Quai D'Orsay (bande Dessinée)
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Quai D'Orsay (bande Dessinée)
The Quai d'Orsay ( , ) is a quay in the 7th arrondissement of Paris. It is part of the left bank of the Seine opposite the Place de la Concorde. It becomes the Quai Anatole-France east of the Palais Bourbon, and the Quai Branly west of the Pont de l'Alma. The seat of the Ministry of Foreign Affairs (the ''Hôtel du ministre des Affaires étrangères'') is located on the Quai d'Orsay, between the Esplanade des Invalides and the National Assembly at the Palais Bourbon; thus the ministry is often called the "Quai d'Orsay" in the press by metonymy. The building housing the Ministry of Foreign Affairs was built between 1844 and 1855 by Jacques Lacornée. The statues of the facade were created by the sculptor Henri de Triqueti (1870). The 1919 Treaty of Versailles was negotiated and written at the Ministry of Foreign Affairs. History The Quai d'Orsay has historically played an important role in French art as a location to which many artists came to paint along the banks of the river ...
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Façade Palais Bourbon 2
A façade () (also written facade) is generally the front part or exterior of a building. It is a loan word from the French (), which means 'frontage' or ' face'. In architecture, the façade of a building is often the most important aspect from a design standpoint, as it sets the tone for the rest of the building. From the engineering perspective, the façade is also of great importance due to its impact on energy efficiency. For historical façades, many local zoning regulations or other laws greatly restrict or even forbid their alteration. Etymology The word is a loanword from the French , which in turn comes from the Italian , from meaning 'face', ultimately from post-classical Latin . The earliest usage recorded by the '' Oxford English Dictionary'' is 1656. Façades added to earlier buildings It was quite common in the Georgian period for existing houses in English towns to be given a fashionable new façade. For example, in the city of Bath, The Bunch of Grapes ...
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National Assembly (France)
The National Assembly (french: link=no, italics=set, Assemblée nationale; ) is the lower house of the bicameral French Parliament under the Fifth Republic, the upper house being the Senate (). The National Assembly's legislators are known as (), meaning "delegate" or "envoy" in English; etymologically, it is a cognate of the English word ''deputy'', which is the standard term for legislators in many parliamentary systems). There are 577 , each elected by a single-member constituency (at least one per department) through a two-round system; thus, 289 seats are required for a majority. The president of the National Assembly, Yaël Braun-Pivet, presides over the body. The officeholder is usually a member of the largest party represented, assisted by vice presidents from across the represented political spectrum. The National Assembly's term is five years; however, the President of France may dissolve the Assembly, thereby calling for new elections, unless it has been dissolv ...
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Essonne
Essonne () is a department of France in the southern Île-de-France region. It is named after the river Essonne. In 2019, it had a population of 1,301,659 across 194 communes.Populations légales 2019: 91 Essonne
INSEE
Essonne was formed on 1 January 1968 when was split into smaller departments. Its prefecture is . Its
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Orsay
Orsay () is a Communes of France, commune in the Essonne Departments of France, department in Île-de-France in northern France. It is located in the southwestern suburbs of Paris, France, from the Kilometre Zero, centre of Paris. A fortified location of the Vallée de Chevreuse, Chevreuse valley since the 8th century and agricultural domain of wealthy and influential people, the development of Orsay is marked by the introduction of a Rail transport, railroad in the second half of the 18th century (today the RER B of which two stations are located in Orsay) and donations which allow the construction of a hospital still active to this day. Orsay is the main home to the Paris-Saclay University. The university significantly shapes Orsay's economy as it employs about 10,000 academic workers. The city's economy is also centered on high technology, with several companies drawn to the area by the Paris-Saclay's research and development infrastructure. Seat of the Orsay campus of Pa ...
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American Church In Paris
The American Church in Paris (formerly the American Chapel in Paris) was the first American church established outside the United States. It traces its roots back to 1814, and the present church building - located at 65 Quai d'Orsay in the 7th arrondissement of Paris, France - dates to 1931. History In 1814, American Protestants started worshiping together in homes around Paris and at the Oratoire du Louvre temple. The first American sanctuary was built in 1857, on rue de Berri. The American Church in Paris was then, as now, an independent interdenominational fellowship, for all those adhering to the historic Christian tradition as expressed in the Apostles' Creed. It served both the American expat community, and a wide variety of other English-speaking people from different countries and denominational backgrounds. Today The American Church, or ACP, continues to minister to many Anglophone Protestants in Paris, with multicultural programming, and a congregation coming from ...
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Eugène Galien-Laloue
Eugène Galien-Laloue (December 11, 1854 – 1941) was a French artist. He was a populariser of street scenes, usually painted in autumn or winter. Biography He was born in Paris of French-Italian parents. His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris, la Belle Époque, with horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th-century art, but for the actual history, which they document. His work can be seen at the Musée des Beaux-Arts, Louvier; Musée des Beaux-Arts, La Rochelle; Mulhouse, France. A typical Galien-Laloue painting depicts sidewalks and avenues crowded with people or tourists mingling before the capital's monuments. He also painted the landscapes of Normandy and Seine-et-Marne, as well as military scenes he was commissioned to produce in 1914. The Republic of France selected Galien-Laloue to work as a 'war artist, ...
