythology)
In Roman religion, the genius (; plural ''geniī'') is the individual instance of a general divine nature that is present in every individual person, place, or thing. Much like a guardian angel, the genius would follow each man from the hour of his birth until the day he died. For women, it was the Juno spirit that would accompany each of them. Nature Each individual place had a genius ('' genius loci'') and so did powerful objects, such as volcanoes. The concept extended to some specifics: the genius of the theatre, of vineyards, and of festivals, which made performances successful, grapes grow, and celebrations succeed, respectively. It was extremely important in the Roman mind to propitiate the appropriate genii for the major undertakings and events of their lives. Thus man, following the dictates of his heart, venerated something higher and more divine than he could find in his own limited individuality, and brought to "this great unknown of himself" offerings as a god; th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doppelgänger
A doppelgänger (), a compound noun formed by combining the two nouns (double) and (walker or goer) (), doppelgaenger or doppelganger is a biologically unrelated look-alike, or a double, of a living person. In fiction and mythology, a doppelgänger is often portrayed as a ghostly or paranormal phenomenon and usually seen as a harbinger of bad luck. Other traditions and stories equate a doppelgänger with an evil twin. In modern times, the term twin stranger is occasionally used. Spelling The word ''doppelganger'' is a loanword from the German. The singular and plural forms are the same in German, but English writers usually prefer the plural "doppelgangers". The first known use, in the slightly different form ''Doppeltgänger'', occurs in the novel ''Siebenkäs'' (1796) by Jean Paul, in which he explains his newly coined word in a footnote; the word also appears in the novel, but with a different meaning. In German, the word is written (as is usual with German nouns) with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etiäinen
In Finnish folklore, all places and things, and also human beings, have a haltija (a genius, guardian spirit) of their own. One such haltija is called etiäinen—an image, doppelgänger, or just an impression that goes ahead of a person, doing things the person in question later does. For example, people waiting at home might hear the door close or even see a shadow or a silhouette, only to realize that no one has yet arrived. Etiäinen can also refer to some kind of a feeling that something is going to happen. Sometimes it could, for example, warn of a bad year coming.''Suomalaisten runojen uskonto'', Kaarle Krohn. p.165. In modern Finnish, the term has detached from its shamanistic origins and refers to premonition. Unlike clairvoyance, divination, and similar practices, etiäiset (plural) are spontaneous and can't be induced. Quite the opposite, they may be unwanted and cause anxiety, like ghosts. Etiäiset need not be too dramatic and may concern everyday events, although o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shadow (psychology)
In analytical psychology, the shadow (also known as ego-dystonic complex, repressed id, shadow aspect, or shadow archetype) is an unconscious aspect of the personality that does not correspond with the ego ideal, leading the ego to resist and project the shadow. In short, the shadow is the self's emotional blind spot, projected (as archetypes—''or'', metaphoral sense-image complexes, personified within the collective unconscious); e.g., trickster. Overview The shadow is conceptually the blind spot of the psyche; the repression of one's id, while maladaptive, prevents shadow integration. While they are regarded as differing on their theories of the function of repression of id in civilization, Freud and Jung coalesced at Platonism, wherein id rejects the '' nomos''. Persona is contradistinct to shadow. Jung regarded the shadow as unconscious—id and biography—suppressed under the superego's ego-ideal. The shadow is projected onto one's social environment as cogn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bicameral Mentality
Bicameral mentality is a hypothesis in psychology and neuroscience which argues that the human mind once operated in a state in which cognitive functions were divided between one part of the brain which appears to be "speaking", and a second part which listens and obeys—a ''bicameral mind'', and that the evolutionary breakdown of this division gave rise to consciousness in humans. The term was coined by Julian Jaynes, who presented the idea in his 1976 book ''The Origin of Consciousness in the Breakdown of the Bicameral Mind'', wherein he made the case that a bicameral mentality was the normal and ubiquitous state of the human mind as recently as 3,000 years ago, near the end of the Mediterranean bronze age. ''The Origin of Consciousness'' Jaynes uses "bicameral" (two chambers) to describe a mental state in which the experiences and memories of the right hemisphere of the brain are transmitted to the left hemisphere via auditory hallucinations. The metaphor is based on the id ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winged Genie
Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture. Winged genies are usually bearded male figures sporting birds' wings. The Genii are a reappearing trait in ancient Assyrian art, and are displayed most prominently in palaces or places of royalty. The two most notable places where the genies existed were Ashurnasirpal II’s palace Kalhu and Sargon II’s palace Dur-Sharrukin. Variations of style They appear in the reliefs of the walls and throughout the temples and palaces in a wide variety of ways. There are three common stylistic tendencies in reliefs with genii. First there are bearded, winged figures wearing a horned helmet. Next there are bearded, winged figures wearing a diadem instead of helmet. Finally there are winged, muscular, male figures with bird heads. They are usually adorned with rosettes on their diadem and/or wrists. Most often they are wearing a short sleeved, knee-length tunic with a tasseled hem. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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