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Puriya
Puriya is a major hexatonic raga of Hindustani classical music Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, si .... Note emphasis: Ni, Ga, (Ma is an important pivot note.) Pakad or Chalan Ni Ni Ni Ma, Ni Dha Ni re Sa Ma, (Ni) D (Sa) Ni (re) Sa () = grace note Ni re Ga Ni re Ga, Ga re Sa Ni re Ma Ma Ga Ma Dha Ni, Ma Dha, Ga Ma G Details Sources Hindustani ragas {{India-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marva (that)
Marva (Hebrew: מרווה) is a two-month Israel Defense Forces basic training program for young Jews from the Diaspora which offers an opportunity to experience the IDF and Israeli life. The program is based at Sde Boker. History Marva, originally affiliated with Gadna, which is now part of the Israeli Education and Youth Corps, is open to young adults aged 18-25 fluent in English or Hebrew. The majority of participants are 18-20. Every week, the program focuses on a different aspect of Israeli army life. Participants travel around the country visiting IDF bases and experiencing the life of a soldier while learning about the army itself. The program costs US$1650 and is non-refundable. Medical coverage does not apply to out weekends, which are every two weeks. Should a participant need time off during the course a letter must be written to the commanding officer in Hebrew. Also all orders are given in Hebrew, however due to it being understood that the course participants are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hexatonic
In music and music theory, a hexatonic scale is a scale with six pitches or notes per octave. Famous examples include the whole-tone scale, C D E F G A C; the augmented scale, C D E G A B C; the Prometheus scale, C D E F A B C; and the blues scale, C E F G G B C. A hexatonic scale can also be formed by stacking perfect fifths. This results in a diatonic scale with one note removed (for example, A C D E F G). Whole-tone scale The whole-tone scale is a series of whole tones. It has two non-enharmonically equivalent positions: C D E F G A C and D E F G A B D. It is primarily associated with the French impressionist composer Claude Debussy, who used it in such pieces of his as ''Voiles'' and ''Le vent dans la plaine'', both from his first book of piano '' Préludes''. This whole-tone scale has appeared occasionally and sporadically in jazz at least since Bix Beiderbecke's impressionistic piano piece ''In a Mist''. Bop pianist Thelonious Monk often interpolated whole-tone scale flo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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