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View From The Quai D'Orsay
''View from the Quai d'Orsay'' is a mid-19th century painting by the Dutch artist Johan Barthold Jongkind Johan Barthold Jongkind (3 June 1819 – 9 February 1891) was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of Impressionism. Biography Jongkind was born in the town of Lattro .... Executed in oils on canvas, the painting is currently in the collection of the Metropolitan Museum of Art. Description The painting depicts the Quai d'Orsay on the left bank of the River Seine. In line with some of his earlier works, Jongkind rendered the Seine to be a place of industrial activity; as such, cranes, barges, rowboats, and pack animals occupy a prominent role in the painting. Further down the river, large Parisian structures can be seen, while a lightly clouded sky hangs above the river. References {{Met-stub 1854 paintings Paintings in the Metropolitan Museum of Art Dutch paintings Maritime painting ...
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Johan Jongkind
Johan Barthold Jongkind (3 June 1819 – 9 February 1891) was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of Impressionism. Biography Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague under Andreas Schelfhout, in 1846 he moved to Montparnasse in Paris, France where he studied under Eugène Isabey and François-Édouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Émile Zola. He was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860.Oxford Art Online: "Johan Barthold Jongkind" Back in Paris, in 1861 he rented a studio on the rue de Chevreuse in Montparnasse where some of ...
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French Art
French art consists of the visual and plastic arts (including French architecture, woodwork, textiles, and ceramics) originating from the geographical area of France. Modern France was the main centre for the European art of the Upper Paleolithic, then left many megalithic monuments, and in the Iron Age many of the most impressive finds of early Celtic art. The Gallo-Roman period left a distinctive provincial style of sculpture, and the region around the modern Franco-German border led the empire in the mass production of finely decorated Ancient Roman pottery, which was exported to Italy and elsewhere on a large scale. With Merovingian art the story of French styles as a distinct and influential element in the wider development of the art of Christian Europe begins. France can fairly be said to have been a leader in the development of Romanesque art and Gothic art, before the Renaissance led to Italy becoming the main source of stylistic developments until France matched Ital ...
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Treaty Of Versailles (1919)
The Treaty of Versailles (french: Traité de Versailles; german: Versailler Vertrag, ) was the most important of the peace treaties of World War I. It ended the state of war between Germany and the Allied Powers. It was signed on 28 June 1919 in the Palace of Versailles, exactly five years after the assassination of Archduke Franz Ferdinand, which led to the war. The other Central Powers on the German side signed separate treaties. Although the armistice of 11 November 1918 ended the actual fighting, it took six months of Allied negotiations at the Paris Peace Conference to conclude the peace treaty. The treaty was registered by the Secretariat of the League of Nations on 21 October 1919. Of the many provisions in the treaty, one of the most important and controversial was: "The Allied and Associated Governments affirm and Germany accepts the responsibility of Germany and her allies for causing all the loss and damage to which the Allied and Associated Governments and thei ...
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Henri De Triqueti
Baron Henri Joseph François de Triqueti (24 October 1803 – 11 May 1874), also spelt Henry de Triqueti, was a French sculptor and artist. Early life and education Henri Joseph François de Triqueti was born in the Château du Perthuis in Conflans-sur-Loing, the son of Piedmontese industrialist and diplomat Baron Michel de Triqueti, a native of Annecy. In 1788, Michel Triquet was made a baron by King Victor Amadeus III of Sardinia and the name changed to Triqueti. Career Triqueti´s career started around 1830, when he turned to sculpture, and away from painting, which had been his chief preoccupation up to this point. Triqueti progressively assumed the position of one of the July Monarchy’s official sculptors, obtained the patronage of King Louis-Philippe. The bronze doors of the church of La Madeleine in Paris (1834–41), and the tomb effigy of Ferdinand-Philippe d’Orléans (1842) are the key works of the first period of his career, the "French" phase (1831–48). Wit ...
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Metonymy
Metonymy () is a figure of speech in which a concept is referred to by the name of something closely associated with that thing or concept. Etymology The words ''metonymy'' and ''metonym'' come from grc, μετωνυμία, 'a change of name', from , 'after, post, beyond' and , , a suffix that names figures of speech, from , or , 'name'. Background Metonymy and related figures of speech are common in everyday speech and writing. Synecdoche and metalepsis are considered specific types of metonymy. Polysemy, the capacity for a word or phrase to have multiple meanings, sometimes results from relations of metonymy. Both metonymy and metaphor involve the substitution of one term for another. In metaphor, this substitution is based on some specific analogy between two things, whereas in metonymy the substitution is based on some understood association or contiguity. American literary theorist Kenneth Burke considers metonymy as one of four "master tropes": metaphor, metonymy, ...
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