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Punk Rock (band)
Punk rock (also known as simply punk) is a music genre that emerged in the mid-1970s. Rooted in 1960s garage rock, punk bands rejected the perceived excesses of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often shouted political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels. The term "punk rock" was previously used by American rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York have also been cited as key influences. When the movement now bearing the name developed from 1974 to 1976, pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Rotten
John Joseph Lydon (; born 31 January 1956), also known by his former stage name Johnny Rotten, is an English singer and songwriter. He was the lead singer of the late-1970s punk band the Sex Pistols, which lasted from 1975 until 1978, and again for various revivals during the 1990s and 2000s. He is also the lead singer of post-punk band Public Image Ltd (PiL), which he founded and fronted from 1978 until 1993, and again since 2009. Lydon's outspoken personality, rebellious image and fashion style led to his being asked to become the singer of the Sex Pistols by their manager, Malcolm McLaren. With the Sex Pistols, he penned singles including " Anarchy in the U.K.", "God Save the Queen" and "Holidays in the Sun", the content of which precipitated what one commentator described as the 'last and greatest outbreak of pop-based moral pandemonium' in Britain. The band scandalised much of the media, and Lydon was seen as a figurehead of the burgeoning punk movement. Because of thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Of British Heavy Metal
The new wave of British heavy metal (commonly abbreviated as NWOBHM) was a nationwide musical movement that started in England in the mid-1970s and achieved international attention by the early 1980s. Journalist Geoff Barton coined the term in a May 1979 issue of the British music newspaper ''Sounds'' to describe the emergence of new heavy metal bands in the mid to late 1970s, during the period of punk rock's decline and the dominance of new wave music. Although encompassing diverse mainstream and underground styles, the music of the NWOBHM is best remembered for drawing on the heavy metal of the 1970s and infusing it with the intensity of punk rock to produce fast and aggressive songs. The DIY attitude of the new metal bands led to the spread of raw-sounding, self-produced recordings and a proliferation of independent record labels. Song lyrics were usually about escapist themes, such as mythology, fantasy, horror and the rock lifestyle. The NWOBHM began as an underground ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skate Punk
Skate punk (also known as skatecore and skate rock) is a skater subculture and punk rock subgenre that developed in the 1980s. Originally a form of hardcore punk that had been closely associated with skate culture, skate punk evolved into a more melodic genre of punk rock in the 1990s similar to pop punk. Since then, it has predominately featured fast tempos, lead guitar playing (including guitar riffs and guitar solos), fast drumming, and singing (sometimes including vocal harmonies). Occasionally, skate punk also combines the fast tempos of hardcore punk and melodic hardcore with the catchy hooks of pop-punk. 1970s and early 1980s punk rock bands like Buzzcocks, Descendents, Adolescents, Black Flag, and Circle Jerks paved the way for skate punk. Skate punk was pioneered in the 1980s by bands such as the Big Boys, Suicidal Tendencies, and JFA. Many early skate punk bands are part of the hardcore punk movement nardcore, which emerged in Oxnard, California. Skate punk band B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riot Grrrl
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington and the greater Pacific Northwest and has expanded to at least 26 other countries. Riot grrrl is a subcultural movement that combines feminism, punk music, and politics. It is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express anger, rage, and frustration, emotions considered socially acceptable for male songwriters but less common for women. Riot grrrl songs often addressed issues such as rape, domestic abuse, sexuality, racism, patriarchy, classism, anarchism, and female empowerment. Primary bands most associated with the movement by media inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queercore
