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Pure Dixieland (album)
''Pure Dixieland'' is a mostly instrumental album of traditional New Orleans classics, from an ensemble of New Orleans jazz masters, including a young Harry Connick Jr at the age of eleven. The album was originally released in 1979, titled ''Pure Dixieland''. It was re-released in November 1992 as ''Eleven''. Track listing #"" (, |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Mares
Paul Mares (June 15, 1900 – August 18, 1949), was an American early dixieland jazz cornet and trumpet player, and leader of the New Orleans Rhythm Kings. Mares established himself as a respected bandleader over a group of wild and strong-willed musicians, as The New Orleans Rhythm Kings (N.O.R.K.) became one of the best-regarded bands in Chicago in the early 1920s. In January 1935 Mares played trumpet on, and fronted, a recording session with a band called "Paul Mares and his Friars Society Orchestra" - a name that referred to the Friar's Inn club where the N.O.R.K. had first played in Chicago. The 1935 band included the white New Orleanian and N.O.R.K. veteran Santo Pecora on trombone, the black New Orleanian Omar Simeon on clarinet, and the Chicagoan altoist Boyce Brown, as well as George Wettling on drums, Jess Stacy Jesse Alexandria Stacy (August 11, 1904 – January 1, 1995) was an American jazz pianist who gained prominence during the swing era. He is perha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Arodin
Sidney Arnandan or Arnondrin or Arnondin, better known as Sidney Arodin (March 29, 1901, Westwego, Louisiana - February 6, 1948, New Orleans) was an American jazz clarinetist and songwriter, best known for co-writing the pop standard " Lazy River" with Hoagy Carmichael. Arodin began playing clarinet at age 15 and played at local New Orleans gatherings and on riverboats. He made his way to New York City and played with Johnny Stein's New Orleans Jazz Band from 1922. He played with Jimmy Durante in the middle of the decade, then returned to Louisiana to play with Wingy Manone and Sharkey Bonano. In the 1930s he worked with Louis Prima and with a reconstituted version of the New Orleans Rhythm Kings which also featured Manone. After 1941, Arodin's poor health prevented him from playing frequently live, but before this time he recorded with Johnnie Miller, Albert Brunies, Monk Hazel, and the Jones-Collins Astoria Hot Eight. The oft-repeated claim that many of his performances are m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoagy Carmichael
Hoagland Howard Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as television, electronic microphones, and sound recordings. Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing the music for " Stardust", "Georgia on My Mind" (lyrics by Stuart Gorrell), "The Nearness of You", and " Heart and Soul" (in collaboration with lyricist Frank Loesser), four of the most-recorded American songs of all time. He also collaborated with lyricist Johnny Mercer on " Lazybones" and "Skylark". Carmichael's "Ole Buttermilk Sky" was an Academy Award nominee in 1946, from ''Canyon Passage'', in which he co-starred as a musician riding a mule. " In the Cool, Cool, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(Up A) Lazy River
"(Up A) Lazy River" is a popular tune and song by Hoagy Carmichael and Sidney Arodin, published in 1930. The melody is by Arodin, arranged and with words modified by Carmichael. It is considered a jazz standard and pop standard, and has been recorded by many artists as listed below. Recorded versions *Acker Bilk *Adam Faith (1963) *Art Mooney and his orchestra (vocal: Cathy Ryan and The Clover Leafs) ( 1952) *Benny Goodman and his orchestra (vocal: Helen Forrest) (1941) *Betty Johnson ( 1950) *Bing Crosby & Louis Armstrong for their 1960 album ''Bing & Satchmo''. *Bob Wills and his Texas Playboys (1947) *Bobby Darin (1961) #14 hit on the Hot 100 *Brenda Lee ( 1962) * Casa Loma Orchestra (1938) *Chet Atkins *Cliff Richard on his album Bold As Brass *Chris Barber *Sidney Bechet * Mina *Crystal Gayle (1999) * Dick Todd *Eddy Howard *Gene Vincent (1956) *Georgie Fame and Annie Ross (1981) *Glenn Miller and his orchestra * Hank Thompson (1972) * Harry Connick Jr. (1988) *Harry J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kid Ory
Edward "Kid" Ory (December 25, 1886 – January 23, 1973) was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz. He was born near LaPlace, Louisiana and moved to New Orleans on his 21st birthday, to Los Angeles in 1910 and to Chicago in 1925. The Ory band later was an important force in reviving interest in New Orleans jazz, making radio broadcasts on ''The Orson Welles Almanac'' program in 1944, among other shows. In 1944–45, the group made a series of recordings for the Crescent label, which was founded by Nesuhi Ertegun for the express purpose of recording Ory's band. Ory retired from music in 1966 and spent his last years in Hawaii. Biography Ory was born in 1886 to a Louisiana French-speaking family of Black Creole descent, on Woodland Plantation in Laplace, now the site of 1811 Kid Ory Historic House. Ory started playing music with homemade ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Gilbert
