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Qatsi Trilogy
alt=logo, thumb The ''Qatsi'' trilogy is the informal name given to a series of non-narrative films produced by Godfrey Reggio and scored by Philip Glass: * '' Koyaanisqatsi: Life Out of Balance'' (1982) * '' Powaqqatsi: Life in Transformation'' (1988) * '' Naqoyqatsi: Life as War'' (2002) The titles of all three motion pictures are words from the Hopi language, in which the word ''qatsi'' translates to "life." The series was produced by the Institute For Regional Education, who also created the Fund For Change. Legacy Many of director Godfrey Reggio's other motion-pictures use cinematic techniques and stylistic elements he first explored in the ''Qatsi'' trilogy. The cinematic films of ''Koyaanisqatsi'' cinematographer Ron Fricke—''Chronos'' (1985), ''Baraka'' (1992), and '' Samsara'' (2011)—are also made in a similar style. See also * ''Man with a Movie Camera'' (1929), a Soviet Ukrainian Ukrainian may refer to: * Something of, from, or related to Ukraine * Somethin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qatsi
alt=logo, thumb The ''Qatsi'' trilogy is the informal name given to a series of non-narrative films produced by Godfrey Reggio and scored by Philip Glass: * '' Koyaanisqatsi: Life Out of Balance'' (1982) * '' Powaqqatsi: Life in Transformation'' (1988) * '' Naqoyqatsi: Life as War'' (2002) The titles of all three motion pictures are words from the Hopi language, in which the word ''qatsi'' translates to "life." The series was produced by the Institute For Regional Education, who also created the Fund For Change. Legacy Many of director Godfrey Reggio's other motion-pictures use cinematic techniques and stylistic elements he first explored in the ''Qatsi'' trilogy. The cinematic films of ''Koyaanisqatsi'' cinematographer Ron Fricke—''Chronos'' (1985), ''Baraka'' (1992), and '' Samsara'' (2011)—are also made in a similar style. See also * ''Man with a Movie Camera'' (1929), a Soviet Ukrainian Ukrainian may refer to: * Something of, from, or related to Ukraine * Somethin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chronos (film)
''Chronos'' ( ) is a 1985 abstract film directed by Ron Fricke, created with custom-built time-lapse cameras. Originally released in IMAX theaters, it is now available on DVD, Blu-ray and HD DVD. Synopsis ''Chronos'' is 42 minutes long and has no actors or dialogue. The soundtrack consists of a single continuous piece by composer Michael Stearns. Filmed in dozens of locations on five continents, the film relates to the concept of time passing on different scales—the bulk of the film covers the history of civilization, from pre-history to Egypt to Rome to Late Antiquity to the rise of Western Europe in the Middle Ages to the Renaissance to the modern era. It centers on European themes but not exclusively. Other time scales include the passing of seasons, and the passing of night and day, and the passing shadows of the sun in an afternoon to the passing of people on the street. These themes are intermingled with symbolic meaning. Background ''Chronos'' shares its particular styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde And Experimental Film Series
The avant-garde (; In 'advance guard' or 'vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the or the '' |
Ukrainian SSR
The Ukrainian Soviet Socialist Republic ( uk, Украї́нська Радя́нська Соціалісти́чна Респу́бліка, ; russian: Украи́нская Сове́тская Социалисти́ческая Респу́блика, group=note), abbreviated as the Ukrainian SSR, UkrSSR, or UkSSR, and also known as Soviet Ukraine, was one of the constituent republics of the Soviet Union from 1922 until 1991. In the anthem of the Ukrainian SSR, it was referred to simply as ''Ukraine''. Under the Soviet one-party model, the Ukrainian SSR was governed by the Communist Party of the Soviet Union through its republican branch: the Communist Party of Ukraine. The first iterations of the Ukrainian SSR were established during the Russian Revolution, particularly after the Bolshevik Revolution. The outbreak of the Ukrainian–Soviet War in the former Russian Empire saw the Bolsheviks defeat the independent Ukrainian People's Republic, after which they fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soviet Union
The Soviet Union,. officially the Union of Soviet Socialist Republics. (USSR),. was a transcontinental country that spanned much of Eurasia from 1922 to 1991. A flagship communist state, it was nominally a federal union of fifteen national republics; in practice, both its government and its economy were highly centralized until its final years. It was a one-party state governed by the Communist Party of the Soviet Union, with the city of Moscow serving as its capital as well as that of its largest and most populous republic: the Russian SFSR. Other major cities included Leningrad (Russian SFSR), Kiev (Ukrainian SSR), Minsk ( Byelorussian SSR), Tashkent (Uzbek SSR), Alma-Ata (Kazakh SSR), and Novosibirsk (Russian SFSR). It was the largest country in the world, covering over and spanning eleven time zones. The country's roots lay in the October Revolution of 1917, when the Bolsheviks, under the leadership of Vladimir Lenin, overthrew the Russian Provisional Government ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man With A Movie Camera
''Man with a Movie Camera'' (russian: Человек с киноаппаратом, translit=Chelovek s kinoapparatom) is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman, and edited by Vertov's wife Yelizaveta Svilova. Kaufman also appears as the eponymous Man of the film. Vertov's feature film, produced by the film studio All-Ukrainian Photo Cinema Administration (VUFKU), presents urban life in Moscow, Kyiv and Odesa during the late-1920s.facsimile It has no actors. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have "characters", they are the cameramen of the title, the film editor, and the modern Soviet Union they discover and present in the film. ''Man with a Movie Camera'' is famous for the range of cinematic techniques Vertov invented, employed or developed, such as multiple exposure, fast motion, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samsara (2011 Film)
