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Pulse (1995 Film)
''Pulse'' (stylised as P•U•L•S•E) is a concert video by Pink Floyd of their 20 October 1994 concert at Earls Court, London, England during '' The Division Bell Tour''. It was originally released on VHS and Laserdisc in June 1995, with a DVD release coming in July 2006, with the latter release containing numerous bonus features. In 2019, a newly restored and re-edited version was released on Blu-ray and DVD as part of ''The Later Years'' box-set; this version was given a standalone release on 18 February 2022. The Blu-ray version is the first release of ''Pulse'' in HD, although it is upconverted from the original SD video recording and remains in its 4:3 aspect ratio. A separate 90-minute edit of the film, intended for TV and streaming, was also released in 2019. Track listing VHS, DVD and Blu-Ray The VHS and 2019 Blu-Ray release contains the same track listing as the 2006 DVD release, but spread across just one disc/tape. Each version contains slightly different edits ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Mallet (director)
David Victor Mark Mallet (born 17 December 1945) is a British director of music videos and concert films. He was one of the most prolific directors of music videos in the 1980s. Career Mallet rose to prominence in the late 1970s as a director of the then new format of music videos with the hugely successful enterprise MGMM, which he co-founded with Scott Millaney, Brian Grant and Russell Mulcahy. He is noted for his innovative work on hugely popular music videos in the 1980s, becoming one of the decade's most sought-after directors for this format. His work includes Iron Maiden's " Run to the Hills", David Bowie's " Ashes to Ashes" and " Let's Dance", Rush's " Distant Early Warning", and Queen's "Radio Ga Ga" and "I Want to Break Free" videos. He has directed numerous videos for AC/DC since the 1980s. He has also served as a producer on television programmes including '' The Kenny Everett Video Show''. He is also known for directing some concert recordings of soprano Sarah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coming Back To Life
"Coming Back to Life" is a song from Pink Floyd's 1994 album ''The Division Bell'', and is the only track from the album to be credited solely to David Gilmour. Composition Gilmour has said (as can be heard on the ''David Gilmour in Concert'' DVD) that the song was written about his wife, Polly Samson. The song is in the key of C Major. Personnel * David Gilmour – vocals, guitars * Richard Wright – Kurzweil synthesisers, Hammond organ * Nick Mason – drums Additional musicians: * Guy Pratt – bass guitar *Gary Wallis – percussion Live performances The song has been a staple in Gilmour's performances from 1994 to 2016. It was one of the songs performed on rotation during the 1994 Division Bell Tour, at every one of Gilmour's semi-acoustic shows in 2001 and 2002, at Gilmour's performance at the Fender Stratocaster 50th anniversary concert in London in 2004, and was played at most shows during his solo 2006 On an Island Tour. It became a staple of shows during the 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brain Damage (song)
"Brain Damage" is the ninth track from English rock band Pink Floyd's 1973 album ''The Dark Side of the Moon''. It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on '' Pulse''). The band originally called this track "Lunatic" during live performances and recording sessions. Composition When the band reconvened after the American leg of the '' Meddle'' tour, Roger Waters brought with him a prototype version of "Brain Damage" along with other songs such as " Money". He had been playing the song during the recording of the ''Meddle'' album in 1971, when it was called "The Dark Side of the Moon". Eventually this title would be used for the album itself. The second verse includes the lyric "And if your head explodes with dark forebodings too, I'll see you on the dark side of the moon." Eclipse seems to be partial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Any Colour You Like
"Any Colour You Like" is the eighth track on the English band Pink Floyd's 1973 album, '' The Dark Side of the Moon''. It is an instrumental written by David Gilmour, Richard Wright and Nick Mason. Composition The piece itself has no lyrics and consists of a synthesised tune which segues into a guitar solo (some scat vocals are added later; these were more prominent in live versions but are still audible in the studio recording). It is approximately three minutes, 25 seconds in length. The piece used advanced effects for the time both in the keyboard and the guitar. Richard Wright used a VCS 3 synthesizer which was fed through a long tape loop to create the rising and falling keyboard solo. David Gilmour used two guitars with the Uni-Vibe guitar effect to create the harmonizing guitar solo for the rest of the work. "Any Colour You Like" is also known (and is even listed on the ''Dark Side'' guitar tablature book) as "Breathe (Second Reprise)" because the piece shares the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Us And Them (song)
"Us and Them" is a song by the English progressive rock band Pink Floyd, from their 1973 album ''The Dark Side of the Moon''. The music was written by Richard Wright with lyrics by Roger Waters. It is sung by David Gilmour, with harmonies by Wright. The song is 7minutes and 49 seconds, the longest on the album. "Us and Them" was released as the second single from ''The Dark Side of the Moon'' in the United States, peaking at No. 72 on the '' Cash Box'' Top 100 Singles chart in March 1974. The single peaked at No. 85 in the Canadian chart. Composition Richard Wright introduces the song with harmonies on his Hammond organ, and put a piano chordal backing and short piano solo afterwards on the arrangement. The tune was originally written on the piano by Wright for the film ''Zabriskie Point'' in 1969 and was titled "The Violent Sequence". In its original demo form it was instrumental, featuring only piano and bass. Director Michelangelo Antonioni rejected it on the grounds th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Money (Pink Floyd Song)
"Money" is a song by the English progressive rock band Pink Floyd from their 1973 album '' The Dark Side of the Moon''. Written by Roger Waters, it opened side two of the original album. Released as a single, it became the band's first hit in the United States, reaching number 10 in ''Cash Box'' magazine and number 13 on the ''Billboard'' Hot 100. "Money" is noted for its unusual – time signature, and the tape loop of money-related sound effects (such as a ringing cash register and a jingle of coins) that is heard periodically throughout the song, including on its own at the beginning. Composition "Money" has been described as a progressive rock, blues rock, and hard rock song. Although Roger Waters and David Gilmour have made recent comments stating that the song had been composed primarily in time,Classic Albums: ''Pink Floyd – The Making of The Dark Side of the Moon'' (DVD), 2003. Rick Wright stated in a 2000 US radio interview that "Money" was composed in as state ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great Gig In The Sky