Queercore (or homocore) is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film. As a music genre, it may be distinguished by lyrics exploring themes of prejudice and dealing with issues such as sexual identity, gender identity and the rights of the individual; more generally, queercore bands offer a critique of society endemic to their position within it, sometimes in a light-hearted way, sometimes seriously. Musically, many queercore bands originated in the punk scene but the industrial music culture has been influential as well. Queercore groups encompass many genres such as hardcore punk, electropunk, indie rock, power pop, no wave, noise, experimental, industrial and others. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like post-punk, the term has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen (band), Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black and Jawbox that stuck closer to post-hardcore's noise rock roots. In the early- and mid-2000s, achieved mainstream success with the popularity of bands like My Chemical Romance, Dance Gavin Dance, AFI (band), AFI, Underoath, Hawthorne Heights, Silverstein (band), Silverstein, The Used, At the Drive-In, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Punk
Horror punk is a music genre that mixes punk rock and 1950s-influenced doo-wop and rockabilly sounds with morbid and violent imagery and lyrics which are often influenced by horror films and science fiction B-movies. The genre was pioneered by the Misfits in the late 1970s and early 1980s. Subsequent bands formed in the Misfits' wake like Mourning Noise, the Undead and Samhain, solidifying horror punk's first wave. In the late 1990s and early 2000s the genre gained attention through the reunion of the Misfits and success of groups like AFI, Son of Sam and the Murderdolls. This popularity continued to the modern day with Blitzkid, Calabrese and Creeper. Characteristics Horror punk is defining by its fusion of punk rock music with the imagery and lyrical topics common in the horror film genre. Typically it references B movies, doing so in a way that emphasises cheesiness. However, some artists and songs in the genre also discuss events of real life horror. Due to this, horror ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Punk
Art punk is a subgenre of punk rock in which artists go beyond the genre's rudimentary garage rock and are considered more sophisticated than their peers. These groups still generated punk's aesthetic of being simple, offensive, and free-spirited, but essentially attracted audiences other than the angry, working-class ones that surrounded pub rock. History In the rock music of the 1970s, the "art" descriptor was generally understood to mean either "aggressively avant-garde" or "pretentiously progressive". Musicologists Simon Frith and Howard Horne described the band managers of the 1970s punk bands as "the most articulate theorists of the art punk movement", with Bob Last of Fast Product identified as one of the first to apply art theory to marketing, and Tony Wilson's Factory Records described as "applying the Bauhaus principle of the same 'look' for all the company's goods".Frith, Simon & Horne, Howard (1987) ''Art into Pop'', Methuen, , p. 129-130 Wire's Colin Newman describ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anarcho-punk
Anarcho-punk (also known as anarchist punk or peace punk) is ideological subgenre of punk rock that promotes anarchism. Some use the term broadly to refer to any punk music with anarchist lyrical content, which may figure in crust punk, hardcore punk, folk punk, and other styles. History Before 1977 Some members of the 1960s protopunk bands such as the MC5, The Fugs, Hawkwind, and the Edgar Broughton Band had new left or anarchist ideology. These bands set a precedent for mixing radical politics with rock music and established the idea of rock as an agent of social and political change in the public consciousness. Other precursors to anarcho-punk include avant-garde art and political movements such as Fluxus, Dada, the Beat generation, England's angry young men (such as Joe Orton), the surrealism-inspired Situationist International, the May 1968 uprising in Paris, and the Campaign for Nuclear Disarmament. Jello Biafra of the Dead Kennedys has cited the Yippies as an infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glam Punk
Glam punk is a term used retrospectively to describe a short-lived trend for bands which produced a form of proto-punk that incorporated elements of glam rock, initially in the early to mid-1970s. History Glam punk has been seen as a backlash to the hippie folk music sensibilities of the 1960s. Lucy O'Brien defines the New York Dolls style as combining "Rolling Stones raunch with heavy borrowings from the girl group era". The band was highly influential in New York City's club scene of the early 1970s, as well as with later generations of musicians,T. Givens, ''People of Paradox: a History of Mormon Culture'' (Oxford: Oxford University Press, 2007), , p. 281. and their style was adopted by a number of New York bands, including Ruby and the Rednecks. The Dolls broke up in 1976, by which time the trend had already metamorphosed into punk rock, punk and begun to move on to New wave music, new wave. Influence The New York Dolls helped spark the beginning of punk rock, with Malcolm Mc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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