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Push Pull (Jimmy Lyons Album)
''Push Pull'' is a three-LP live album by Jimmy Lyons. It was recorded on May 6, 1978, at the Collective for Living Cinema in New York City, and was released by Hat Hut Records in 1979. The album was reissued as a double-CD package in 2016 by Corbett vs. Dempsey. On the album, Lyons is joined by bassoonist Karen Borca, cellist Munner Bernard Fennell, bassist Hayes Burnett, and drummer Roger Blank. Reception In a review for ''Jazzwise'', Mike Hobart wrote: "The under-recorded Lyons remains best known for being the fiery sideman with a human touch who graced Cecil Taylor's early recordings. Here his passion, commitment and rich fruity tone are undiminished on a set of melodic, launching-point themes... Lyons' melodic flare, helter-skelter fluency and bursts of phonics standout, while Roger Blank of Sun Ra, Andrew Hill and Albert Ayler fame, is an energetic and sensitive drummer. But with bassoon adding the occasional classical veneer, and bowed cello and double bass a spiritual cry, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Lyons
Jimmy Lyons (December 1, 1931 – May 19, 1986) was an American alto saxophone player. He is best known for his long tenure in the Cecil Taylor Unit. Lyons was the only constant member of the band from the mid-1960s until his death. Taylor never worked with another musician as frequently as he did with Lyons. Lyons' playing, influenced by Charlie Parker, kept Taylor's avant-garde music tethered to the jazz tradition.Kelsey, ChrisJimmy Lyons''AllMusic'' Biography Lyons was born in Jersey City, New Jersey, United States, and raised there until the age of nine, when his mother moved the family to Harlem and then the Bronx. He obtained his first saxophone in the mid-1940s and took lessons from Buster Bailey. After high school, Lyons was drafted into the United States Army and spent 21 months on infantry duty in Korea. He then spent a year playing in army bands. Once discharged he attended New York University. By the end of the 1950s, Lyons was supporting his interest in music by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collective For Living Cinema
The Collective for Living Cinema was an outpost of avant-garde cinema located on White Street in Lower Manhattan in the United States of America. It regularly presented work by filmmakers such as Ken Jacobs, Nick Zedd, Johan van der Keuken, Yvonne Rainer, Christine Vachon, Dziga Vertov, and many others who created films that were outside of the commercial mainstream in the United States. It also published a number of scholarly journals on film. Many of the founders studied film at Binghamton University together, where they developed a particular interest in the avant-garde. Formation In 1973 a group of film students from the Binghamton University Cinema Department looking to create a contemporary and fertile context for their work found The Collective for Living Cinema, an artist-run cooperative that would serve both as an exhibition venue and a center for production and discourse. Above the first program note was a miniature manifesto stating their intention to “overcome th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hat Hut Records
Hathut Records is a Swiss record company and label founded by Werner Xavier Uehlinger in 1974 that specializes in jazz and classical music. The name of the label comes from the artwork of Klaus Baumgartner. Hathut encompasses the labels hat ART, hatOLOGY, and hat NOIR. The label's first releases were by Joe McPhee. Its roster includes Ray Anderson, Anthony Braxton, Lisle Ellis, Georg Graewe, Gerry Hemingway, Franz Koglmann, Steve Lacy, Joelle Leandre, Myra Melford, Paul Plimley, Max Roach, Horace Tapscott, Cecil Taylor, Mike Westbrook, John Zorn, Vienna Art Orchestra, David Murray, Luzia von Wyl, Archie Shepp, Jimmy Lyons, Tony Coe, Michel Portal, and Sun Ra, The label progressed through a range of series featuring distinct packaging styles, from the initial runs of initial 12 inch LP's with alphabetical and numerical catalog numbers with sleeve drawings and paintings by Klaus Baumgärtner, to elaborately packaged boxes with inserts and postcards, and then black and white phot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Other Afternoons
''Other Afternoons'' is an album by American jazz saxophonist Jimmy Lyons, recorded in 1969 and released in 1970 on the BYG label as part of their Actuel series. His first recording as leader, it features Lyons on alto saxophone along with trumpeter Lester Bowie, bassist Alan Silva, and drummer Andrew Cyrille. (Lyons had played with Silva and Cyrille in Cecil Taylor's band.) The album was recorded as part of a marathon week-long BYG session which also produced albums by artists such as Archie Shepp (''Yasmina, a Black Woman'', ''Poem for Malcolm'', and ''Blasé''), the Art Ensemble Of Chicago (''Message to Our Folks'' and ''Reese and the Smooth Ones''), Grachan Moncur III ('' New Africa''), Alan Silva (''Luna Surface''), Dave Burrell (''Echo''), Andrew Cyrille (''What About?''), and Sunny Murray (''Homage to Africa'' and ''Sunshine''). Reception In his AllMusic review, Eugene Chadbourne awarded the album 4.5 stars, stating "this album stands out as containing much superior playi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riffs (Jimmy Lyons Album)