"The Great Gig in the Sky" is the fifth track on '' The Dark Side of the Moon'', the 1973 album by the English progressive rock band Pink Floyd. The song features music by Richard Wright and non-lexical vocals by Clare Torry, being one of only three Pink Floyd songs to feature vocals from an artist outside of the band. Composition The song began life as a Richard Wright chord progression, known variously as "The Mortality Sequence" or "The Religion Song". During the first half of 1972 it was performed live as a simple organ instrumental, accompanied by spoken-word samples from the Bible and snippets of speeches by Malcolm Muggeridge, a British writer known for his conservative religious views. By September 1972, the lead instrument had been switched to a piano, with an arrangement very similar to the final form but without vocals and a slightly different chord sequence in the middle. Various sound effects were tried over the track, including recordings of NASA astronauts com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time (Pink Floyd Song)
"Time" is a song by the English progressive rock band Pink Floyd. It is included as the fourth track on their eighth album '' The Dark Side of the Moon'' (1973) and was released as a single in the United States. Bassist Roger Waters wrote the lyrics, and the music is credited to all four band members. Keyboardist Richard Wright shares lead vocals (his last until " Wearing the Inside Out" on ''The Division Bell'') alongside guitarist David Gilmour. The lyrics deal with the passage of time. Waters got the idea when he realised he was no longer preparing for anything in life, but was right in the middle of it. He has described this realisation taking place at ages 28 and 29 in various interviews. It is noted for its long introductory passage of clocks chiming and alarms ringing. The sounds were recorded in an antique store made as a quadrophonic test by engineer Alan Parsons, not specifically for the album. The album track also includes a reprise of the song " Breathe". It is the on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On The Run (instrumental)
"On the Run" is the third track from British progressive rock band Pink Floyd's 1973 album, ''The Dark Side of the Moon''. It is an instrumental piece performed on an EMS synthesizer ( Synthi AKS). It deals with the pressures of travel, specifically air travel, which according to Richard Wright, would often bring fear of death. Composition This piece was created by entering an 8-note sequence into a Synthi AKS synthesiser made by the British synthesiser manufacturer EMS and speeding it up, with an added white noise generator creating the hi-hat sound. The band then added backwards guitar parts, created by dragging a microphone stand down the fretboard, reversing the tape, and panning left to right. There are also other Synthi and VCS 3 synthesizer parts, made to sound like a vehicle passing, giving a Doppler effect. The 8 note sequence is played at a tempo of 165 BPM, while both filter frequency and resonance are modulated. Near the end, the only guitar part is heard: a ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breathe (Pink Floyd Song)
"Breathe (In the Air)" is a song by English progressive rock band Pink Floyd. It appears on their 1973 album ''The Dark Side of the Moon''. Authorship and composition The authorship and composition of this song is credited to David Gilmour and Richard Wright for the music and Roger Waters for the lyrics. ''Dark Side'', admitted the latter, "is a little adolescent and naïve in its preoccupations, but I'm not belittling it. It's like a rather wonderful, naïve painting. 'Breathe in the air / Don't be afraid to care' – that's the opening couplet. Well, yeah, I can cop that, but it's kind of simplistic stuff." The song is slow-paced and rich in texture, and features Gilmour playing the electric guitar with a Uni-Vibe and lap steel guitar with a volume pedal and several overdubs. On the original album, it is a separate track from "Speak to Me", the sound collage that opens the first side. Since this track segues into "Breathe" via a sustained backwards piano chord, the two ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speak To Me
"Speak to Me" is the first track on British progressive rock band Pink Floyd's 1973 album, ''The Dark Side of the Moon'', on which it forms an overture. Nick Mason receives a rare solo writing credit for the track, though recollections differ as to the reasons for this. Mason states that he created the track himself, whereas Richard Wright and Roger Waters stated the credit was a "gift" to Mason to give him some publishing income (subsequently regretted by the latter, following his acrimonious departure from the band). Live versions are included on ''Pulse'' (1995) and ''The Dark Side of the Moon Live at Wembley 1974'' (2023). Recording On 23 June 1972 a brief sound collage had been pieced together featuring parts recorded from completed songs by that date; not much work would continue. Waters later began to compile a series of questions that tied to the concept of the album; he wrote the questions on cards and paced them in the recording booth where sat those who were to an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Of These Days (instrumental)
"One of These Days" is the opening track from Pink Floyd's 1971 album ''Meddle''. The composition is instrumental except for the spoken line from drummer Nick Mason, "One of these days, I'm going to cut you into little pieces." It features double-tracked bass guitars played by David Gilmour and Roger Waters, with each bass hard panned into one channel of stereo, but one bass sound is quite muted and dull. According to Gilmour, this is because that particular instrument had old strings on it, and the roadie they had sent to get new strings for it wandered off to see his girlfriend instead. Music The predominant element of the piece is that of a bass guitar played through a delay (Binson Echorec) unit, set to produce repeats in quarter-note triplets. The result of this setting is: if the player plays simple quarter notes, the added echoes will produce a pattern of ''quarter note – eighth note, quarter note – eighth note''. Pink Floyd would again use this technique on the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
