Queen At Wembley
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Queen At Wembley
''Queen Live at Wembley'' ''Stadium'', also referred to as ''Queen Live At Wembley'', ''Queen At Wembley'', ''Queen Live At Wembley '86'', ''Live At Wembley'' and ''Live At Wembley '86'', is a recording of a concert at the original Wembley Stadium, London, England on Saturday 12 July 1986 during Queen's '' Magic Tour'' and transmitted and released in various audio and video forms (including the Queen: Live at Wembley Stadium DVD). Transmission and release history The recorded concert was first seen as a ‘ The Tube Special’ on TV. This was transmitted in mono (as was normal before NICAM stereo became standard on UK TV in the early 1990s). However, it was simultaneously broadcast over the radio in stereo so that viewers had the option to mute their televisions, play the audio on a nearby radio and enjoy “the world’s first ever stereo simulcast” in a similar way that previous live (as opposed to, in this case, pre-recorded) classical performances had sometimes been offer ...
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Gavin Taylor
Gavin Taylor (c. 1942 – 12 June 2013) was a British film and television director. He was known for directing the broadcasts of major concerts and other televised events. Taylor's credits included '' The Tube'' television series, '' U2 Live at Red Rocks: Under a Blood Red Sky'' in 1983, and ''Queen at Wembley'' in 1986. Taylor lived at Darras Hall in Northumberland. He had two children and three grandchildren. Taylor worked for Tyne Tees Television (now called ITV Tyne Tees) from 1960 until 1996. He left Tyne Tees in 1996 in order to film The Royal Concert, a performance by Michael Jackson for the Royal Family of Brunei held in July 1996 in Bandar Seri Begawan. He had been offered the Jackson concert job by contacts he had made while directing '' The Tube'' during the 1980s. Taylor died from a short illness at St Oswald's Hospice in Gosforth, Newcastle Newcastle usually refers to: *Newcastle upon Tyne, a city and metropolitan borough in Tyne and Wear, England *Newcastle-unde ...
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A Kind Of Magic (song)
"A Kind of Magic" is the title track of the 1986 album of the same name by the British rock band Queen. It was written by the band's drummer, Roger Taylor, for the film '' Highlander'' and featured as the ending theme. The single reached number three in the UK Singles Chart, top ten in a number of European countries, and #42 on the US ''Billboard'' Hot 100. The song is the opening track on the band's compilation albums, '' Greatest Hits II'', and ''Classic Queen''. Recording ''Highlander'' The phrase "a kind of magic" is used in ''Highlander'' by Connor MacLeod (Christopher Lambert) as a description of his immortality. Roger Taylor liked the phrase so much that he used it as inspiration for the song. There are references to the film in the lyrics: "one prize, one goal"; "no mortal man"; and "there can be only one". The single's cover art features an image of Clancy Brown in character as the film's villain, The Kurgan. Composition Taylor wrote the song, which originally appea ...
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Bohemian Rhapsody
"Bohemian Rhapsody" is a song by the British rock band Queen, released as the lead single from their fourth album, '' A Night at the Opera'' (1975). Written by lead singer Freddie Mercury, the song is a six-minute suite, notable for its lack of a refraining chorus and consisting of several sections: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. It is one of the few progressive rock songs of the 1970s to achieve widespread commercial success and appeal to a mainstream audience. Mercury referred to "Bohemian Rhapsody" as a "mock opera" that resulted from the combination of three songs he had written. It was recorded by Queen and co-producer Roy Thomas Baker at five studios between August and September 1975. Due to recording logistics of the era, the band had to bounce the tracks across eight generations of 24-track tape, meaning that they required nearly 200 tracks for overdubs. The song parodies elements of opera with bombastic choruse ...
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Gimme Some Lovin'
"Gimme Some Lovin" is a song first recorded by the Spencer Davis Group. Released as a single in 1966, it reached the Top 10 of the record charts in several countries. Later, ''Rolling Stone'' included the song on its list of the 500 Greatest Songs. Other artists have also recorded versions of the song; group singer Steve Winwood later recorded it live with Traffic and a rendition by the Blues Brothers reached number 18 on the main US singles chart. Background As recalled by bassist Muff Winwood, the song was conceived, arranged, and rehearsed in just half an hour. At the time, the group was under pressure to come up with another hit, following the relatively poor showing of their previous single, "When I Come Home", written by Jamaican-born musician Jackie Edwards, who had also penned their earlier number one hits, "Keep On Running" and "Somebody Help Me". The band auditioned and rejected other songs Edwards offered them, and they let the matter slide until, with a recording s ...
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Tutti Frutti (song)
Tutti Frutti is a song written by Little Richard and Dorothy LaBostrie, recorded in 1955, which was his first major hit. With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!" (a verbal rendition of a drum pattern that Little Richard had imagined),White, Charles (2003), pp. 49–51 ''The Life and Times of Little Richard: The Authorised Biography.'' Omnibus Press. and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also for rock and roll itself. The song introduced several of rock music's most characteristic musical features, including its loud volume, powerful vocal style, and distinctive beat and rhythm. In 2007, an eclectic panel of renowned recording artists ranked "Tutti Frutti" at No. 1 on ''Mojos "The Top 100 Records That Changed The World" and hailed the recording as "the sound of the birth of rock and roll". In 2010, the U.S. Library of Congress National Recording Registry added t ...