''Riffs'' is a live album by American saxophonist Jimmy Lyons. It was recorded on September 13–14, 1980 at Le Dreher, a jazz club in Paris, and was released in 1982 on the hat MUSICS label. The album features Lyons on alto saxophone, Karen Borca on bassoon, Jay Oliver on bass, and Paul Murphy on drums. Reception In a review for AllMusic, Scott Yanow wrote: "For one of his very infrequent recordings outside of the realm of Cecil Taylor, altoist Jimmy Lyons teams up with the talented jazz bassoonist Karen Borca, bassist Jay Oliver and drummer Paul Murphy for lengthy and rather adventurous versions of 'Theme' and 'Riffs #1/II' plus the brief 'Riffs #1/I' which serves as a prelude to the longer 'Riffs.' It is always intriguing to hear Lyons stretching out without a piano and this set helped make listeners aware of Borca's brilliant playing on the rarely utilized bassoon." Track listing All compositions by Jimmy Lyons. # "Theme" – 21:00 # "Riffs #1/I" – 3:35 # "Riffs #1/II" †... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hat Hut Records
Hathut Records is a Swiss record company and label founded by Werner Xavier Uehlinger in 1974 that specializes in jazz and classical music. The name of the label comes from the artwork of Klaus Baumgartner. Hathut encompasses the labels hat ART, hatOLOGY, and hat NOIR. The label's first releases were by Joe McPhee. Its roster includes Ray Anderson, Anthony Braxton, Lisle Ellis, Georg Graewe, Gerry Hemingway, Franz Koglmann, Steve Lacy, Joelle Leandre, Myra Melford, Paul Plimley, Max Roach, Horace Tapscott, Cecil Taylor, Mike Westbrook, John Zorn, Vienna Art Orchestra, David Murray, Luzia von Wyl, Archie Shepp, Jimmy Lyons, Tony Coe, Michel Portal, and Sun Ra, The label progressed through a range of series featuring distinct packaging styles, from the initial runs of initial 12 inch LP's with alphabetical and numerical catalog numbers with sleeve drawings and paintings by Klaus Baumgärtner, to elaborately packaged boxes with inserts and postcards, and then black and white ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karen Borca
Karen Borca (born September 5, 1948 in Green Bay, Wisconsin) is an American avant-garde jazz and free jazz bassoonist. Early life and education Borca studied music at the University of Wisconsin with John Barrows and Arthur Weisberg, graduating in 1971. While at the University of Wisconsin, she met Cecil Taylor, who taught at the university during the 1970/1971 academic year. Borca studied with Taylor, played in his big bands, ensembles, and the Cecil Taylor Unit, and was his assistant while he worked in the Black Music Program at Antioch College in Yellow Springs, Ohio. She was an assistant to Taylor's longtime collaborator, saxophonist Jimmy Lyons, while he was artist-in-residence at Bennington College in Bennington, Vermont in 1974. Borca and Lyons got married, and she played in his ensemble until he died in 1986. Career In 1976, Borca performed in a production of Adrienne Kennedy's '' A Rat's'' ''Mass'' directed by Cecil Taylor at La MaMa Experimental Theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Blank
Roger Blank (born December 19, 1938, New York City) is an American jazz drummer. Blank's grandfather played saxophone and his father William Blank was a trumpeter who had performed with Cootie Williams. Blank worked with Hank Mobley in Harlem for several years and studied under Charlie Persip. He worked with Sun Ra starting in 1964 and recorded several times with him. He worked extensively on the New York jazz scene in the 1960s and 1970s; he played with and was influenced by Ornette Coleman, and helped found a group called the Melodic Art-Tet in 1971 which was devoted to playing in Coleman's harmolodic style. This group also included Charles Brackeen, Ahmed Abdullah, William Parker, and Ronnie Boykins. Other associations included work with Bill Barron, Don Cherry, John Coltrane, Dennis Charles, Walt Dickerson, Kenny Dorham, Frank Foster, Charles Greenlee, John Hicks, Ken McIntyre, Pharoah Sanders, Archie Shepp, and Charles Tolliver. Blank appeared on the piece "Hambone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazzwise
''Jazzwise'', launched in 1997, is the UK jazz monthly magazine. ''Jazzwise'' has a broad sub-genre coverage, from jazz, improv, hard bop, and jazz-rock to bebop and classic jazz, and also covers jazz crossover, including jazz-funk, jazz hip-hop and jazz-electronica. It features news coverage, a national gig guide, gossip column, a jazz-on-film page, opinion column, in-depth features and a review section covering new CD releases, reissues, vinyl, DVDs, books and live reviews. Breaking news stories also feature on the ''Jazzwise'' magazine website. ''Jazzwise'' also mentors new jazz writers through its ongoing intern scheme and the Write Stuff workshops held each November during the London Jazz Festival. The ''Jazzwise'' app features the full edition of the magazine and was the first jazz magazine app in the iTunes Newsstand. 100 Best Jazz Albums of All Time The September 2009 issue of ''Jazzwise'' was titled "The 100 Jazz Albums That Shook the World", conceived by Jon Newey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull – On The Web
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a job ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Reader
The ''Chicago Reader'', or ''Reader'' (stylized as ЯEADER), is an American alternative weekly newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. It was founded by a group of friends from Carleton College. The ''Reader'' is recognized as a pioneer among alternative weeklies for both its creative nonfiction and its commercial scheme. Richard Karpel, then-executive director of the Association of Alternative Newsweeklies, wrote: e most significant historical event in the creation of the modern alt-weekly occurred in Chicago in 1971, when the ''Chicago Reader'' pioneered the practice of free circulation, a cornerstone of today's alternative papers. The ''Reader'' also developed a new kind of journalism, ignoring the news and focusing on everyday life and ordinary people. After being owned by same four founders since 1971, by the early 2000s profits and readership of the ''Reader'' were dropping, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