''Samsara'' is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson, who also collaborated on ''Baraka'' (1992), a film of a similar vein, and ''Chronos'' (1985). Completed over a period of five years in 25 countries around the world, it was shot in 70 mm format and output to digital format. The film premiered at the 2011 Toronto International Film Festival and received a limited release in August 2012. Synopsis The official website describes, "Expanding on the themes they developed in ''Baraka'' (1992) and ''Chronos'' (1985), ''Samsara'' explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity's spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation." Production ''Samsara'' is directed by Ron Fricke and produced by Mark Magidson. The pair had collabo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baraka (film)
''Baraka'' is a 1992 American non-narrative documentary film directed by Ron Fricke. The film is often compared to ''Koyaanisqatsi'', the first of the '' Qatsi'' films by Godfrey Reggio for which Fricke served as cinematographer. It was photographed in the 70 mm Todd-AO format, and is the first film ever to be restored and scanned at 8K resolution. Content ''Baraka'' is a documentary film with no narrative or voice-over. It explores themes via a compilation of natural events, life, human activities and technological phenomena shot in 24 countries on six continents over a 14-month period. The film is named after the Islamic concept of baraka, meaning blessing, essence or breath. The film is Ron Fricke's follow-up to Godfrey Reggio's similar non-verbal documentary film ''Koyaanisqatsi''. Fricke was cinematographer and collaborator on Reggio's film, and for ''Baraka'' he struck out on his own to polish and expand the photographic techniques used on ''Koyaanisqatsi''. Shot in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Fricke
Ron Fricke (born February 24, 1953) is an American film director and cinematographer, specializing in time-lapse photography and large format cinematography. He was the director of photography for ''Koyaanisqatsi'' (1982) and directed the purely cinematic non-verbal non-narrative feature ''Baraka'' (1992). He designed and used his own 65 mm camera equipment for ''Baraka'' and his later projects. He also directed the IMAX films ''Chronos'' (1985) and ''Sacred Site'' (1986). He also worked as cinematographer for parts of the film '' Star Wars: Episode III – Revenge of the Sith'' (he was hired to shoot the eruption of Mount Etna in Sicily for use in scenes of the volcanic planet Mustafar). The sequel to ''Baraka'', '' Samsara'', premiered at the Toronto International Film Festival in September 2011, and had its U.S. premiere on August 24, 2012. Fricke writes about his work: Filmography As director *''Chronos'' (1985) *''Sacred Site'' (1986) *''Baraka'' (1992) *'' Samsara'' (20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-narrative Film
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment. Narrative film is the dominant aesthetic, though non-narrative film is not fully distinct from that aesthetic. While the non-narrative film avoids "certain traits" of the narrative film, it "still retains a number of narrative characteristics". Narrative film also occasionally uses "visual materials that are not representational". Although many abstract films are clearly devoid of narrative elements, distinction between a narrative film and a non-narrative film can be rather vague and is often open for interpretation. Unconventional imagery, concepts and structuring can obscure the narrativity of a film. Terms such as ''absolute film'', ''cinéma pur'', ''true cinema'' and ''integral cinema'' have been used for non-narrative films that aimed to create a purer experience o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hopi
The Hopi are a Native American ethnic group who primarily live on the Hopi Reservation in northeastern Arizona, United States. As of the 2010 census, there are 19,338 Hopi in the country. The Hopi Tribe is a sovereign nation within the United States and has government-to-government relations with the United States federal government. Particular villages retain autonomy under the Hopi Constitution and Bylaws. The Hopi language is one of 30 in the Uto-Aztecan language family. The majority of Hopi people are enrolled in the Hopi Tribe of Arizona but some are enrolled in the Colorado River Indian Tribes. The Hopi Reservation covers a land area of . The Hopi encountered Spaniards in the 16th century, and are historically referred to as Pueblo people, because they lived in villages (''pueblos'' in the Spanish language). The Hopi are thought to be descended from the Ancestral Puebloans ( Hopi: ''Hisatsinom''), who constructed large apartment-house complexes and had an advanced cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life As War
''Naqoyqatsi'', also known as ''Naqoyqatsi: Life as War'', is a 2002 American non-narrative film directed by Godfrey Reggio and edited by Jon Kane, with music composed by Philip Glass. It is the third and final installment in the Qatsi trilogy. is a Hopi word (written as in Hopi orthography) meaning "life as war". In the film's closing credits, Naqoyqatsi is also translated as "civilized violence" and "a life of killing each other". Synopsis According to Reggio, the film has no screenplay per se, but three movements (like those of a symphony) with different themes:Rotten Tomatoes website Reviews and long article on Naqoyqatsi, with input and quotations from Godfrey Reggio and Philip Glass # Numerica.com: Language and place gives way to numerical code and virtual reality. # Circus maximus: Competition, winning, recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