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Hello Mary Lou
"Hello Mary Lou" is a song written by American singer Gene Pitney first recorded by Johnny Duncan in 1960 and in the following year by Ricky Nelson. The song was recorded by Ricky Nelson at the famous United Western Recorders Studios on 22nd March, 1961. Nelson's version, issued as a double A-side with his No. 1 hit "Travelin' Man", (Imperial 5741), reached No. 9 on the ''Billboard'' music charts on May 28, 1961. In the United Kingdom it reached No. 2. It was also a hit in much of Europe, particularly Norway, where it spent 14 weeks at No. 1 and in Sweden, where it spent five months in the best selling chart (July-December) and peaked at #2 during eight weeks. In New Zealand, the song reached No. 4. A 1991 reissue following the song's use in a TV advert gave the song a second chart run, peaking at No. 45 in the UK Singles Chart. The song features an influential guitar solo by James Burton, often cited by later guitarists such as Brian May. Piano is by Ray Johnson, who had succ ...
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(You're So Square) Baby I Don't Care
"(You're So Square) Baby I Don't Care" is a 1957 song recorded by Elvis Presley and performed in the MGM film '' Jailhouse Rock''. It was written by Jerry Leiber and Mike Stoller for the film. Presley plays electric bass on the song. Background Elvis Presley's version, one of the few songs in which he plays the electric bass, was recorded on May 3, with the vocal track added on May 9, 1957, and released on his '' Jailhouse Rock'' EP. It reached number fourteen on the R&B charts. It later become a minor pop standard, with notable versions being performed by Buddy Holly, who included the song on his eponymous second album, and his version made the British singles chart in 1961, reaching no. 12. A 1983 re-release of the Elvis Presley version reached no. 61 on the UK singles chart. The song's narrator addresses the object of their affection, and points out all the ways that the addressee is square, how they are out of touch with modern trends in music and romance. Then the narrator ...
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Is This The World We Created?
"Is This the World We Created...?" is a song by the British rock band Queen, which was originally released on their eleventh studio album '' The Works'' in 1984. The song was played at every Queen concert from 1984 to 1986. It was part of the finale at Live Aid in 1985. The song is the shortest but one of the most famous songs on ''The Works''. Overview "Is This the World We Created...?" was written in Munich after lead singer Freddie Mercury and guitarist Brian May watched the news of poverty in Africa; Mercury wrote most of the lyrics and May wrote the chords and made small lyrical contributions. The song was recorded with an Ovation, but, in live performances, May played drummer Roger Taylor's Gibson Chet Atkins CE nylon-stringed guitar. A piano was tracked at the recording sessions for this song, but ultimately not included in the final mix. Originally, a Mercury composition, "There Must Be More to Life Than This" (which was around since the ''Hot Space'' sessions and fina ...
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Love Of My Life (Queen Song)
"Love of My Life" is a song by the British rock band Queen from their 1975 album '' A Night at the Opera''. The song is a sentimental ballad, notably featuring a harp played by Brian May. After Queen performed the song in South America in 1981, the version from their live album ''Live Killers'' reached number 1 in the singles chart in Argentina and Brazil, and stayed in the charts in both countries for an entire year.“Queen: The Ultimate Illustrated History of the Crown Kings of Rock”
p.164. Voyageur Press. Retrieved 12 July 2011
Mercury wrote it on the and



Now I'm Here
"Now I'm Here" is a song by the British rock band Queen. Written by lead guitarist Brian May, it was the sixth song on their third album, ''Sheer Heart Attack'' (1974). The song is noted for its hard riff and vocal harmonies. In the UK, the song reached #11 on the charts when released as a single in 1975. The song was a live favourite, performed at virtually every concert from late 1974 to 1986. Details The song draws on May's fond experiences of the band's US tour earlier in 1974. Mott the Hoople, whom Queen was supporting, are referenced in the line: ''Down in the city, just Hoople and me''. It also appeared on the 1981 compilation album ''Greatest Hits'' and the 1997 compilation album ''Queen Rocks''. In March 2005, ''Q'' magazine placed "Now I'm Here" at number 33 in its list of the 100 Greatest Guitar Tracks. Live performances "Now I'm Here" was a fixture of Queen's set lists, being performed on every concert tour from 1974 until the band's final tour in 1986. It ...
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Impromptu
An impromptu (, , loosely meaning "offhand") is a free-form musical composition with the character of an ''ex tempore'' improvisation as if prompted by the spirit of the moment, usually for a solo instrument, such as piano. According to ''Allgemeine musikalische Zeitung'', Johann Baptist Cramer began publishing piano pieces under the (sub-)title of "impromptu." (AMZ, Mar. No II, 1815, col. 6), which seems to be the first recorded use of the term ''impromptu'' in this sense. Form usage Since the very concept of unpremeditated, spur-of-the-moment inspiration without studied care is at the heart of Romantic artistic theory, it did not take long before the first generation of Romantic composers took up the idea. Others were: * Frédéric Chopin composed 4 '' Impromptus'', including the famous Fantaisie-Impromptu. * Jan Václav Voříšek was the first one to compose impromptus published under that title, in 1822. * Franz Schubert published two sets of four '' Impromptus'' for piano ...
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I Want To Break Free
"I Want to Break Free" is a song by the British rock band Queen, written by their bassist John Deacon. It appears on the album '' The Works'' (1984), and was released in three versions: album, single and extended. The track became a staple of the bands during their 1984-85 The Works Tour and their 1986 Magic Tour. The song is largely known for its music video for which all the band members dressed in drag, a concept proposed by drummer Roger Taylor, which parodied the long-running ITV soap opera ''Coronation Street''. The second part of the video included a composition rehearsed and performed with the Royal Ballet and choreographed by Wayne Eagling. Whereas the parody was acclaimed in the United Kingdom, where cross-dressing is a popular trope in British comedy, it caused controversy in the United States. After its release in 1984, the song was well received in Europe and South America and is regarded as an anthem of the fight against oppression. The single reached only numb ...
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