Ray Gilbert (September 5, 1912 – March 3, 1976) was an American lyricist. He grew up in Hartford, Connecticut. Career Gilbert is best remembered for the lyrics to the Oscar-winning song "Zip-a-Dee-Doo-Dah" from the film ''Song of the South'', which he wrote with Allie Wrubel in 1947. He also wrote American English lyrics for the songs in ''The Three Caballeros'' featuring Donald Duck. He also wrote the English lyrics of the Andy Williams' 1965 hit, " ...and Roses and Roses", and "Lost in Your Love" with Sidney Miller, to music by Bert Jay. Gilbert also wrote the English lyrics for a number of songs composed by Antonio Carlos Jobim, including "Dindi," ""Amor em Paz" ("Once I Loved"), and "Inútil Paisagem" ("Useless Landscape"/"If You Never Come to Me"). He married actress Janis Paige Janis Paige (born Donna Mae Tjaden; September 16, 1922) is an American retired actress and singer. Born in Tacoma, Washington, she began singing in local amateur shows at the age of five. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muskrat Ramble
"Muskrat Ramble" is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group's most frequently recorded piece. It was paired on the flip side with another one of Armstrong's hits, "Heebie Jeebies." It was a prominent part of the Dixieland revival repertoire in the 1930s and 1940s, and was recorded by Bob Crosby, Roy Eldridge, Lionel Hampton, Woody Herman, Muggsy Spanier, Chet Atkins, Lu Watters, the Andrews Sisters, Harry James, and Al Hirt, among others. It is considered a part of the jazz standard repertoire. Without Ory's consent, lyrics were written for the instrumental tune in 1950 by Ray Gilbert. After Gilbert protested that he was entitled to share credit with Ory, the American Society of Composers, Authors and Publishers awarded him one-third credit on all performances of "Muskrat Ramble", vocal and instrumental. History Kid Ory said that he originally composed the tune "Muskra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe "King" Oliver
Joseph Nathan "King" Oliver (December 19, 1881 – April 8/10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of Mute (music), mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today." Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville, Louisiana, Donaldsonville in Ascension Parish, Louisiana, Ascension Parish to Nathan Oliver and Virginia "Jinnie" Jones. He claimed 1881 as his year of birth in his draft registration in September 1918 (two months before the end of World War I) but that year is open to debate, with some census records and other sources suggesting 1884 or 1885 as his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doctor Jazz
"Doctor Jazz" is a popular tune and song written by Joe "King" Oliver in 1926. Publisher Walter Melrose got his name on it as co-composer, as was often his practice. It enjoyed its initial popularity in the 1920s. It continues to be played by Dixieland jazz groups. It has been performed by many notable acts, such as Jelly Roll Morton, Chris Barber, Harry Connick Jr. and Dutch Swing College Band. ''Doctor Jazz,'' as a record made by Jelly Roll Morton and his Red Hot Peppers in 1926, is a prime example of early New Orleans jazz counterpoint and collective improvisation. The number of special features, pre-written stop-time breaks and improvised solo passages in this record yield a tapestry of musical contrasts. Jazz was producing significant accomplishments in its other aspects, such as the development of the soloist, but the specifically New Orleans jazz style of collective counterpoint playing would reach its apotheosis here and in a few other 1926-7 Morton recordings. The Bonzo D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolverine Blues (song)
"Wolverine Blues" is an early jazz standard by Jelly Roll Morton with lyrics by the brothers Benjamin Franklin "Reb" Spikes and John Curry Spikes. He recorded it in Richmond, Indiana on 18 July 1923 along with "Kansas City Stomp" and "Grandpa's Spells "Grandpa's Spells" is an early jazz song by Jelly Roll Morton. He recorded it for Gennett Records, Richmond, Indiana (the Star Piano factory) on 18 July 1923 along with "Kansas City Stomp" and "Wolverine Blues". It was released in 1924. The song w ...". References 1923 songs Jelly Roll Morton songs Songs written by Jelly Roll Morton {{1920s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
